Small town officials, unable to find the culprit, call upon the young manager of a New York detective agency for help. It is the detective’s first murder case, and now, the specifics of the investigation and daring sting operation that caught the killer is captured in all its rich detail for the first time. Occurring exactly halfway between the end of the Civil War in 1865 and the formal beginning of the Civil Rights Movement in 1954, the brutal murder and its highly-covered investigation sits at the historic intersection of sweeping national forces—religious extremism, class struggle, the infancy of criminal forensics, and America’s Jim Crow racial violence. History and true crime collide in this sensational murder mystery featuring characters as complex and colorful as those found in the best psychological thrillers—the unconventional truth-seeking detective Ray Schindler; the sinister pedophile Frank Heidemann; the ambitious Asbury Park Sheriff Clarence Hetrick; the mysterious “sting artist,” Carl Neumeister; the indomitable crusader Ida Wells; and the victim, Marie Smith, who represented all the innocent and vulnerable children living in turn-of-the-century America. Gripping and powerful, The Rope is an important piece of history that gives a voice to the voiceless and resurrects a long-forgotten true crime story that speaks to the very divisions tearing at the nation’s fabric today.

    And despite leaving his rough neighborhood behind, he can't escape the scorn of his former peers or the ridicule of his new classmates. Justyce looks to the teachings of Dr. Martin Luther King Jr. for answers. But do they hold up anymore? He starts a journal to Dr. King to find out.Then comes the day Justyce goes driving with his best friend, Manny, windows rolled down, music turned up—way up, sparking the fury of a white off-duty cop beside them. Words fly. Shots are fired. Justyce and Manny are caught in the crosshairs. In the media fallout, it's Justyce who is under attack.

    In the form of a letter, Coates manages to address American race relations in the past, present, and future. While the letter contains a wealth of information and insight, so much can be easily lost through his constant wavering between discussion and story.   This sidekick to "Between the World and Me" has done the work of combing through the book for you and offers a crisp explanation of every major theme. Broken into chapters, the reader can easily follow themes along through each chapter by referencing the included quotations. A summary of each chapter is also provided as a refresher.   The full poems and essays referenced in the epigraph and in each chapter are provided with a concise analysis allowing the reader to understand Coates' choices and their reflection of the rest of the book. A read through Coates' best seller isn't nearly a mind opening as when read alongside the sidekick. You'll put down "Between the World and Me" feeling enlivened by your understanding of the complexities of racism in America and of the various ways Coates talks about it.   While reading this sidekick you'll have the chance to:   Delve deeper into the major themes of the novel   Analyze the full works of each poem and essay mentioned and their relation to the letter   Get to know the authors Coates admires   Grow your understanding of the allusions and references   Arm yourself with the tools to discuss this book with confidence   Disclaimer: This book serves as an accompaniment to the bestseller "Between the World and me" by Ta-Nehisi Coates. It is meant to broaden the reader's understanding of the book and to offer some insights which can easily be overlooked. You should order a copy of the actual book before reading this.

    People are waking up to the seedy history of the world's art collections, and are starting to ask difficult questions about what the future of museums should look like. In The Whole Picture, art historian and Uncomfortable Art Tour guide Alice Procter provides a manual for deconstructing everything you thought you knew about art, and fills in the blanks with the stories that have been left out of the art history canon for centuries. The book is divided into four chronological sections, named after four different kinds of art space:The Palace The Classroom The Memorial The Playground Each section tackles the fascinating and often shocking stories of five different art pieces, including the propaganda painting that the East India Company used to justify its control in India; the Maori mokomokai skulls that were traded and collected by Europeans as 'art objects'; and Kara Walker's controversial contemporary sculpture A Subtlety, which raised questions about 'appropriate' interactions with art. Through these stories, Alice brings out the underlying colonial narrative lurking beneath the art industry today, and suggests different ways of seeing and thinking about art in the modern world.The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.

    Hollow and Deceptive Philosophies: Tom Ascol2. Cultural Marxism: Voddie Baucham3. The Religious Root of our Sexual Perversion: Jared Longshore4. White Privilege: Tom Ascol5. Biblical Justice and Social Justice: Tom Nettles6. God’s Created Order—Living Justly as Male and Female:Jared Longshore7. Ethnic Gnosticism: Voddie Baucham8. Mature Manhood: Mark Coppenger9. Racial Reconciliation: Voddie Baucham10. Gospel Privilege and Global Missions: Chad VegasAppendix: Timon ClineCommendations “Why do denominations and seminaries tend to become theologically liberal? I believe that there is one major reason: the people of God long to have the approval of the world. So we start flirting with their ideas, and we adopt their vocabulary. We want them to think that our academic papers, sermons, and books have amazingly transcended the narrow-minded confines of our Bible-thumping seminary or denomination….The simple teaching of the Bible begins to look old fashioned and unrefined, so more and more we talk about political issues, occasionally throwing in a dash of scripture just to prove that we are, at least for now, holding to the inerrancy and sufficiency of scripture. When we are confronted with the plain, unfashionable, sin-condemning statements of scripture, we put on our tolerant, educated faces and say, “Well, we know that this teaching is limited to the culture of the first century, and so it is irrelevant to us today.”…You will find none of this in this book. Instead what you will find is solid biblical reasoning from godly men who are not afraid to say, “Jesus is my Lord. The Bible is my standard of what I believe and teach. The despised people of God are my people.”JIM SCOTT ORRICKAuthor, Former Professor of Literature and Culture, Boyce College_______________________________________________________________________ “Diversity, tolerance, inclusivity, and social justice are the chief values of postmodernity and political correctness. In a culture where these are deemed some of the last remaining virtues and biblical principles are routinely scorned, what should the church’s posture be? Should Christians adjust the gospel, remodel our message, and bring our statements of faith more in line with the world’s thinking? To ask that question is to answer it. But in case the answer isn’t clear, these superbly-written essays spell it out in brilliant detail. I’m grateful for the courage of these men and the clarity of their voices. This is a vitally important volume, sounding all the right notes of passion, warning, instruction, and hope.”PHIL JOHNSONExecutive Director of Grace To You

    Dr. Martina McGowan is a retired MD, a mother, grandmother, and a poet. Her poetry provides insights that no think piece on racism can; putting readers in the uncomfortable position of feeling, reflecting, and facing what it means to be a Black American.This entire collection was created during 2020, many shortly after the deaths of Breonna Taylor and George Floyd, to name but a few.

    When his mother was sold away, Hiram was robbed of all memory of her—but was gifted with a mysterious power. Years later, when Hiram almost drowns in a river, that same power saves his life. This brush with death births an urgency in Hiram and a daring scheme: to escape from the only home he’s ever known.So begins an unexpected journey that takes Hiram from the corrupt grandeur of Virginia’s proud plantations to desperate guerrilla cells in the wilderness, from the coffin of the Deep South to dangerously idealistic movements in the North. Even as he’s enlisted in the underground war between slavers and the enslaved, Hiram’s resolve to rescue the family he left behind endures.This is the dramatic story of an atrocity inflicted on generations of women, men, and children—the violent and capricious separation of families—and the war they waged to simply make lives with the people they loved. Written by one of today’s most exciting thinkers and writers, The Water Dancer is a propulsive, transcendent work that restores the humanity of those from whom everything was stolen.

    Fashioning himself Eric Galt, this nondescript thief and con man—whose real name was James Earl Ray—drifted through the South, into Mexico, and then Los Angeles, where he was galvanized by George Wallace’s racist presidential campaign. On February 1, 1968, two Memphis garbage men were crushed to death in their hydraulic truck, provoking the exclusively African American workforce to go on strike. Hoping to resuscitate his faltering crusade, King joined the sanitation workers’ cause, but their march down Beale Street, the historic avenue of the blues, turned violent. Humiliated, King fatefully vowed to return to Memphis in April. With relentless storytelling drive, Sides follows Galt and King as they crisscross the country, one stalking the other, until the crushing moment at the Lorraine Motel when the drifter catches up with his prey. Against the backdrop of the resulting nationwide riots and the pathos of King’s funeral, Sides gives us a riveting cross-cut narrative of the assassin’s flight and the sixty-five-day search that led investigators to Canada, Portugal, and England—a massive manhunt ironically led by Hoover’s FBI.

    With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters' lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief—all while exploring how history haunts us, personally and collectively. Ultimately, she provokes us to think about the truths of American history—about who gets to tell them, and the cost of setting the record straight.In "Boys Go to Jupiter," a white college student tries to reinvent herself after a photo of her in a Confederate-flag bikini goes viral. In "Richard of York Gave Battle in Vain," a photojournalist is forced to confront her own losses while attending an old friend's unexpectedly dramatic wedding. And in the eye-opening title novella, a black scholar from Washington, DC, is drawn into a complex historical mystery that spans generations and puts her job, her love life, and her oldest friendship at risk.

    When special prosecutor Thomas E. Dewey selected twenty lawyers to help him clean up the city’s underworld, she was the only member of his team who was not a white male.Eunice Hunton Carter, Stephen Carter’s grandmother, was raised in a world of stultifying expectations about race and gender, yet by the 1940s, her professional and political successes had made her one of the most famous black women in America. But her triumphs were shadowed by prejudice and tragedy. Greatly complicating her rise was her difficult relationship with her younger brother, Alphaeus, an avowed Communist who ― together with his friend Dashiell Hammett ― would go to prison during the McCarthy era. Yet she remained unbowed.Moving, haunting, and as fast-paced as a novel, Invisible tells the true story of a woman who often found her path blocked by the social and political expectations of her time. But Eunice Carter never accepted defeat, and thanks to her grandson’s remarkable book, her long forgotten story is once again visible.

    There is an alternate edition published under ISBN13: 9780062509550. 'Injustice anywhere is a threat to justice everywhere.' This landmark missive from one of the greatest activists in history calls for direct, non-violent resistance in the fight against racism, and reflects on the healing power of love.This edition also contains the sermon 'The Three Dimensions of a Complete Life'.

    She speaks honestly about issues of race, poverty, institutional responsibility, and white privilege by engaging the reader in the experiences of a day in the classroom with some of her remarkable students.Throughout the day, we meet bigotry head-on, struggle with questions of racial identity, and find cultural conflict in the corridors of the school building. Along the way, we come face to face with Tyrone, a young African-American student grappling with the realities of discrimination in suburbia. We encounter Sheila, a teenage mother struggling to raise her baby in poverty, and we get to know Sarah, a white girl living on the streets of Minneapolis.Through the author's eyes, we begin to understand the complexities of teaching in today's society and we learn within the pages of this book, if only just for a moment, what it feels like to be the other.

    Sabriya has her whole summer planned out in color-coded glory, but those plans go out the window after a terrorist attack near her home. When the terrorist is assumed to be Muslim and Islamophobia grows, Sabriya turns to her online journal for comfort. You Truly Assumed was never meant to be anything more than an outlet, but the blog goes viral as fellow Muslim teens around the country flock to it and find solace and a sense of community.Soon two more teens, Zakat and Farah, join Bri to run You Truly Assumed and the three quickly form a strong friendship. But as the blog’s popularity grows, so do the pushback and hateful comments. When one of them is threatened, the search to find out who is behind it all begins, and their friendship is put to the test when all three must decide whether to shut down the blog and lose what they’ve worked for…or take a stand and risk everything to make their voices heard.

    So, he did what comes naturally to him, but might seem unnatural to many. A trusted white friend responded: Here is the deal: we don’t understand it; we don’t know what to say; and we don’t know what to do. That response propelled Aaron to action to deepen the understanding of his white friends, with the hope that greater understanding would result in a greater unity believers possess in Christ. The lessons he learned are the foundation of this book a letter to the white Christians he dearly loves, as well as those he hopes to one day meet. Dear White Christian is designed for any white Christian who seeks practical tools for beginning or continuing conversations with black brothers and sisters in Christ. As you read this book, lean into that which makes you uncomfortable. Allow this letter to give you insight and challenge you for the glory of God. "Dear White Christian provides a black leader’s perspective ... to help break down the walls that inhibit real conversations and understanding to take place." James Marsh, Director, Van Lunen Center at Calvin College, Grand Rapids, MI “This book will help you embrace the challenge to recognize the season we are in and steward it well.” Thurman L. Williams, Associate Pastor, Grace and Peace Fellowship Church, St. Louis, MO.

    As adults, they remain as close as sisters, though their lives have taken different directions. Jen married young, and after years of trying, is finally pregnant. Riley pursued her childhood dream of becoming a television journalist and is poised to become one of the first Black female anchors of the top news channel in their hometown of Philadelphia. But the deep bond they share is severely tested when Jen’s husband, a city police officer, is involved in the shooting of an unarmed Black teenager. Six months pregnant, Jen is in freefall as her future, her husband’s freedom, and her friendship with Riley are thrown into uncertainty. Covering this career-making story, Riley wrestles with the implications of this tragic incident for her Black community, her ambitions, and her relationship with her lifelong friend. Like Tayari Jones’s An American Marriage and Jodi Picoult’s Small Great Things, We Are Not Like Them explores complex questions of race and how they pervade and shape our most intimate spaces in a deeply divided world. But at its heart, it’s a story of enduring friendship—a love that defies the odds even as it faces its most difficult challenges.