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    Our hearts break and God tenderly mends them again. He holds us in His love and comforts us with His peace. In this book you’ll discover why God let’s bad things happen. You’ll learn what His plan is and how He intends to use it for good. You’ll find His comfort and a place of peace again.

    

    Formed in the chemical mists of New Year's Eve, The Sex Division sees the once sacred act of procreation at its most material, as five men devise a system based on the sexual act. In this lager-soaked league, the most that women can offer a man is 4 points - unless, that is, she leaves her handbag unattended... From its base in the asset-stripped, emotionally castrated 90s, Headhunters shows the dreams of The Sex Division members breaking through the heavy media cloud of anorexic pin-ups and paedophile fashion. A missing brother, prophetic visions, a love affair, and tit-for-tat confrontation draw the characters out into the open - revealing the men behind the machismo, their need for mutual respect, and their recognition of the hidden or suppressed affinities.

    Not only is the influence of Greek drama palpable in everything from Shakespeare to modern television, the insights contained in Greek tragedy have shaped our perceptions of the nature of human life. Poets, philosophers, and politicians have long borrowed and adapted the ideas and language of Greek drama to help them make sense of their own times.This exciting curated anthology features a cross section of the most popular--and most widely taught--plays in the Greek canon. Fresh translations into contemporary English breathe new life into the texts while capturing, as faithfully as possible, their original meaning.This outstanding collection also offers short biographies of the playwrights, enlightening and clarifying introductions to the plays, and helpful annotations at the bottom of each page. Appendices by prominent classicists on such topics as "Greek Drama and Politics," "The Theater of Dionysus," and "Plato and Aristotle on Tragedy" give the reader a rich contextual background. A detailed time line of the dramas, as well as a list of adaptations of Greek drama to literature, stage, and film from the time of Seneca to the present, helps chart the history of Greek tragedy and illustrate its influence on our culture from the Roman Empire to the present day.With a veritable who's who of today's most renowned and distinguished classical translators, The Greek Plays is certain to be the definitive text for years to come.Praise for The Greek Plays"Mary Lefkowitz and James Romm deftly have gathered strong new translations from Frank Nisetich, Sarah Ruden, Rachel Kitzinger, Emily Wilson, as well as from Mary Lefkowitz and James Romm themselves. There is a freshness and pungency in these new translations that should last a long time. I admire also the introductions to the plays and the biographies and annotations provided. Closing essays by five distinguished classicists--the brilliant Daniel Mendelsohn and the equally skilled David Rosenbloom, Joshua Billings, Mary-Kay Gamel, and Gregory Hays--all enlightened me. This seems to me a helpful light into our gathering darkness."--Harold Bloom

    The works in the series are suitable for ages eight and up. The books are simple, retellings of the great literary classics which remain faithful to the original text.

    Fitzwilliam Darcy and Colonel Fitzwilliam couldn't be more different, and that goes for the way each one woos and pursues the woman of his dreams. Darcy is quiet and reserved, careful and dutiful, and his qualms and hesitations are going to torpedo his courtship of Elizabeth. His affable and vivacious cousin, Colonel Fitzwilliam is a military hero whose devil-may-care personality hides the torments within, until he finds himself in a passionate, whirlwind affair with a beautiful widow who won't hear of his honorable intentions.Cousins, best friends, and sparring partners, Darcy and Fitzwilliam have always been there for each other. So it's no surprise when the only one who can help Darcy fix his botched marriage proposals is Fitzwilliam, and the only one who can pull Fitzwilliam out of an increasingly dangerous entanglement is Darcy...

    The three long poems in Eye Against Eye convey the wrought particulars of intimate human relations, perceptions of the landscape, and the historical moment, tense with political exigencies. Mayan ruins invoke the collapsing Twin Towers, love between parents and child blister with tension, and a bicycle thief shatters the narcotic illusion of a private accord. Also contained is Late Summer Entry, a series of poetic commentaries on Sally Mann's landscape photographs. Eye Against Eye, Forrest Gander's third book with New Directions, cries out an ethical concern for the ways we see each other and the world, the potential to share a vision that acknowledges our commonality. As always with Gander's poetry, suspensions and repetitions drive toward a complex emotional experience, evoking the multifaceted, multi-vocal surge of our present.

    The major theme is the dictatorship of the state and discrimination suffered by the immigrant Nepalese. Thule and Satar, the major characters represent thousands of poor, innocent and illiterate Nepali youths who flee their homes every year with the dream of better quality of life but their dreams get shattered in the hands of frauds and tyrants in the alien land. Various well known authors and critics like Parijat and Michael Hutt have spent words to praise the magic the twenty one year old author cast on the audience in those days and even now.For Parijat, Muglãn is “the second novel I have read in a single breath, within a decade. Unless the language, style, presentation is good, it becomes difficult to read any literature”. Muglan, however, is criticized for being too pessimistic in tone and exaggerating the then existing circumstances. Muglan has been rendered into English from Nepali by Lekhnath Sharma Pathak.

    His poetry in Persian appealed equally to the Delhi sultans and to his Sufi sheikh, Nizamuddin Auliya. It was appreciated not only in India, where his Hindavi poetry has survived through a lively oral tradition, but also across a cosmopolitan Persianate world that stretched from Turkey to Bengal. Khusrau's poetry has thrived for centuries and continues to be read and recited to this day. But despite his vast literary output, there is a dearth of translations of his work. In the Bazaar of Love offers new translations of Khusrau's poems in Persian and Hindavi, many of which are being translated into English for the first time. Paul Losensky's translations of Khusrau's ghazals, including his mystical and romantic poems, comprise fresh renditions of old favourites while also bringing to light several little- known works. Sunil Sharma brings us many of Khusrau's short poems, including those belonging to the qawwali repertoire, as well as a mixed prose-and-verse narration 'The Romance of Duval Rani and Khizr Khan'.The first comprehensive selection of Amir Khusrau’s poetry, In the Bazaar of Love covers a wide range of genre and forms, evoking the magic of one of the best-loved poets of the Indian subcontinent.About the AuthorPaul Losensky is associate professor at Indiana University, Bloomington, where he teaches translation studies, and Persian language and literature.Sunil Sharma teaches Persian and Indian literatures at Boston University. He is the author of two books on Indo-Persian poetry.

    Victor Hatherly enters Dr. Watsons office with a missing thumb, he says the story is so unbelievable he cant go to the police. So, Watson brings Hatherly to Holmes who can solve unsolvable cases. Join Holmes and Watson on the hunt for the engineers thumb. Graphic Planet is an imprint of Magic Wagon, a division of ABDO Group. Grades 3-8.

    

    Annie Proulx) whose “melancholy beauty resonates with the deepest truths” (Boston Globe).

    

    side at the top, and shot into the next hollow, twisting in the descent. A huge swell pushed up exactly under her middle, and her bow and stern hung free with nothing to support them. Then one joking wave caught her up at the bow, and another at the stern, while the rest of the water slunk 251 away from under her just to see how she would like it; so she was held up at her two ends only, and the weight of the cargo and the machinery fell on the groaning iron keels and bilge-stringers. "Ease off! Ease off, there!" roared the garboard-strake. "I want one-eighth of an inch fair play. D' you hear me, you rivets!" "Ease off! Ease off!" cried the bilge-stringers. "Don't hold us so tight to the frames!" "Ease off!" grunted the deck-beams, as the Dimbula rolled fearfully. "You've cramped our knees into the stringers, and we can't move. Ease off, you flat-headed little nuisances." Then two converging seas hit the bows, one on each side, and fell away in torrents of streaming thunder. "Ease off!" shouted the forward collision-bulkhead. "I want to crumple up, but I'm stiffened in every direction. Ease off, you dirty little forge-filings. Let me breathe!" All the hundreds of plates that are riveted to the frames, and make the outside skin of every steamer, echoed the call, for each plate wanted to shift and creep a little, and each plate, according to its position, complained against the rivets. "We can't help it! We can't help it!" they murmured in reply. "We're put here to hold you, and we're going to do it; you never pull us twice in the same direction. If you'd say what 252 you were going to do next, we'd try to meet your views." "As far as I could feel," said the upper-deck planking, and that was four inches thick, "every single iron near me was pushing or pulling in opposite directions. Now, what's the sense of that? My friends, let us all pull together." "Pull any way you please," roared the funnel, "so long as you don't try your experiments on me. I...