She was naked, a foot-long gash in her back was still bleeding, and her identity implant was gone. Lore Van Oesterling had been the daughter of one of the world's most powerful families...and now she was nobody, and she had to hide. Then out of the rain walked Spanner, predator and thief, who took her in, cared for her wound, and taught her how to reinvent herself again and again. No one could find Lore now: not the police, not her family, and not the kidnappers who had left her in that alley to die. She had escaped...but the cost of her newfound freedom was crime and deception, and she paid it over and over again, until she had become someone she loathed.Lore had a choice: She could stay in the shadows, stay with Spanner...and risk losing herself forever. Or she could leave Spanner and find herself again by becoming someone else: stealing the identity implant of a dead woman, taking over her life, and creating a new future. But to start again, Lore required Spanner's talents--Spanner, who needed her and hated her, and who always had a price. And even as Lore agreed to play Spanner's game one final time, she found that there was still the price of being a Van Oesterling to be paid. Only by confronting her family, her past, and her own demons could Lore meld together who she had once been, who she had become, and the person she intended to be...

    Clarke Awards. For centuries, the kingdom of Iraden has been protected by the god known as the Raven. He watches over his territory from atop a tower in the powerful port of Vastai. His will is enacted through the Raven's Lease, a human ruler chosen by the god himself. His magic is sustained via the blood sacrifice that every Lease must offer. And under the Raven's watch, the city flourishes. But the power of the Raven is weakening. A usurper has claimed the throne. The kingdom borders are tested by invaders who long for the prosperity that Vastai boasts. And they have made their own alliances with other gods. It is into this unrest that the warrior Eolo--aide to Mawat, the true Lease--arrives. And in seeking to help Mawat reclaim his city, Eolo discovers that the Raven's Tower holds a secret. Its foundations conceal a dark history that has been waiting to reveal itself...and to set in motion a chain of events that could destroy Iraden forever.

    As the Battalion des Mortes they cheat death, saving those about to meet a bloody end at the blade of Madame La Guillotine. But their latest rescue is not what she seems. The girl's no aristocrat, but her dark and disturbing powers means both the Royalists and the Revolutionaries want her. But who and what is she?In these dangerous days, no one can be trusted, everyone is to be feared. As Camille learns the truth, she's forced to choose between loyalty to those she loves and the future.

    Ash Persaud is about to become a reaper in the afterlife, but she is determined to see her first love Poppy Morgan again, the only thing that separates them is death. Car headlights.The last thing Ash hears is the snap of breaking glass as the windscreen hits her and breaks into a million pieces like stars. But she made it, she's still here. Or is she?This New Year's Eve, Ash is gets an RSVP from the afterlife she can't decline: to join a clan of fierce girl reapers who take the souls of the city's dead to await their fate. But Ash can't forget her first love, Poppy, and she will do anything to see her again... even if it means they only get a few more days together. Dead or alive...NOT EVEN DEATH CAN TEAR THEM APART.

    In a small Western Queensland town, a reserved young woman receives a note from one of her vanished brothers—a note that makes question her memories of their disappearance and her father’s departure.A beguiling story that proves that gothic delights and uncanny family horror can live—and even thrive—under a burning sun, Flyaway introduces readers to Bettina Scott, whose search for the truth throws her into tales of eerie dogs, vanished schools, cursed monsters, and enchanted bottles.In these pages Jennings assures you that gothic delights, uncanny family horror, and strange, unsettling prose can live—and even thrive—under a burning sun.Holly Black describes as “half mystery, half fairy tale, all exquisitely rendered and full of teeth.” Flyaway enchants you with the sly, beautiful darkness of Karen Russell and a world utterly its own.

    Northland had no idea what to expect when he returned home to Lorehaven injured from war, but it certainly wasn't to find himself posted on an island full of vampires. An island whose local vampire dandy lord causes Nathan to feel strange things he'd never felt before. Particularly about fangs.When Vlad Blutstein agreed to hire Nathan as Captain of the Eyrie Guard, he hadn't been sure what to expect either, but it certainly hadn't been to fall in love with a disabled werewolf. However Vlad has fallen and fallen hard, and that's the problem.Torn by their allegiances--to family, to duty, and the age-old enmity between vampires and werewolves--the pair find themselves in a difficult situation: to love where the heart wants or to follow where expectation demands.The situation is complicated further when a mysterious and beguiling figure known only as Lady Ursula crashes into their lives, bringing with her dark omens of death, doom, and destruction in her wake.And a desperate plea for help neither of them can ignore.Thrown together in uncertain times and struggling to find their place amidst the rising human empire, the unlikely trio must decide how to face the coming darkness: united as one or divided and alone. One thing is for certain, none of them will ever be the same.

    In 1835, The Brothers Jacob and Wilhelm Grimm revise the tale to bury a truth about Jacob even he can’t come to face. In 1986, a folklore scholar and her brother come to find the record is wrong about the figurative witch in the woods, while in 2211, twin space probes aiming to find earth's sister planet disseminate the narrative in binary code. Breadcrumbing back in time from 2365 to 1378, siblings reimagine, reinvent, and recycle the narrative of Hansel and Gretel to articulate personal, regional, and ultimately cosmic experiences of tragedy.Through a relay of speculative pieces that oscillate between eco-fiction and psychological horror, The Archive of Alternate Endings explores sibling love in the face of trauma over the course of a millennium, in the vein of Richard McGuire's Here and Lars von Trier's Melancholia.

    She runs the school, and if she chose, she could blow up Maria and Lily’s whole world with a pointed look, or a carefully placed word.But what Delilah doesn’t know is that Lily and Maria are willing to do anything—absolutely anything—to make their dreams come true. And the first step is unseating Delilah for the Kingsley Prize. The full scholarship, awarded to Maria, will lock in her attendance at Stanford―and four more years in a shared dorm room with Lily.Maria and Lily will stop at nothing to ensure their victory—including harnessing the dark power long rumored to be present on the former plantation that houses their school.But when feuds turn to fatalities, and madness begins to blur the distinction between what’s real and what is imagined, the girls must decide where they draw the line.

    Smart, dedicated, gorgeous, and, thanks to her last movie before she hung up on Hollywood, rich, she's a pleasure to oblige when she says Rob has to witness this channeler Ariaura's act--on her, not the Eye's, nickel--despite channelers being so last year. It's quite a show, all right, for in the midst of Ariaura's particular ancient wise guy's basso spiel, a gravelly baritone interrupts (both voices emanate from the channeler's female mouth) to berate the audience as "yaps" and the act as "claptrap." Why is Ariaura undermining herself? Or is she? After all, she angrily accuses Rob and Kildy of scheming to destroy her. Could the baritone belong to a genuine channeled spirit? Willis, one of sf's most spirited writers, rounds on the New Age; pays tribute to a great, skeptical journalist; and affectionately parodies pulp fiction at its best in this irresistible entertainment.

    Beware of her. Mind her. Death guards her like one of its own."The day Fatima forgot her name, Death paid a visit. From hereon in she would be known as Sankofa­­--a name that meant nothing to anyone but her, the only tie to her family and her past.Her touch is death, and with a glance a town can fall. And she walks--alone, except for her fox companion--searching for the object that came from the sky and gave itself to her when the meteors fell and when she was yet unchanged; searching for answers.But is there a greater purpose for Sankofa, now that Death is her constant companion?

    The fact that she’s descended from one of the town’s founders doesn’t help much, either—her new neighbours treat her with distant respect, and something very like fear. When she meets Justin, May, Isaac, and Harper, all children of founder families, and sees the otherworldly destruction they can wreak, she starts to wonder if the townsfolk are right to be afraid.When bodies start to appear in the woods, the locals become downright hostile. Can the teenagers solve the mystery of Four Paths, and their own part in it, before another calamity strikes?

    One day she accidentally becomes the personal assistant to married spies. For the last three years she's lusted after them, not very secretively, until finally she decides it's time to move on with her life and gives her notice. During her last week of work, her bosses whisk her away to Serbia for a top secret mission that only she can help them complete. And in the middle of dispatching a European dictator, Kierra and her bosses give in to their deepest desires. Pink Slip is the first in an erotic/suspense/spy/comedy series that wonders what James Bond's receptionist's life might have been like. If James Bond had a wife and they both wanted to shag the receptionist. But the dirty American version of that. And all of the possible entanglements in between.