It won’t be the last. He’s now arrived in Galicia. It’s where Álvaro died. It’s where the case has already been quickly closed as a tragic accident. It’s also where Álvaro hid his secrets.The man to whom Manuel was married for fifteen years was not the unassuming man he knew.Álvaro’s trail leads Manuel deep into one of Spain’s most powerful and guarded families. Behind the walls of their forbidding estate, Manuel is nothing but an unwelcome and dangerous intruder. Then he finds two allies: a stubbornly suspicious police lieutenant and Álvaro’s old friend—and private confessor—from seminary school. Together they’re collecting the pieces of Álvaro’s past, his double life, and his mysterious death.But in the shadows of nobility and privilege, Manuel is about to unravel a web of corruption and deception that could be as fatal a trap for him as it was for the man he loved.

    This author's narrative, seeped in magic and peppered with Mexico's culinary customs, was quickly taken to the silver screen where Tita and Pedro's forbidden relationship would captivate audiences not only in its native country, but around the globe - cementing Equivel's name within the ever-growing canon of Latin American women writers. Nathanial Gardner introduces the reader to both the novel and the film version of Como agua para chocolate and examines not only key themes, such as rebellion and tradition, but also its style and main characters. This narrative's acclaimed use of food and other gastronomic elements are taken into consideration as well as the significance of magic realism to this text. As this novel/film combination follow each other in an unusually close manner, the first part analyses many of the components the two share while the second part of this study emphasizes the cinematic mechanisms that are unique to this particular presentation of Esquivel's most widely-studied creation to date.

    Eliot’s The Waste Land, Pablo Neruda’s Residencia en la tierra, and Federico Garcia Lorca’s Poeta en Nueva York. It marks a major departure from the light-hearted tone of the poet's earlier verse, which was notably influence by Andalusian folksong. It is at once intensely imaginative and intimately realistic, a lyrical illumination of the poet’s “dark night of the soul.”Rafael Alberti, born in 1902, is the last surviving member of the so-called Generation of 1927 that included such notable Spanish poets Federico García Lorca, Vincente Alexandre, Pedro Salinas, Jorge Guillen, and Luis Cernuda.Christopher Sawyer-Laucanno lives in Massachusetts and teaches in the program in Writing and Humanistic Studies at MIT.

    I couldn’t put it down.” —Billy BeaneThe astonishing untold story of the people who transformed sports, in the span of a single generation, from a job that required top athletes to work in the off-season to make ends meet into a massive global business.In the cash-soaked world of contemporary sports, where every season brings news of higher salaries, endorsement deals, and television contracts, it is mind-boggling to remember that as recently as the 1970s elite athletes earned so little money that many were forced to work second jobs in the off-season. Roger Staubach, for example, made only $25,000 in his first season as the starting quarterback for the Dallas Cowboys and wound up selling commercial real estate during the summer. Today, when Fortune reports that every athlete on its Top 50 list makes more than twenty million dollar per year, it’s clear that a complete reversal of power has occurred right before our eyes.Players is the first book to tell the astonishing narrative behind the creation of the modern sports business—a true revolution that moved athletes from the bottom of the financial pyramid to the top. It started in 1960, when a young Cleveland lawyer named Mark McCormack convinced a young golfer named Arnold Palmer to sign with him. McCormack simply believed that the best athletes had more commercial value than they realized—and he was right. Before long, he raised Palmer’s annual off-the-course income from $5,000 to $500,000 and forever changed the landscape of the sports world.In Players, veteran Wall Street Journal sports reporter Matthew Futterman introduces a wide-ranging cast of characters to tell the story of the athletes, agents, TV executives, and league officials who together created the dominating and multifaceted sports industry we know today. Beginning with Palmer and McCormack’s historic partnership, Players features details of the landmark moments of sports that have never been revealed before, including how legendary Wide World of Sports producer Roone Arledge realized that the way to win viewers was to blend sports and human drama; the 1973 Wimbledon boycott, when eighty-one of the top tennis players in the world protested the suspension of Nikola Pilic; and baseball pitcher Catfish Hunter’s battle to become MLB’s first free agent.Players is a gripping, fly-on-the-wall account of the creation and rise of the modern sports world and the people who fought to make it happen. From the professionalization of the Olympics to the outsize influence of companies like IMG, Nike, and ESPN, this fascinating book details the wild evolution of sports into the extravaganza we experience today, and the inevitable trade-offs those changes have wrought.

    The so-called "war on drugs" has been a brutal and chaotic failure (more than 160,000 lives have been lost). The drug cartels and the forces of law and order are often in collusion, corruption is everywhere. Life is cheap and inconvenient people - the poor, the unlucky, the honest or the inquisitive - can be "disappeared" leaving not a trace behind (in September 2015, more than 26,798 were officially registered as "not located"). Yet people in all walks of life have refused to give up.Diego Enrique Osorno and Juan Villoro tell stories of teenage prostitution and Mexico's street children. Anabel Hernández and Emiliano Ruiz Parra give chilling accounts of the "disappearance" of forty-three students and the murder of a self-educated land lawyer. Sergio González Rodríguez and Marcela Turati dissect the impact of the violence on the victims and those left behind, while Lydia Cacho contributes a journal of what it is like to live every day of your life under threat of death. Reading these accounts we begin to understand the true nature of the meltdown of democracy, obscured by lurid headlines, and the sheer physical and intellectual courage needed to oppose it.This is reportage at its bravest and most necessary - writing that has the power to change the world's view of Mexico and by the force of its truth to start to heal the country's many sorrows.

    Each finds a man carefully churning over his past, trying to fathom how the distance between people can become suddenly unbridgeable. Two tourists visit a remote island off the coast of Africa and are undone by a disconcerting encounter with another couple. A young man, enchanted by his bohemian cousin and her husband, watches them fall into a state of resentful dependence over the course of decades. A chaste but all-consuming love affair between a troubled boy and a wealthy but equally troubled girl leaves a scar that never heals. The son of divorced parents tries in vain to reunite them before realizing why he is wrong to do so. In The End of Love, Giralt Torrente forges discomfiting and gripping dramas from the small but consequential misunderstandings that shape our lives.

    He is blond, blue-eyed and is wearing a white suit. His surname is White. The murdered man is dark, black-eyed and his suit is black...the same as his surname. And, as if that isn't enough, they look like perfect twins except for the details of eye colour and complexion. Two policemen are in charge of the hottest crime in London. They will cross a sea of intrigue to find out that two gangs in the city have declared war on each other and that more murders are to follow. A bizarre couple is at the epicentre of the mystery: an old man with violet-coloured eyes and a ten-year-old boy, who have the peculiar habit of only talking to each other and never addressing anybody else.Nothing is as it should be. Not everything is black or white.

    They grow up here, going to elementary, middle, and high school, and then the country they call home won’t—in most states—offer financial aid for college and they’re unable to be legally employed. In 2001, US senator Dick Durbin introduced the DREAM Act to Congress, an initiative that would allow these young people to become legal residents if they met certain requirements.   And now, more than ten years later, in the face of congressional inertia and furious opposition from some, the DREAM Act has yet to be passed. But recently, this young generation has begun organizing, and with their rallying cry “Undocumented, Unapologetic, and Unafraid” they are the newest face of the human rights movement. In Dreamers, Eileen Truax illuminates the stories of these men and women who are living proof of a complex and sometimes hidden political reality that calls into question what it truly means to be American.

    One day at the end of 2009, during a routine eye exam that Nora Gallagher nearly skipped, her doctor said, “Darn.” Her right optic nerve was inflamed, the cause unknown, a condition that if left untreated would cause her to lose her sight. And so began her departure from ordinary life and her travels in what she calls Oz, the land of the sick. It looks like the world most of us inhabit, she tells us, except that “the furniture is slightly rearranged”: her friends can’t help her, her trusted doctors don’t know what’s wrong, and what faith she has left just won’t cover it. After a year of searching for a diagnosis and treatment, she arrives at the Mayo Clinic and finds a whole town built around Oz.In the course of her journey, Gallagher encounters inhuman doctors, the modern medical system—in which knowledge takes fifteen years to trickle down—and the strange world that is the famous Mayo Clinic, complete with its grand piano. With unerring candor, and no sentimentality whatsoever, Gallagher describes the unexpected twists and turns of the path she took through a medical mystery and an unfathomably changing life. In doing so, she gives us a singular, luminous map of vulnerability and dark landscapes. “It’s the nature of things to be vulnerable,” Gallagher says. “The disorder is imagining we are not.”

    Here, the nineteen-year-old poet begins to explore the themes that will shape and define her vision: the solitude of the poetic self, the longing for artistic depth, and the tenuous nearness of death. By turns probing and playful, bold and difficult, Pizarnik's earliest poems teem with an exuberant desire "to grab hold of everything" and to create a language that tests the limits of origin, paradox, and death.

    Crow's classic study of the cultural history of Spain and its people, which he last updated in 1985 but which seems as fresh and pertinent as when he first wrote it. Crow devoted a lifetime to Hispanic studies and here provides a historical interpretation of Spanish civilization from its earliest beginnings to the present. The scope of this study is remarkable and includes chapters on Roman Spain, the Jews in Spain, the Moors, life in medieval towns, and the Golden Age of Spain, plus a view of Franco's legacy.

    Perhaps now that the date and time of my death had been revealed to me, I was ready to write. But how would I begin?”Clara Griffin, the beautiful wife of a successful Chilean architect, courageously confronts a life-threatening illness while recording her thoughts and experiences in her journal under the guise of a novel. What develops is a thinly veiled version of Clara’s own life, her disappoint with her marriage, her reminiscences of childhood, and the death that seems to surround her. When her husband discovers the notebook, he is stunned: How does she know that he had a mistress all these years? Is he really such a fatuous bore? Could it be true that his sick wife had a passionate love affair with one of his colleagues, right under his nose? Is this just a fictional story—he asks himself, turning the pages—or his wife’s very personal diary as she awaits death?A Week in October is the first of Elizabeth Subercaseaux’s novels to be translated into English. This tale of erotic tension, deception, and resilience walks the line of suspense from page one to the unexpected, haunting ending that ponders the mysteries of a woman’s heart, where truth is a lie and a lie is truth.

    But fifteen years later, Duke, the leader and undisputed genius of their group, has been murdered, and the three remaining members of their circle reunite to piece together what became of their lives and how they fell so short of their expectations.Now in their thirties, Aurora, Antero, and Emiliano have succumbed to the pressures of adulthood, the exigencies of carving out a life in a country that is fraying at the seams. Reunited after years of long-held grudges and painful crushes, the three try to resurrect the spirit of the all-night parties and early morning trysts, the protests and pornography of their youths. Lurking over them, as they puzzle out their fates, is the question of whether or not there is a future for them to believe in, or if the end has already arrived.Twenty After Midnight is a portrait of the first generation of the digital age, a group that was promised everything but handed a fractured world. Daniel Galera has written a pre-apocalyptic tale of millennial longings.

     As World War II rages, Francine Lawrence and her small daughter, Ruth, wait in the fading splendor of Raffles Hotel in Singapore for Francine's British husband. But when he is delayed, Francine, half-Chinese and unwelcome there, is forced to begin a terrifying journey. Seeking to escape a world exploding in nightmare, Francine ultimately makes a gut-wrenching decision: to entrust Ruth to strangers in order to save the child's life. But when the war ends, all traces of Ruth have vanished; years of searching bring only heartbreak. Three decades later Francine is a formidable businesswoman, pouring all her energies into her companies. Then one day a soft-spoken young woman walks into her New York office on the Festival of the Hungry Ghosts. Her name is Sakura, and she hints that she may be Francine's daughter. What Francine does not know is that beneath Sakura's calm surface lives the heart of a warrior. Francine cannot begin to imagine the places Sakura has been, the horrors she has endured--or the secret that gives her the strongest motive in the world to lie...

    Her father and his brother worked in the colony of Fernando Po, but these letters tell a different story than the tales of life in Africa that made it to the dinner table. Clarence has no idea what really went on during their time at the cocoa plantations—or why no one in her family has ever returned to the island in all the years since. But the letters suggest that a great love story is buried beneath the years of silence.Setting out from her home in Spain’s snowy mountains, Clarence makes the same journey across the sea that her uncle and father traveled before her. There, she unlocks the painful secrets her family has hidden in the rich African soil. But what she discovers may also be the key to awakening her own listless heart.