In this fascinating collection, Idries Shah shares this insight with us as we read the astonishingly similar versions of tales as they developed throughout the world.

    Belle has finally broken the Enchantress’s curse, restoring the Beast to his human form and bringing life back to their castle in the province of Aveyon. But in Paris, the fires of change are burning, and it’s only a matter of time before the rebellion arrives on their doorstep.Not so very long ago, Belle dreamed of leaving her provincial home for a life of adventure. But now she finds herself living in a palace, torn between her past as a commoner, and her future as royalty. While Belle grapples with her newfound position, there are those who would do anything to keep her from power.When she stumbles across a magic mirror that holds a dire warning, Belle wants nothing more than to ignore the mysterious voice calling her to accept a crown she never desired. But violent factions of the revolution may already be lurking within her own castle, and doing nothing would endanger everything she holds dear. With the fate of her country, her love, and her life at stake, Belle must decide if she is ready to embrace her own strength--and the magic that ties her to so many female rulers before her--to become the queen she is meant to be.Rebel Rose is the first in the Queen's Council series, an empowering fairy tale reimagining of the Disney Princesses-and the real history behind their stories-like you've never seen before.

    Here you'll find the Lady of the Lake reimagined as an albino Ugandan sorceress and the Lady of Shalott as a wealthy, isolated woman in futuristic Mexico City; you'll see Excalibur rediscovered as a baseball bat that grants a washed-up minor leaguer a fresh shot at glory and as a lost ceremonial drum that returns to a young First Nations boy the power and the dignity of his people. There are stories set in Gilded Age Chicago, '80s New York, twenty-first century Singapore, and space; there are lesbian lady knights, Arthur and Merlin reborn in the modern era for a second chance at saving the world and falling in love--even a coffee shop AU.Brave, bold, and groundbreaking, the stories in Sword Stone Table will bring fresh life to beloved myths and give long-time fans a chance to finally see themselves in their favorite legends.

    I fear that, without it, I would feel invisible.   BABA YAGA: When you seek others this way, you are invisible nonetheless. Yr shawl is covered in mirrors in which others admire themselves; this is why they greet you so passionately. It is good to be seen, but it is better to see. Find a being to look hard into, & you will see yrself and what is more than you.  In age-old Slavic fairy tales, the witch Baba Yaga is sought out by those with a burning need for guidance. In contemporary life, Baba Yaga—a dangerous, slippery oracle—answered earnest questions on The Hairpin for years. These pages collect her most poignant, surreal, and humorous exchanges along with all-new questions and answers for those seeking her mystical advice.

    Wealthy cannibals who dine on the discarded limbs of peculiars. A fork-tongued princess. The origins of the first ymbryne. These are but a few of the truly brilliant stories in Tales of the Peculiar—known to hide information about the peculiar world—first introduced by Ransom Riggs in his Miss Peregrine’s Peculiar Children series.Riggs now invites you to share his secrets of peculiar history, with a collection of original stories, as collected and annotated by Millard Nullings, ward of Miss Peregrine and scholar of all things peculiar.

    Welcome to the world of Fairy Tales, Millennial style...Inside you'll find Sleeping Beauty waking up Woke, the Nanny Goats Gruff getting trolled, and three little pigs explaining that - realistically - a house of straw is really the only way a first time buyer can get on the property ladder.Goldilocks discovers a darling little Porridge pop-up, the Pied Piper shifts his content strategy to attract more followers, and Hansel and Gretel meet a witch with a disruptive approach to clean eating.

    Problem was, these stories, many of which found their way into the general social consciousness, reflected the way in which these men lived and saw their world: that is, the stories were sexist, discriminatory, unfair, culturally biased, and in general, demeaning to witches, animals, goblins, and fairies everywhere.Finally, after centuries of these abusive tales, which have been handed down--unknowingly--from one male-biased generation to the next, James Finn Garner has taken it upon himself (that's right, yet another man) to enlighten and liberate these classic bedtime stories and retell them in a way that is much more in keeping with the society in which we live today.Politically Correct Bedtime Stories, then is the fruit of Garner's labors. We'd like to think that future generations of fairy-tale fans will see this as a worthy attempt to develop meaningful literature that is totally free from bias and purged from the influences of a flawed cultural past.

    Ignoring the pleadings of his druid to expel the infant, King Conor secrets the girl child with a poor couple in his province, where no man can covet her. There, under the tutelage of a shamaness, Deirdre comes of age in nature and magic…. And in the season of her awakening, the king is inexorably drawn to her impossible beauty.But for Deirdre, her fate as a man’s possession is worse than death. And soon the green-eyed girl, at home in waterfall and woods, finds herself at the side of three rebellious young warriors. Among them is the handsome Naisi. His heart charged with bitterness toward the aging king, and growing in love for the defiant girl, Naisi will lead Deirdre far from Ulster—and into a war of wits, swords, and spirit that will take a lifetime to wage.Brimming with life and its lusts, here is a soaring tale of enchantment and eternal passions—and of a woman who became legend.

    Unique among textbooks on this topic, our book approaches the study of myth through complete works of Greco-Roman literature, including six complete Greek dramas and generous excerpts from the narratives of Homer, Hesiod, Virgil, and Ovid, and through carefully-chosen examples of Classical works of art, both painting and sculpture. Combining literary masterpieces with the visual arts, this integrative approach offers readers a comprehensive experience with both cognitive and aesthetic appeal.

    This magnificent book is a collection of stories, anecdotes, and legends from all six of the regions where celtic ways have persisted in the modern world.

    Against a medieval tapestry of color and pageantry, Jennifer Roberson has woven a rich, sweeping tale of a woman whose courage and passion could forever alter the destiny of that mist-shrouded land of lore we know in our hearts and see in our dreams...

    A misstep at court forces him to retire to his long-deserted country estate, to rethink his plans and contemplate the next move that might return him to favor and guarantee his family's prosperity.Kitsune is a young fox who is fascinated by the large creatures that have suddenly invaded her world. She is drawn to them and to Yoshifuji. She comes to love him and will do anything to become a human woman to be with him.Shikujo is Yoshifuji's wife, ashamed of her husband, yet in love with him and uncertain of her role in his world. She is confused by his fascination with the creatures of the wood, and especially the foxes that she knows in her heart are harbingers of danger. She sees him slipping away and is determined to win him back from the wild ... for all that she has her own fox-related secret.Magic binds them all. And in the making (and breaking) of oaths and honors, the patterns of their lives will be changed forever.

    Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly.Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore.Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive.The Annotated African American Folktales includes:Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical backgroundThe familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern WorkmanAn entire section of  Caribbean and Latin American folktales that finally become incorporated into the canonApproximately 200 full-color, museum-quality images

    This landmark collection contains twenty-two of Hesse's finest stories in this genre, most translated into English here for the first time. Full of visionaries and seekers, princesses and wandering poets, his fairy tales speak to the place in our psyche that inspires us with deep spiritual longing; that compels us to leave home, and inevitably to return; and that harbors the greatest joys and most devastating wounds of our heart. Containing all the themes common in Hesse's great novels Siddhartha, Steppenwolf, and Demian—and mirroring events in his own life, these exquisite short pieces exhibit the same mystical and romantic impulses that contribute to the haunting brilliance of his major works. Several stories, including "The Poet," "The Fairy Tale About the Wicker Chair," and "The Painter," examine the dilemma of the artist, torn between the drive for perfection and the temptations of pleasure and social success. Other tales reflect changes and struggles within society: in "Faldum," a city is irrevocably transformed when each resident is granted his or her fondest wish; in "Strange News from Another Planet," "If the War Continues," and "The European," nightmarish landscapes convey Hesse's devastating critiques of nationalism, barbarism, and war. Illuminating and inspiring, The Fairy Tales of Hermann Hesse will challenge and enchant readers of all ages. A distinguished and historic publication, this fine translation by Jack Zipes captures their subtlety and elegance for decades nto come.

    Taken down from Gaelic story tellers, these 20 tales fall into two parts: 11 are miscellaneous stories offering Irish versions of the general European fairy tales, and 9 are stories from the Fenian cycle--tales of Fin MacCumhail and his warriors, the Fenians of Erin.The same fairy-tale elements apply to all the stories, however, including battles with giants, dead men who come back to life, people imprisoned in the bodies of animals, a wonderful land of perpetual youth, and heroes with incredible strength. The heroes in the miscellaneous tales tend to be sons of the Kings of Erin, with heroines like Yellow Lily, daughter of the Giant of Loch Léin; Trembling, the Irish Cinderella; the queen of Tubber Tintye; and various princesses who are in danger. The Fenian stories relate some of the adventures of Fin MacCumhail, his sons--Fialan, Oisin, Pogán, and Ceolán; his men--Diarmuid Duivne, Conán Maol MacMorna, the famous Cucúlin, and others; and strangers who are out to help or hurt the Fenians of Erin in such tales as "Fin MacCumhail and the Fenians of Erin in the Castle of Fear Dubh," and "Gilla na Grakin and Fin MacCumhail."Tales of legend and tales of magic, these stories transport us to a world where everything is alive and anything can happen, a world born in a time before literature, and captured in print just as the oral tradition in Ireland was dying out. Considered an essential work in the history of folk-lore, this book is also a collection of fairy tales that have fascinated young and old for hundreds of years. They will continue to fascinate you and your children.Unabridged republication of the 1890 edition, formerly titled Myths and Folk-Lore of Ireland.