Frank Bill delivers what is both a wake-up call and a gut punch. Welcome to heartland America circa right about now, when the union jobs and family farms that kept the white on the picket fences have given way to meth labs, backwoods gunrunners, and bare-knuckle brawling.Bill's people are pressed to the brink--and beyond. There is Scoot McCutchen, whose beloved wife falls terminally ill, leaving him with nothing to live for--which doesn't quite explain why he brutally murders her and her doctor and flees, or why, after years of running, he decides to turn himself in. In the title story, a man who has devolved from breeding hounds for hunting to training them for dog-fighting crosses paths with a Salvadoran gangbanger tasked with taking over the rural drug trade, but who mostly wants to grow old in peace. As Crimes in Sourthern Indiana unfolds, we witness the unspeakable, yet are compelled to find sympathy for the depraved.Bill's southern Indiana is haunted with the deep, authentic sense of place that recalls the best of Southern fiction, but the interconnected stories bristle with the urban energy of a Chuck Palahniuk or a latter-day Nelson Algren and rush with the slam-bang plotting of pulp-noir crime writing a la Jim Thompson. Bill's prose is gritty yet literary, shocking, and impossible to put down. A dark evocation of the survivalist spirit of the working class, this is a brilliant debut by an important new voice.

    A grieving missionary becomes obsessed with a creature rumoured to live in the forests of the Congo. And, in the title story, a young woman travelling with her scientist mother in Madagascar confronts her burgeoning sexuality and her dream of becoming a long-distance swimmer.

    In five stories that are vintage Gilchrist, plus the hilarious title novella -- in which a psychiatrist in a Mississippi town goes mad and begins revealing his patients' deepest secrets and embarrassing misdeeds to anyone who will listen -- one of the contemporary South's finest storytellers gives us her richest, most inventive collection since Victory Over Japan.

    His world is one of torture, bizarre fetishes, and alien autopsies. Prepare yourself, as these three novellas from the king of splatterspunk are guaranteed to make you gasp, gag, and laugh your ass off. The Decortication Technician What secrets do a crashed alien spaceship hold? One man and his surgical tools will find out. The Cyesolagniac A man with a pregnancy fetish meets the girl of his dreams-and his worst nightmares. Room 415 From his hotel room window, Flood will see his darkest desires become real.

    C. Boyle writes, “The Model T gave way to the Model A and to the Ferrari and the Prius . . . modernism to postmodernism and post-postmodernism. We advance. We progress. We move on. But we are part of a tradition.” Boyle’s choices of stories reflect a vibrant range of characters, from a numb wife who feels alive only in the presence of violence to a new widower coming to terms with his sudden freedom, from a missing child to a champion speedboat racer. These stories will grab hold and surprise, which according to Boyle is “what the best fiction offers, and there was no shortage of such in this year’s selections.” Mulling over the question of character likability, series editor Heidi Pitlor asks, “Did I like these characters? I very much liked reading their stories, as did T. C. Boyle.” Here are characters who “are living, breathing people who screw up terribly and want and need and think uneasy thoughts.”   T. C. BOYLE, guest editor, has published fifteen novels and ten collections of short stories. He won the PEN/Faulkner Award in 1988 for his novel World’s End and the Prix Médicis étranger for The Tortilla Curtain in 1995, as well as the 2014 Henry David Thoreau Prize for excellence in nature writing. His most recent book is the novel The Harder They Come. HEIDI PITLOR, series editor, is a former senior editor at Houghton Mifflin Harcourt. She is the author of the novels The Birthdays and The Daylight Marriage.

    She doesn’t want to be anything like her mother, who hops from one husband to the next. It’s one of many reasons why she’s never dated. The other reason? She’s in love with her best friend’s older brother, Jesse Kendrick.She Loves Me, She Loves Me Not by Kristen Kehoe - Kennedy Russo has had it rough. She's become a pro at being invisible. But when she's paired up for a 5 week assignment with golden boy, Gage, she starts to realize that anonymity may not always be the best option. Gage is on a mission to make her his friend, but will their tentative friendship bloom into something more?Stroke of Luck by Cassie Mae - Jensen is well on his way to the PGA, if only he could focus. Getting stuck with his best friend as co-counselor at the golf camp will help—Penny’s always been one to push him. But when their alone time turns romantic, Jensen wonders if she’ll just be another distraction.Someone I Used to Know by Tessa Marie - Charlotte was not looking forward to Spring Break. No technology and a boy she can’t stand. But when she realizes the boy is actually a hot guy now, and wants to hang out with her (!) she cant help but think this break may turn into something pretty awesome. But, is he harboring a secret that will challenge their budding relationship?16 Kisses by Kelly Oram- All Cassie Caldwell wants for her sixteenth birthday is to finally be kissed. When Cassie’s older brother and his best friend—the lovable, sexy cowboy, Jared—discover her secret, Jared takes it upon himself to make sure her birthday wish comes true.Four Letter Words by Ginger Scott - Dakota Wright has been making Jace Padgett look good for years…and she’s tired of it. What started as a favor has turned into a habit—one that she’s justified in her mind because Jace also happens to be six feet of gorgeous hunky quarterback, green eyes and a smile that can swing a girl to the moon. But the last favor she did for him may have finally tipped the scales, and Dakota’s ready to call it quits. One small hiccup—her heart can’t seem to let her. And when Jace starts to share pieces of the real him, Dakota begins to think her heart might just be smarter than her head after all.

    And so the Editor ventured forth, wandering the land of Story from shore to shore, climbing massive mountains of books and delving deep into lush, literary forests, gathering together thirty-three of the best re-tellings of fairy tales he could find. Not just any fairy tales, mind you, but tantalizing tales from some of the biggest names in today’s fantastic fiction, authors like Gregory Maguire, Susanna Clarke, Charles de Lint, Holly Black, Alethea Kontis, Kelly Link, Neil Gaiman, Patricia Briggs, Paul Di Filippo, Gregory Frost, and Nancy Kress. But these stories alone weren’t enough to satisfy the Editor, so the Editor ventured further, into the dangerous cave of the fearsome Bill Willingham, and emerged intact with a magnificent introduction, to tie the collection together. And the inhabitants of Story—from the Kings and Queens relaxing in their castles to the peasants toiling in the fields, from the fey folk flitting about the forests to the trolls lurking under bridges and the giants in the hills—read the anthology, and enjoyed it. And they all lived... ...Happily Ever After.

    Chiusano’s dazzling stories delve into family, boyhood, sports, drugs, love, and all the weird quirks of growing up in a tight-knit community on the edge of the city. In the tradition of Junot Díaz’s Drown, Stuart Dybek’s The Coast of Chicago, and Russell Banks’s Trailerpark, this is a poignant and piercing collection—announcing the arrival of a distinct new voice in American fiction.

    Her art flourished in small settings, as can be seen in her bestselling novel The Summer Book and in her internationally celebrated cartoon strips and books about the Moomins. It is only natural, then, that throughout her life she turned again and again to the short story. The Woman Who Borrowed Memories is the first extensive selection of Jansson’s stories to appear in English. Many of the stories collected here are pure Jansson, touching on island solitude and the dangerous pull of the artistic impulse: in “The Squirrel” the equanimity of the only inhabitant of a remote island is thrown by a visitor, in “The Summer Child” an unlovable boy is marooned along with his lively host family, in “The Cartoonist” an artist takes over a comic strip that has run for decades, and in “The Doll’s House” a man’s hobby threatens to overwhelm his life. Others explore unexpected territory: “Shopping” has a post-apocalyptic setting, “The Locomotive” centers on a railway-obsessed loner with murderous fantasies, and “The Woman Who Borrowed Memories” presents a case of disturbing transference. Unsentimental, yet always humane, Jansson’s stories complement and enlarge our understanding of a singular figure in world literature.

    In The Space Between Jamie Fraser's step-daughter Joan is on her way to an abbey in Paris to become a nun - but when she meets the Comte St Germain, a wealthy French aristocrat rumoured to to deal in the occult - she discovers her destiny lies on a quite different path.In The Custom of the Army Lord John Grey is summoned as a witness in a court martial in the wilds of Acadia, only to find himself playing a crucial role in the Battle of Quebec. In A Leaf on the Wind of All Hallows a WW2 Spitfire pilot called Jerry MacKenzie crashes near a stone circle and wakes up in the eighteenth century. Can the strange man he meets - who impossibly seems to know him - help him return to his wife and baby son before a terrible fate overtakes them?