He was afraid of the thing tagged Reed Kieran, that stiff blind voiceless thing wheeling its slow orbit around the Moon, companion to dead worlds and silent space. . . .Hamilton was a thoughtful SF writer, and you can surely see that here: this is the tale of a man dead in space for centuries -- and revived by folks who approach an alien world a lot the way out nuttier environmentalists approach the defense of trees. There are creatures on this alien world, see, that look like people -- and act like chimpanzees. But chimps are animals, aren't they? "Aren't they. . . ?"

    He was honored by fans with three Hugo Awards and by colleagues with one Nebula Award. The Science Fiction Writers of America made him its third SFWA Grand Master and the Horror Writers Association made him one of three inaugural winners of the Bram Stoker Award for Lifetime Achievement. This is one of his stories.

    Born in 1921, he began his career in the Golden Age of SF in the 1950s, and was a regular contributor to Astounding SF magazine (later Analog SF) edited by John W. Campbell. His work encompassed science fiction and fantasy, including the Polesotechnic League series and the Terran Empire series featuring Dominic Flandry, and the fantasy Kingdoms of Ys series, written with his wife Karen. He received seven Hugo and three Nebula Awards, and a SFWA Grandmaster Award among other honors. He died in 2001. "Security" takes place in a future America, where Control and Efficiency are emphasized, and unquestioned loyalty is required. Nobody wants a repeat of the catastrophic war that happened seventy-five years previously, and sacrifices must be made to insure the ultimate peace. Or so Dr. Allen Lancaster, a Sector Chief on a Project believes, until Security decides his planned vacation will be spent in space on a top secret project. People who learn too much have been jailed or even shot as security risks. Is Dr. Lancaster's new assignment a blessing or a curse? He will find out . . .

    Anti-Gerasone halts the aging process and prevents people from dying of old age as long as they keep taking it; as a result, America now suffers from severe overpopulation and shortages of food and resources. With the exception of the very wealthy, most of the population appears to survive on a diet of foods made from processed seaweed and sawdust. Gramps Ford, his chin resting on his hands, his hands on the crook of his cane, was staring irascibly at the five-foot television screen that dominated the room. On the screen, a news commentator was summarizing the day's happenings. Every thirty seconds or so, Gramps would jab the floor with his cane-tip and shout, "Hell, we did that a hundred years ago!" Emerald and Lou, coming in from the balcony, where they had been seeking that 2185 A.D. rarity--privacy--were obliged to take seats in the back row, behind about a dozen relatives with whom they shared the house. All save Gramps, who was somewhat withered and bent, seemed, by pre-anti-gerasone standards, to be about the same age--somewhere in their late twenties or early thirties. Gramps looked older because he had already reached 70 when anti-gerasone was invented. He had not aged in the 102 years since. "Next one shoots off his big bazoo while the TV's on is gonna find hisself cut off without a dollar--" his voice suddenly softened and sweetened--"when they wave that checkered flag at the Indianapolis Speedway, and old Gramps gets ready for the Big Trip Up Yonder." He sniffed sentimentally, while his heirs concentrated desperately on not making the slightest sound. For them, the poignancy of the prospective Big Trip had been dulled somewhat, through having been mentioned by Gramps about once a day for fifty years.

    Clinging to its skin are the zones, a series of semi-autonomous city-states, each of which enjoys a different—and rigidly enforced—level of technology. Horsetown is pre-industrial; in Neon Heights they have television and electric trains . . .Following an infiltration mission that went tragically wrong, Quillon has been living incognito, working as a pathologist in the district morgue. But when a near-dead angel drops onto his dissecting table, Quillon's world is wrenched apart one more time, for the angel is a winged posthuman from Spearpoint's Celestial Levels—and with the dying body comes bad news.If Quillon is to save his life, he must leave his home and journey into the cold and hostile lands beyond Spearpoint's base, starting an exile that will take him further than he could ever imagine. But there is far more at stake than just Quillon's own survival, for the limiting technologies of the zones are determined not by governments or police, but by the very nature of reality—and reality itself is showing worrying signs of instability . . .Terminal World is a snarling, drooling, crazy-eyed mongrel of a book: equal parts steampunk, western, planetary romance, and far-future SF.

    For although Jones has the power to see the future — a power that makes his life a torment — his real gift lies elsewhere: in his ability to make people dream again in a world where dreaming has been made illegal, even when the dream is indistinguishable from a nightmare.In Philip K. Dick's unsettling chronicle of the rise and fall of a postnuclear messiah, readers will find a novel that is as minutely realistic as it is prophetic. For along with its engineered mutants, hermaphroditic sex performers, and protoplasmic drifters from the stars, The World Jones Made gives us nothing less than a deadly accurate reading of our own hunger for belief.

    With only one good candidate available, Mayor Jahns and Deputy Mames set off for the Down Deep to recruit her in person. Along the way, they discover much about each other, troubling news about this candidate, and stumble upon fractured alliances that could spell the doom of a silo they've worked long years to protect.

    . .The doomed crew of a starship follow their blind, mad captain on a quest into deepest space to joust with destiny, eternity, and God Himself . . .Now and Forever is a bold new work from an incomparable artist whose stories have reshaped America's literary landscape; two bewitching novellas that have never before appeared in print—each distinctly different, yet uniquely Bradbury—demonstrating the breathtaking range of the master's talent and the irrepressible vitality of his mind, spirit, and heart.In Somewhere a Band Is Playing, a writer is drawn by poetry and dreams to tiny Summerton, Arizona, a community hidden in plain view, where no small children play, and where the residents never seem to age. Enchanted by its powerful rural magic—and by a beautiful, enigmatic lady who bears the name of an Egyptian queen—the writer sets out to uncover Summerton's mysteries before the inevitable arrival of a ruthless destruction.With Leviathan '99, the author who once colonized Mars returns to the cosmos to brilliantly reimagine Herman Melville's classic masterwork of obsession and the sea, transforming a great whale into a worlds-devouring comet. In the year 2099, fledgling astronaut Ishmael Hunnicut Jones boards the Cetus 7, placing his fate in the hands of a relentless madman who is blindly chasing the celestial monster's tail. And in the merciless void, a crew of earthborn and alien star-travelers will face a divine judgment, and an "enemy" wielding the most fearsome weapon of all . . . Time.More than a half century into his remarkable career, Ray Bradbury continues to delight and astound with grand visions, lyrical prose, and provocative thought. Rich in poetry, wonder, imagination, and truth, here is proof positive that the words and stories of the inimitable Bradbury will live on . . . Now and Forever.

    Like many before them, Cara and her family ventured through the gates as scientists and researchers, driven to carve out a new life and uncover the endless possibilities of the unexplored alien worlds now within reach.But soon the soldiers followed and under this new order Cara makes a discovery that will change everything.

    It doesn't appear as a standalone work, but is included with several collections. The story is a prequel to the events in The Hitchhiker's Guide To The Galaxy and has the young Zaphod Beeblebrox working as a salvage ship operator. He guides some bureaucrats to a crashed spaceship which may be leaking some hazardous materials. The bureaucrats are determined to "make it safe". The comic asides in the story include some of the time travel paradoxes which are a common running theme in Adams' SF work, and plenty of material about lobsters

    Uniformity is the defining feature; there is only one language and all ethnic groups have been eugenically merged into one race called “The Family.” The world is ruled by a central computer called UniComp that has been programmed to keep every single human on the surface of the earth in check. People are continually drugged by means of regular injections so that they will remain satisfied and cooperative. They are told where to live, when to eat, whom to marry, when to reproduce. Even the basic facts of nature are subject to the UniComp’s will—men do not grow facial hair, women do not develop breasts, and it only rains at night.

    It has been 60 years since the great Red Death wiped out mankind, and the handful of survivors from all walks of life have established their own civilization and their own hierarchy in a savage world. Art, science, and all learning has been lost, and the young descendants of the healthy know nothing of the world that was—nothing but myths and make-believe. The old man is the only one who can convey the wonders of that bygone age, and the horrors of the plague that brought about its end. What future lies in store for the remnants of mankind can only be surmised—their ignorance, barbarity, and ruthlessness the only hopes they have?'

    For millennia its protective dome shut out the creeping decay and danger of the world outside. Once, it held powers that rule the stars.But then, as legend has it, the invaders came, driving humanity into this last refuge. It takes one man, a Unique, to break through Diaspar's stifling inertia, to smash the legend and discover the true nature of the Invaders.

    Two hundred years ago -- in our time, more or less -- Eurasia fought a war to end all wars, a war that meant, for all intents and purposes, the end of the Old World. The Americas managed to retain their civilization -- but only by engaging by the most extreme form or isolationism imaginable for two centuries, now, no American has ventured east of the thirtieth parallel. "East for the East . . ." the slogan went, "The West for the West!" Until a terrible storm at sea forced American lieutenant Jefferson Turck to disobey the law, seeking safe harbor in England -- where he found that two centuries of isolation have desolated the land. The damaged ship found a Europe that is no longer an enemy -- a ruined land that is utterly unable to be an enemy -- or a friend.

    What will happen when humans can live forever? Or die with just a few keystrokes? How will our governments react as they lose control of their citizens' data? And how do you feel about uploading your mind into a computer so that you may live on after death?The Post-Human Omnibus is the perfect book for these times. It's an epic series of stories that explore all sides of humanity's future through science fiction, from both near-future dystopias to far-future utopias (and everything in between). Written by award winning author & TEDx speaker David Simpson, this collection explores many different genres from thrillers to romances to mysteries and much more.