The translation by Ivan Morris is outstanding." —The New York Times**Winner of the 1952 Yomiuri Prize**This haunting novel explores the complete degradation and isolation of a man by war. Fires on the Plain is set on the island of Leyte in the Philippines during World War II, where the Japanese army is disintegrating under the hammer blows of the American landings. Within this broader disintegration is another, that of a single human being, Private Tamura. The war destroys each of his ties to society, one by one, until Tamura, a sensitive and intelligent man, becomes an outcast.Nearly losing the will to survive, he hears of a port still in Japanese hands and struggles to walk through the American lines. Unfazed by danger, he welcomes the prospect of dying, but first, he loses his hope, and then his sanity. Lost among his hallucinations, Tamura comes to fancy himself an angel enjoined by God to eat no living thing—but even angels fall.Tamura is never less than human, even when driven to the ultimate sin against humanity. Shocking as the outward events are, the greatness of the novel lies in its uplifting vision during a time of crushing horror. As relevant today as when it was originally published, Fires on the Plain will strike a chord with anyone who has lived through the horrors of war.

    Using the lyrical magic realism style of classical Persian storytelling, Azar draws the reader deep into the heart of a family caught in the maelstrom of post-revolutionary chaos and brutality that sweeps across an ancient land and its people. The Enlightenment of the Greengage Tree is really an embodiment of Iranian life in constant oscillation, struggle and play between four opposing poles: life and death; politics and religion. The sorrow residing in the depths of our joy is the product of a life between these four poles.

    The woman at the center wavers between stasis and movement, between the need to belong and the refusal to form lasting ties. The city she calls home, an engaging backdrop to her days, acts as a confidant: the sidewalks around her house, parks, bridges, piazzas, streets, stores, coffee bars. We follow her to the pool she frequents and to the train station that sometimes leads her to her mother, mired in a desperate solitude after her father's untimely death. In addition to colleagues at work, where she never quite feels at ease, she has girl friends, guy friends, and "him," a shadow who both consoles and unsettles her. But in the arc of a year, as one season gives way to the next, transformation awaits. One day at the sea, both overwhelmed and replenished by the sun's vital heat, her perspective will change. This is the first novel she has written in Italian and translated into English. It brims with the impulse to cross barriers. By grafting herself onto a new literary language, Lahiri has pushed herself to a new level of artistic achievement.

    Twenty-one year old Fenfang Wang has traveled one thousand eight hundred miles to seek her fortune in contemporary urban Beijing, and has no desire to return to the drudgery of the sweet potato fields back home. However, Fenfang is ill-prepared for what greets her: a Communist regime that has outworn its welcome, a city under rampant destruction and slap-dash development, and a sexist attitude seemingly more in keeping with her peasant upbringing than the country’s progressive capital. Yet Fenfang is determined to live a modern life. With courage and purpose, she forges ahead, and soon lands a job as a film extra. While playing roles like woman-walking-over-the bridge and waitress-wiping-a-table help her eke out a meager living, Fenfang comes under the spell of two unsuitable young men, keeps her cupboard stocked with UFO noodles, and after mastering the fever and tumult of the city, ultimately finds her true independence in the one place she never expected.At once wry and moving, Twenty Fragments of a Ravenous Youth gives us a clear-eyed glimpse into the precarious and fragile state of China’s new identity and asserts Xiaolu Guo as her generation’s voice of modern China.

    At the outset, the young men seem louche but harmless, their activities limited to drinking, snacking, peering at a naked neighbor through a window, and performing karaoke. The six "aunties" are fiercely independent career women. When one of the boys executes a lethal ambush of one of the women, chaos ensues. The women band together to find the killer and exact revenge. In turn, the boys buckle down, study physics, and plot to take out their nemeses in a single blast. Who knew that a deadly "gang war" could be such fun? Murakami builds the conflict into a hilarious, spot-on satire of modern culture and the tensions between the sexes and generations.

    In those days, the life of a woman, whether married or single, was one of unending drudgery and toil. Reward or recognition came only indirectly, through the success of the male members of the family.Thus, this novel is really two stories: on the one hand, the successful medical career of Hanaoka Seishu, the first doctor in the world to perform surgery for breast cancer under a general anesthetic; on the other hand, the lives of his wife and his mother, who supported him with stoic resignation, even to the extent of finally volunteering to be used as guinea pigs in his experiments.Kae, the wife, joins the household of the local doctor as the bride of his son, Hanaoka Seishu, who is still away pursuing his medical studies in Kyoto. Her mother-in-law, Otsugi, is both beautiful and extremely proud of the tradition of the doctor's family. Though their relationship is one of affection at first, it declines into tension and eventually into bitter competitiveness and hatred, fostered by the claustrophobic social customs of the time. The two women-the wife who struggles to adapt to a new household and gain the affection of her unfamiliar husband, and the over possessive mother-in-law dedicated to the fulfillment of her son's ambitions-vie with one another to serve one man. Kae suffers the most, for the new anesthetic that the doctor tries on her has devastating results.Readers of The Doctor's Wife will find a tender and compassionate tale about a woman of great strength and courage, as well as an impelling account of Japanese society and the role of women in it.

    The aims of the vivisection experiment were described as follows:1. Saline is to be injected into the blood stream. The quantitative limits of such a procedure before death occurs are to be ascertained.2. Air is to be injected into the veins and the volume at which death occurs is to be ascertained.3. The limit to which the bronchial tubes may be cut before death occurs is to be ascertained.From the author of Silence, soon to be a major film by Martin Scorsese starring Liam Neeson, Andrew Garfield and Adam Driver, The Sea and Poison is Shusaku Endo's most disquieting novel and a masterful study of individual and collective moral disintegration. Set in a Japanese hospital during the last days of the Second World War, the story centres on the medical staff who offer to assist in a series of vivisections, live experimental operations, on US prisoners of war.

    Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years.Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.

    Collected in this chilling volume are some of the famous Japanese mystery writer Edogawa Rampo's best stories—bizarre and blood-curdling expeditions into the fantastic, the perverse, and the strange, in a marvelous homage to Rampo's literary 'mentor', Edgar Allan Poe.

    . . It was life-making.Tomura is startled by the hypnotic sound of a piano being tuned in his school. It seeps into his soul and transports him to the forests, dark and gleaming, that surround his beloved mountain village. From that moment, he is determined to discover more.Under the tutelage of three master piano-tuners – one humble, one cheery, one ill-tempered – Tomura embarks on his training, never straying too far from a single, unfathomable question: do I have what it takes?Set in small-town Japan, this warm and mystical story is for the lucky few who have found their calling – and for the rest of us who are still searching. It shows that the road to finding one’s purpose is a winding path, often filled with treacherous doubts and, for those who persevere, astonishing moments of revelation.

    Yuri Herrera does not simply write about the border between Mexico and the United States and those who cross it. He explores the crossings and translations people make in their minds and language as they move from one country to another, especially when there’s no going back.Traversing this lonely territory is Makina, a young woman who knows only too well how to survive in a violent, macho world. Leaving behind her life in Mexico to search for her brother, she is smuggled into the USA carrying a pair of secret messages – one from her mother and one from the Mexican underworld.

    A diary is Nao’s only solace—and will touch lives in a ways she can scarcely imagine.Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future. Full of Ozeki’s signature humour and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.

    She likes drugs and cigarettes, and when she learns that she's something of an anthropological curiosity herself--a "woman writer of color" treasured in her university for the flourish of rarefied diversity she brings--she pokes fun at American academic culture and its fixation on identity.When she is unexpectedly nominated for "the most important literary award in Europe," Mona sees a chance to escape her spiral of sunlit substance abuse and erotic distractions, and so she trades the temptations of California for small, gray village in Sweden close to the Artic. Now she's stuck in the company of all her jetlagged--and mostly male--competitors, arriving from Japan, France, Armenia, Iran, Colombia. Isolated as they are, the writers do what writers do: exchange compliments, nurse envy and private resentments, stab rivals in the back, and hop in bed together--and all the while, Mona keeps stumbling across the mysterious traces of a violence she cannot explain.As her adventures in Scandinavia unfold, Mona finds that she has not so much escaped her demons as locked herself up with them in the middle of nowhere. In Mona, Pola Oloixarac paints a hypnotic, scabrous and finally jaw-dropping portrait of a woman facing a hipster elite in which she both does and does not belong. A survivor of both patronization and bizarre sexual encounters, Mona is a new kind of feminist. But her past won't stay past, and strange forces are working to deliver her to the test of a lifetime.

    Her publications in English include The Embroidered Shoes, Five Spice Street, Vertical Motion, and The Last Lover, which won the 2015 Best Translated Book Award for Fiction.Karen Gernant is a professor emerita of Chinese history at Southern Oregon University. She translates in collaboration with Chen Zeping.Chen Zeping is a professor of Chinese linguistics at Fujian Teachers' University, and has collaborated with Karen Gernant on more than ten translations.

    But I'm grateful for that inauspicious start because ugliness, as my other uncle, Eurípides López Sánchez, was given to saying, is character forming.Highway is a late-in-life world traveler, yarn spinner, collector, and legendary auctioneer. His most precious possessions are the teeth of the "notorious infamous" like Plato, Petrarch, and Virginia Woolf. Written in collaboration with the workers at a Jumex juice factory, Teeth is an elegant, witty, exhilarating romp through the industrial suburbs of Mexico City and Luiselli's own literary influences.