The secret, though, that surrounded my parents’ unhappy life together, was divulged to me by accident . . .’ Hidden under some papers in his father’s bureau, the sixteen-year-old Derek Malcolm finds a book by the famous criminologist Edgar Lustgarten called The Judges and the Damned. Browsing through the Contents pages Derek reads, ‘Mr Justice McCardie tries Lieutenant Malcolm – page 33.’ But there is no page 33. The whole chapter has been ripped out of the book. Slowly but surely, the shocking truth emerges: that Derek’s father, shot his wife’s lover and was acquitted at a famous trial at the Old Bailey. The trial was unique in British legal history as the first case of a crime passionel, where a guilty man is set free, on the grounds of self-defence. Husband and wife lived together unhappily ever after, raising Derek in their wake. Then, in a dramatic twist, following his father’s death, Derek receives an open postcard from his Aunt Phyllis, informing him that his real father is the Italian Ambassador to London . . . By turns laconic and affectionate, Derek Malcolm has written a richly evocative memoir of a family sinking into hopeless disrepair. Derek Malcolm was chief film critic of the Guardian for thirty years and still writes for the paper. Educated at Eton and Merton College, Oxford, he became first a steeplechase rider and then an actor after leaving university. He worked as a journalist in the sixties, first in Cheltenham and then with the Guardian where he was a features sub-editor and writer, racing correspondent and finally film critic. He directed the London Film Festival for a spell in the 80s and is now President of both the International Film Critics Association and the British Federation of Film Societies. He lives with his wife Sarah Gristwood in London and Kent and has published two books – one on Robert Mitchum and another on his favourite 100 films. He is a frequent broadcaster on radio and television and a veteran of film festival juries all over the world.

    These are the stories of life inside the courtroom. They are sometimes funny, often moving and ultimately life-changing. How can you defend a child-abuser you suspect to be guilty? What do you say to someone sentenced to ten years who you believe to be innocent? What is the law and why do we need it? And why do they wear wigs? From the criminals to the lawyers, the victims, witnesses and officers of the law, here is the best and worst of humanity, all struggling within a broken system which would never be off the front pages if the public knew what it was really like. This is a first-hand account of the human cost of the criminal justice system, and a guide to how we got into this mess, The Secret Barrister shows you what it’s really like and why it really matters.

    Rock icon. Living legend. Buffy Sainte-Marie is all of these things, and Greystone is proud to celebrate the incredible Cree singer-songwriter, activist, and educator with her authorized biography.For more than 50 years, Sainte-Marie has made her voice heard through her music, art, and activism, establishing herself among the ranks of folk greats such as Joni Mitchell and Bob Dylan. She’s released more than twenty albums and ten singles, survived being blacklisted by two U.S. presidents, and has received countless accolades, including the only Academy Award ever to be won by a First Nations artist. Her most recent album, Power in the Blood (2015), won the Polaris Music Prize and two Juno Awards. But Sainte-Marie is so much more than a musician; she is also an entrepreneur, a pioneer in digital art, and an important cultural activist who has worked tirelessly advocating for and protecting Indigenous rights and freedoms. Her incredible contributions to society will be recognized when she receives the Allan Waters Humanitarian Award at the 2017 Juno Awards, and will also come to light in her forthcoming biography.Penned by leading music, culture, and feminist writer Andrea Warner, Buffy Sainte-Marie: An Authorized Biography will weave a powerful, intimate look at the life of a beloved artist and everything that she has accomplished in her 76 years (and counting).

    The day after Esther's funeral, her husband, Rene, packed up his girlfriend, Lolly; his daughter, Jeannine; and Lolly's son, Don, in the company car and took off for Disneyland. If not for the doggedness of the doctor who treated Esther, Rene, then a charismatic and handsome CKNW radio personality, would have been free to marry Lolly, who was the station's pretty twentysomething receptionist. Instead, Rene was charged with capital murder for poisoning his wife with arsenic-laced milkshakes in one of British Columbia's most sensational criminal cases of the century.Murder by Milkshake is the compelling story of the Castellanis, and of their daughter, Jeannine, who was eleven at the time of her mother's murder and who clung to her father's innocence, even committing perjury during his trial. Rigorously researched, and based on dozens of interviews with family, friends, and co-workers, Murder by Milkshake documents the sensational case that kept Vancouver spellbound, while providing a snapshot of the city's Mad Men-esque social and political realities in the 1960s.

    Sixties Scoop. Bill C-31. Blood quantum. Appropriation. Two-Spirit. Tsilhqot’in. Status. TRC. RCAP. FNPOA. Pass and permit. Numbered Treaties. Terra nullius. The Great Peace…Are you familiar with the terms listed above? In Indigenous Writes, Chelsea Vowel, legal scholar, teacher, and intellectual, opens an important dialogue about these (and more) concepts and the wider social beliefs associated with the relationship between Indigenous peoples and Canada. In 31 essays, Chelsea explores the Indigenous experience from the time of contact to the present, through five categories – Terminology of Relationships; Culture and Identity; Myth-Busting; State Violence; and Land, Learning, Law, and Treaties. She answers the questions that many people have on these topics to spark further conversations at home, in the classroom, and in the larger community.Indigenous Writes is one title in The Debwe Series.

    Now author Dick North (of course) may have solved the mystery of the Mad Trapper's true identity, thereby enhancing the saga."--Thomas McIntyre, author of Seasons & Days: A Hunting Life "A courageous and unrelenting posse on the trail of a furious and desperate wilderness outlaw . . . Lean and bloody, meticulously researched, The Mad Trapper of Rat River is a dark and haunting story of human endurance, adventure, and will that speeds along like the best fiction."--Bob Butz, author of Beast of Never, Cat of God They called it "The Arctic Circle War." It was a forty-eight-day manhunt across the harshest terrain in the world, the likes of which we will never see again. The quarry, Albert Johnson, was a loner working a string of traps in the far reaches of Canada's Northwest Territories, where winter temperatures average forty degrees below zero. The chase began when two Mounties came to ask Johnson about allegations that he had interfered with a neighbor's trap. No questions were asked. Johnson discharged the first shot through a hole in the wall of his log cabin. When the Mounties returned with reinforcements, Johnson was gone, and The Arctic Circle War had begun. On Johnson's heels were a corps of Mounties and an irregular posse on dogsled. Johnson, on snowshoes, seemed superhuman in his ability to evade capture. The chase stretched for hundreds of miles and, during a blizzard, crossed the Richardson Mountains, the northernmost extension of the Rockies. It culminated in the historic shootout at Eagle River.

         Singer-songwriter and front man of the great Canadian band Great Big Sea, Alan Doyle is also a lyrical storyteller and a creative force. In Where I Belong, Alan paints a vivid, raucous and heartwarming portrait of a curious young lad born into the small coastal fishing community of Petty Harbour, Newfoundland, and destined to become a renowned musician who carried the musical tradition of generations before him and brought his signature sound to the world. He tells of a childhood surrounded by larger-than-life characters who made an indelible impression on his music and work; of his first job on the wharf cutting out cod tongues for fishermen; of growing up in a family of five in a two-bedroom house with a beef-bucket as a toilet, yet lacking nothing; of learning at his father's knee how to sing the story of a song and learning from his mother how to simply "be good"; and finally, of how everything he ever learned as a kid prepared him for that pivotal moment when he became part of Great Big Sea and sailed away on what would be the greatest musical adventure of his life.      Filled with the lore and traditions of the East Coast and told in a voice that is at once captivating and refreshingly candid, this is a narrative journey about small-town life, curiosity and creative fulfillment, and finally, about leaving everything you know behind only to learn that no matter where you go, home will always be with you.

     Ryan Speedo Green had a tough upbringing in southeastern Virginia: his family lived in a trailer park and later a bullet-riddled house across the street from drug dealers. His father was absent; his mother was volatile and abusive.At the age of twelve, Ryan was sent to Virginia's juvenile facility of last resort. He was placed in solitary confinement. He was uncontrollable, uncontainable, with little hope for the future. In 2011, at the age of twenty-four, Ryan won a nationwide competition hosted by New York's Metropolitan Opera, beating out 1,200 other talented singers. Today, he is a rising star performing major roles at the Met and Europe's most prestigious opera houses.SING FOR YOUR LIFE chronicles Ryan's suspenseful, racially charged and artistically intricate journey from solitary confinement to stardom. Daniel Bergner takes readers on Ryan's path toward redemption, introducing us to a cast of memorable characters--including the two teachers from his childhood who redirect his rage into music, and his long-lost father who finally reappears to hear Ryan sing. Bergner illuminates all that it takes--technically, creatively--to find and foster the beauty of the human voice. And Sing for Your Life sheds unique light on the enduring and complex realities of race in America.

    This is the story of how, for 460 days, I fought to save her and bring her home. “This book is impossible to put down. As inspiring as it is bone-chilling, this is an incredible story of hope and joy, grit and gumption by a determined mother who will stop at nothing to save her daughter.” —Jann Arden, singer-songwriter and bestselling author of Falling Backwards “A gripping, mother’s-eye view of Amanda Lindhout’s kidnapping ordeal...For any parent who has ever worried about, advocated for, and deeply loved a child, Lorinda Stewart’s honest, lion-hearted account will leave you both stunned and uplifted.” —Sara Corbett, coauthor of A House in the SkyOn August 23, 2008, Amanda Lindhout was kidnapped outside Mogadishu in Somalia. The kidnappers’ demand was simple: pay millions or Amanda would be killed. For the next 460 days, Amanda’s mother, Lorinda Stewart, did everything in her power to get her daughter back alive. A brave, small-town mother with no experience in hostage negotiations, Lorinda was called upon by the Royal Canadian Mounted Police to be the lead communicator with “Adam”—the Somali man who identified himself as the English-speaking negotiator for Amanda’s kidnappers. In a secret “war room” in Sylvan Lake, Alberta, Lorinda joined forces with federal officers and began answering calls from Adam, establishing a fragile rapport of trust with the man who held her daughter’s fate in his hands. She learned how to demand POLs (proofs of life) from Amanda’s hostage takers and even how to react to “bad calls”—getting through them despite having to listen to her daughter’s desperate cries for help and fearing Amanda was being abused and tortured. What was supposed to be a short negotiation stretched on, and weeks became months. As negotiations broke down, Lorinda found herself increasingly on her own. But she never gave up hope, even when the phone calls became more traumatic. Faced with the terrible possibility of her daughter’s death, Lorinda decided to bring in a private security company and raise money from donors to support the cause of bringing Amanda home. But would it be enough? One Day Closer is the true story of one mother’s heroic perseverance in the face of despair, and of the hope and healing to be found beyond trauma. It is also, above all, a tribute to the extraordinary power of a mother’s love.

    With ruthless honesty and deadpan humor, the author observes the effect of weed upon every aspect of her life: marriage, motherhood, friendship, work, sport, sex. Phillip Lopate, Nonfiction Director of Columbia University's MFA Writing Program, lauds JUST SAY YES: "This funny, wry and very candid memoir purports to be a Confession of an American Pot-Smoker but is really a cultural/personal history of the past fifty years. The narrative progresses backward and not only the past but innocence itself is recaptured." John Updike wrote about Hiller's short story collection, SKIN, this is "good, brave and joyful writing." For more reviews of JUST SAY YES, please see the Kindle page and www.marijuanamemoir.com.

    

    His impassioned essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written.--back cover

    At forty-four, Tom Jokinen decided to quit his job in order to become an apprentice undertaker, setting out to ask the questions: What is the right thing to do when someone dies? With the marketplace offering new options (go green, go anti-corporate, go Disney, be packed into an artificial reef and dropped in the Atlantic...), is there still room for tradition? In a year of adventures both hair-raising and hilarious, Jokinen finds a world that is radically changed since Jessica Mitford revised The American Way of Death, more surprising than Six Feet Under, and even funnier and more illuminating than Stiff.If Bill Bryson were to apprentice at a funeral home, searching for the meaning of life and death, you'd have Curtains.

    An award-winning investigative journalist, he used his real name; In American Prison, Bauer weaves a much deeper reckoning with his experiences together with a thoroughly researched history of for-profit prisons in America from their origins in the decades before the Civil War. For, as he soon realized, we can't understand the cruelty of our current system and its place in the larger story of mass incarceration without understanding where it came from. Private prisons became entrenched in the South as part of a systemic effort to keep the African-American labor force in place in the aftermath of slavery, and the echoes of these shameful origins are with us still.

    When he decides to finally make the suit his own, little does he know he is about to embark on a journey into his own past.As JJ moves across the surface of the suit, he reveals the heartbreaking tale of his father, a charismatic but luckless restaurateur whose demons brought tumult upon his family. He also recounts the year he spent as an apprentice tailor at Modernize Tailors, the last of Vancouver's legendary Chinatown tailors, where he learns invaluable lessons about life from his octogenarian master tailor. Woven throughout these two personal strands are entertaining stories from the social history of the man's suit, the surprising battleground where the war between generations has long been fought.With wit, bracing honesty, and great narrative verve, JJ takes us from the French Revolution to the Zoot Suit Riots, from the Japanese Salaryman to Mad Men, from Oscar Wilde in short pants to Marlon Brando in a T-shirt, and from the rareified rooms of Savile Row to a rundown shop in Chinatown. A book that will forever change the way you think about the maxim "the clothes make the man," this is a universal story of love and forgiveness and breaking with the past.From the Hardcover edition.