Numerous theories have sprouted in an attempt to console ourselves and to point the blame in emotionally satisfying directions—yet none of them are fully convincing. As witnesses to the Holocaust near the ends of their lives, it becomes that much more important to unravel what happened and to educate a new generation about the horrors inflicted by the Nazi regime on Jews and non-Jews alike.Why? dispels many misconceptions and answers some of the most basic—yet vexing—questions that remain: why the Jews and not another ethnic group? Why the Germans? Why such a swift and sweeping extermination? Why didn’t more Jews fight back more often? Why didn’t they receive more help? While responding to the questions he has been most frequently asked by students over the decades, world-renowned Holocaust historian and professor Peter Hayes brings a wealth of scholarly research and experience to bear on conventional, popular views of the history, challenging some of the most prominent recent interpretations. He argues that there is no single theory that “explains” the Holocaust; the convergence of multiple forces at a particular moment in time led to catastrophe.In clear prose informed by an encyclopedic knowledge of Holocaust literature in English and German, Hayes weaves together stories and statistics to heart-stopping effect. Why? is an authoritative, groundbreaking exploration of the origins of one of the most tragic events in human history.

    Casts light into dark and previously neglected corners of the horror that was the Third Reich.'' —Richard John Neuhaus, Editor in Chief First Things ''Father Jean Bernard's portrait of survival in a German concentration camp is simple, forceful and vivid and therefore impossible to put down or forget. It ranks with the great 20th Century personal testimonies against totalitarian violence... Priestblock 25487 is a diary of Catholic discipleship under extreme conditions that will deeply move all persons of conscience.'' —Charles J. Chaput, Archbishop of Denver ''Gripping! This crisp story of the 3,000-plus Christian clergy at Dachau in 1941 forces me to turn pages quickly, in horror... In its understated power, this brief book is unforgettable.'' —Michael Novak, author of Washington's God (with Jana Novak) ''Many hundreds of books have been written and published about German concentration and extermination camps during World War II, including at least two or three dozens written or dictated by their actual survivors. Of these, Father Jean Bernard's Priestblock 25487 is among the very best, because of the exceptional intelligence and honesty of its author. Dachau, where he was imprisoned, was not the worst of all those camps, and Father Bernard was, surprisingly, released after two years of imprisonment: but perhaps because of these very circumstances his diary is extraordinarily telling, convincing, and graphic. Every scholar and student of that dreadful chapter of twentieth-century history ought to read—and ponder—its contents.'' —John Lukacs, author of The Hitler of History; and Five Days in London: May 1940 ''Father Bernard has left readers with a gripping testimony of the brutal treatment the Catholic clergy received at the hands of the Nazis in Dachau. Despite t

    Wallace’s pieces for Harper’s magazine in the ’90s were, according to Lipsky, “like hearing for the first time the brain voice of everybody I knew: Here was how we all talked, experienced, thought. It was like smelling the damp in the air, seeing the first flash from a storm a mile away. You knew something gigantic was coming.”Then Rolling Stone sent Lipsky to join Wallace on the last leg of his book tour for Infinite Jest, the novel that made him internationally famous. They lose to each other at chess. They get iced-in at an airport. They dash to Chicago to catch a make-up flight. They endure a terrible reader’s escort in Minneapolis. Wallace does a reading, a signing, an NPR appearance. Wallace gives in and imbibes titanic amounts of hotel television (what he calls an “orgy of spectation”). They fly back to Illinois, drive home, walk Wallace’s dogs. Amid these everyday events, Wallace tells Lipsky remarkable things—everything he can about his life, how he feels, what he thinks, what terrifies and fascinates and confounds him—in the writing voice Lipsky had come to love. Lipsky took notes, stopped envying him, and came to feel about him—that grateful, awake feeling—the same way he felt about Infinite Jest. Then Lipsky heads to the airport, and Wallace goes to a dance at a Baptist church.A biography in five days, Although Of Course You End Up Becoming Yourself is David Foster Wallace as few experienced this great American writer. Told in his own words, here is Wallace’s own story, and his astonishing, humane, alert way of looking at the world; here are stories of being a young writer—of being young generally—trying to knit together your ideas of who you should be and who other people expect you to be, and of being young in March of 1996. And of what it was like to be with and—as he tells it—what it was like to become David Foster Wallace.