. . .Lili du Châtelet yearns to know more about her mother, the brilliant French mathematician Emilie. But the shrouded details of Emilie's unconventional life -- and her sudden death -- are elusive. Caught between the confines of a convent upbringing and the intrigues of the Versailles court, Lili blossoms under the care of a Parisian salonnière as she absorbs the excitement of the Enlightenment, even as the scandalous shadow of her mother's past haunts her and puts her on her own path of self-discovery.Laurel Corona's breathtaking new novel, set on the eve of the French Revolution, vividly illuminates the tensions of the times, and the dangerous dance between the need to conform and the desire to chart one's own destiny and journey of the heart.

    Into their midst comes Jean-Baptiste Baratte, a young, provincial engineer charged by the king with demolishing it.At first Baratte sees this as a chance to clear the burden of history, a fitting task for a modern man of reason. But before long, he begins to suspect that the destruction of the cemetery might be a prelude to his own.

    'If you marry into glass' Pierre Labbe warns his daughter, 'you will say goodbye to everything familiar, and enter a closed world'. But crashing into this world comes the violence and terror of the French Revolution, against which the family struggles to survive.Years later, Sophie Duval reveals to her long-lost nephew the tragic story of a family of master craftsmen in eighteenth-century France. Drawing on her own family's tale of tradition and sorrow, Daphne du Maurier weaves an unforgettable saga of beauty, war, and family.

    Soon his plans for a magnificent terrace built above the two-hundred-foot drop of the Gorge come under threat.Diner believes that Lizzie’s independent, questioning spirit must be coerced and subdued. She belongs to him: law and custom confirm it, and she must live as he wants.In a tense drama of public and private violence, resistance and terror, Diner’s passion for Lizzie darkens until she finds herself dangerously alone.

    At a young age, Rafael was exposed to many languages. By the time he was seventeen, he was the master of five languages. He quickly added a sixth language - English - to his linguistic collection. After a brief stint in the business world, Sabatini went to work as a writer. He wrote short stories in the 1890s, and his first novel came out in 1902. Sabatini was a prolific writer; he produced a new book approximately every year. He consciously chose to write in his adopted language, because, he said, "all the best stories are written in English." In all, he produced thirty one novels, eight short story collections, six nonfiction books, numerous uncollected short stories, and a play. He is best known for his world-wide bestsellers: The Sea Hawk (1915), Scaramouche (1921), Captain Blood (1922) and Bellarion the Fortunate (1926). Other famous works by Sabatini are The Lion's Skin (1911), The Strolling Saint (1913) and The Snare (1917).

    And it will require the combined efforts of revolutionaries, magicians, and abolitionists to unmask this hidden enemy before the whole world falls to darkness and chaos.

    Her mother and brother had died in the prison where she had been raped and starved for no greater crime than her father’s title. And her father had died in the escape engineered by an utter stranger, who claimed he had come to bring her to England where she would inherit the property and wealth of an uncle. After what had happened to her, did Leonie dare to believe in such altruism?Roger St. Eyre’s life had been destroyed by the girl he fell passionately in love with. Solange did not love him; she was selfish and vicious and extravagant. By the time she died, Roger felt dead himself. Perhaps he was hoping for the peace death brings when he set out to wrest his old friend Henry de Conyers from the murderous grip of the French Revolution.Instead Roger and Leonie both found love and reasons to live—if they could escape exposure to the revolutionary fanatics ... and their favorite toy, the guillotine.

    Though her family tries to intervene, the seeds of revolution have already been planted in Hélène's heart, as are the seeds of love from an unlikely friendship with a young jeweler's apprentice. Hélène's determination to find true love is as revolutionary as her attempt to unravel the truth behind a chilling set of eye-shaped brooches and the concealed murder that tore her family apart.As violence erupts in Paris, Hélène is forced into hiding with her estranged family, where the tangled secrets of their past become entwined with her own. When she finally returns to the blood-stained streets of Paris, she finds everything-and everyone-very much changed. In a city where alliances shift overnight, no one knows who to trust.Faced with looming war, the mystery of her family's past, and the man she loves near death, Hélène will soon will find out if doing one wrong thing will make everything right, or if it will simply push her closer to the guillotine.

    This one by women.A founding mother...1774. Gently-bred noblewoman Adrienne Lafayette becomes her husband, the Marquis de Lafayette's political partner in the fight for American independence. But when their idealism sparks revolution in France and the guillotine threatens everything she holds dear, Adrienne must renounce the complicated man she loves, or risk her life for a legacy that will inspire generations to come.A daring visionary...1914. Glittering New York socialite Beatrice Chanler is a force of nature, daunted by nothing--not her humble beginnings, her crumbling marriage, or the outbreak of war. But after witnessing the devastation in France firsthand, Beatrice takes on the challenge of a lifetime: convincing America to fight for what's right.A reluctant resistor...1940. French school-teacher and aspiring artist Marthe Simone has an orphan's self-reliance and wants nothing to do with war. But as the realities of Nazi occupation transform her life in the isolated castle where she came of age, she makes a discovery that calls into question who she is, and more importantly, who she is willing to become.Intricately woven and powerfully told, The Women of Chateau Lafayette is a sweeping novel about duty and hope, love and courage, and the strength we take from those who came before us.

    In 1814, he was imprisoned on Elba, planning an escape and plotting his course of action once he had done so. From the time he landed back in France to his loss at Waterloo, one hundred days elapsed. Scholar Alan Schom, an expert in the history of the Napoleonic era, outlines the key personalities and events of those hundred days in 1815. Napoleon is a far cry from the heroic leader of the time before he was imprisoned in Elba, attempting to gather forces and convince his old friends to help him once again. Despite the difficulties he faced from his irresponsible brothers, and acting in opposition to the statesman Talleyrand, Napoleon was only a whisker away from a famous triumph, and only eventually defeated by the mobilised force of the Allies. It was the Duke of Wellington and Blücher who defeated Napoleon, who was prepared to take on England, Austria, Prussia and Russia. The book includes a brilliant account of the manoeuvres at Waterloo, and is a fantastic tale of daring that is a useful book exactly 200 years on from the 100 days. ‘Undoubtedly the best account of this episode in English’ — Richard Holmes, The Times Literary Supplement ‘Alan Schom has written a racy account, backed by copious detail and an abundance of quotations...a good read’ — Michael Carver, Sunday Telegraph ‘A brisk, pacey account of the Hundred Days, written in a fluent and engaging manner...There are excellent sketches of Fouché, Talleyrand and Carnot and a most able analysis of the background...as well as fascinating material on espionage and intelligence’ — Frank McLynn in the Literary Review ‘A riveting narrative of events...a sparkling portrait gallery of the personalities who shaped those events’ — Russell F. Weigely, author of The Age of Battles Alan Schom was a professor of French and European history before retiring to write full-time. He is the author of Emile Zola: A Biography and Trafalgar. One Hundred Days was nominated for the 1992 Pulitzer Prize and for the 1992 US National Book Award.

    Her Elegiac Sonnets sparked the sonnet revival in English Romanticism; The Emigrants initiated its passion for lengthy meditative introspection; and Beachy Head lent its poetic engagement with nature a uniquely telling immediacy. Smith was a woman, Wordsworth remarked a quarter century after her death, to whom English verse is under greater obligations than are likely to be either acknowledged or remembered. True to his prediction, Smith's poetry has virtually dropped from sight and thus from cultural consciousness. This, the first edition of Smith's collected poems, will restore to all students of English poetry a distinctive, compelling voice. Likewise, the recovery of Smith to her rightful place among the Romantic poets must spur the reassessment of the place of women writers within that culture.

    First published in 1939, on the eve of the Second World War, and suppressed by the Vichy government, this classic work explains what happened in France in 1789, the first year of the French Revolution. Georges Lefebvre wrote history from below--a Marxist approach. Here, he places the peasantry at the center of his analysis, emphasizing the class struggles in France and the significant role they played in the coming of the revolution.Eloquently translated by the historian R. R. Palmer and featuring an introduction by Timothy Tackett that provides a concise intellectual biography of Lefebvre and a critical appraisal of the book, this Princeton Classics edition continues to offer fresh insights into democracy, dictatorship, and insurrection.

    When the rich and beautiful Sovay isn't sitting for portraits, she's donning a man's cloak and robbing travelers—in broad daylight. But in a time when political allegiances between France and England are strained, a rogue bandit is not the only thing travelers fear. Spies abound, and rumors of sedition can quickly lead to disappearances. So when Sovay lifts the wallet of one of England's most powerful and dangerous men, it's not just her own identity she must hide, but that of her father. A dazzling historical saga in which the roles of thieves and gentry, good and bad, and men and women are interchanged to riveting effect.

    Isabelle, daughter of an aristocrat, lives in a chateau just outside Paris. But France is in the grip of the Revolution, and as terror takes hold of the city, Isabelle's family decides that they must flee to the countryside. But will they be safe there? Will they escape the guillotine's falling blade...?

    Carolly Erickson takes the reader deep into the psyche of France's doomed queen: her love affair with handsome Swedish diplomat Count Axel Fersen, who risked his life to save her; her fears on the terrifying night the Parisian mob broke into her palace bedroom intent on murdering her and her family; her harrowing attempted flight from France in disguise; her recapture and the grim months of harsh captivity; her agony when her beloved husband was guillotined and her young son was torn from her arms, never to be seen again.Erickson brilliantly captures the queen's voice, her hopes, her dreads, and her suffering. We follow, mesmerized, as she reveals every detail of her remarkable, eventful life—from her teenage years when she began keeping a diary to her final days when she awaited her own bloody appointment with the guillotine.