The eyes of a dozen television cameras watched him and the subether bore throughout the universe a dozen pictures of what he was doing. He straightened and nodded to Dwar Reyn, then moved to a position beside the switch that would complete the contact when he threw it. The switch that would connect, all at once, all of the monster computing machines of all the populated planets in the universe -- ninety-six billion planets -- into the supercircuit that would connect them all into one supercalculator, one cybernetics machine that would combine all the knowledge of all the galaxies."

    

    She sees the figure of an unknown man on the tower and his face at the window. It is Peter Quint, the master's dissolute valet, and he has come for little Miles. But Peter Quint is dead.Like the other tales collected here - 'Sir Edmund Orme', 'Owen Wingrave', and 'The Friends of the Friends' - 'The Turn of the Screw' is to all immediate appearances a ghost story. But are the appearances what they seem? Is what appears to the governess a ghost or a hallucination? Who else sees what she sees? The reader may wonder whether the children are victims of corruption from beyond the grave, or victims of the governess's `infernal imagination', which torments but also entrals her?'The Turn of the Screw' is probably the most famous, certainly the most eerily equivocal, of all ghostly tales. Is it a subtle, self-conscious exploration of the haunted house of Victorian culture, filled with echoes of sexual and social unease? Or is it simply, 'the most hopelessly evil story that we have ever read'?

    

    L. Moore [as by Lawrence O'Donnell]First publication: Astounding Science Fiction, September 1946

    First published in 1759, it was an instant bestseller and has come to be regarded as one of the key texts of the Enlightenment. What Candide does for chivalric romance, the other tales in this selection--Micromegas, Zadig, The Ingenu, and The White Bull--do for science fiction, the Oriental tale, the sentimental novel, and the Old Testament. The most extensive one-volume selection currently available, this new edition includes a new verse translation of the story Voltaire based on Chaucer's The Wife of Bath's Tale: What Pleases the Ladies and opens with a revised introduction that reflects recent critical debates, including a new section on Candide.

    Marion Crawfordtext taken from his 1911 collection of weird fiction UNCANNY TALES, now in public domain.This story tells the classic gothic horror account of a young man in the thrall of a vampire, and...yes, there WILL be blood.Typeset and formatted by the publisher Gideonfell Books, Ltd. January 2010.

    

    Ophelia Todd is always looking for a shorter distance between two points, so she just wrinkles the map a little--until she gets caught in one of the wrinkles.Description: 1 audiocassette (78 min.) : analog, Dolby processed.

    Niggle, the painter, is a kind hearted soul and goes out of his way to help his friends and neighbours but eventually finds that this prevents him from completing his masterpiece. He has a hard decision to make; when engrossed in his work, his neighbour asks him to fix his roof using his art supplies.

    In their exile on the ground they have to adapt to vastly different circumstances, fight monsters resembling dinosaurs, and finally happen upon the godly giants, whose existence they had questioned.

    

    But when she learns of Denis's guilty secret, she becomes painfully aware of her fiancé's flawed morality. Determined that no child of hers should inherit such character traits, she does everything in her power to instill in their son the highest moral code. Yet, when Dick is faced with a moral choice of his own, she can only watch to see if history will repeat itself. American novelist Edith Wharton (1862–1937) is celebrated for her finely crafted stories of New York mores, including The Age of Innocence.

    A henpecked husband copes with the frustrations of his dull life by imagining he is a fearless airplane pilot, a brilliant doctor, and other dashing figures.