"Number Thirteen," "The Mezzotint," "Canon Alberic's Scrapbook," and more. Renowned for their wit, erudition and suspense, these stories are each masterfully constructed and represent a high achievement in the ghost genre. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

    Carnacki, the Ghost-Finder is a collection of supernatural detective short stories by author William Hope Hodgson.

    a midnight caller keeping his promise ... forests where Nature is deliberate and malefic ... enchanted houses ... these are the beings and ideas that flood through this collection of ghost stories by Algernon Blackwood (1869-1951). Altogether 13 stories, gathered from the entire corpus of Blackwood's work, are included; stories of such sheer power and imagination that it is easy to see why he has been considered the foremost British supernaturalist of the twentieth century.Blackwood's ability to create an atmosphere of unrelieved horror and sustain it to the end of the story is almost unsurpassed. “The Willows” — which has been called by H.P. Lovecraft the finest supernatural story — is a typical example of Blackwood's art: slowly and surely Blackwood draws the reader into a world of shadows, nuances and unearthly terror.Blackwood was also a master at evoking feelings of mysticism and cosmic experience; dealing with such ideas as interpenetrating levels of existence and pantheistic elemental powers, he expanded the content of supernatural literature enormously. But even the more traditional elements of horror stories such as ghosts and haunted houses are handled with such energy and feeling that they rise far above their predecessors.Drawing on serious Oriental thought, modern psychology and philosophy, Algernon Blackwood introduced a sophistication to the horror story that — with a few exceptions — it was devoid of before. The results are stories that are not only guaranteed to chill, but stories that have something to say to the intelligent reader.Contents:- The Willows (1907)- Secret Worship (1908)- Ancient Sorceries (1908)- The Glamour of the Snow (1911)- The Wendigo (1910)- The Other Wing (1915)- The Transfer (1911)- Ancient Lights (1914)- The Listener (1907)- The Empty House (1906)- Accessory before the Fact (1914)- Keeping His Promise (1906)- Max Hensig (1945)

    Henry James was arguably the greatest practitioner of what has been called the psychological ghost story. His stories explore the region which lies between the supernatural or straightforwardly marvellous and the darker areas of the human psyche. This edition includes all ten of his ghost stories, and as such is the fullest collection currently available. The stories range widely in tone and type. They include 'The Jolly Corner', a compelling story of psychological doubling; 'Owen Wingrave', which is also a subtle parable of military tradition; 'The Friends of the Friends', a strange story of uncanny love; and 'The Private Life', which finds a shrewd, high comedy in its ghostly theme. The volume also includes James's great novella The Turn of the Screw , perhaps the most ambiguous and disturbing ghost story ever written.

    it came straight towards the bed... its wide eyes were open and looked at me with love unspeakable' Edith Nesbit, best known as the author of The Railway Children and other children's classics, was also the mistress of the ghost story and tales of terror. She was able to create genuinely chilling narratives in which the returning dead feature strongly. Sadly, these stories have been neglected for many years, but now, at last, they are back in print. In this wonderful collection of eerie, flesh-creeping yarns, we encounter love that transcends the grave, reanimated corpses, vampiric vines, vengeful ghosts and other dark delights to make you feel fearful. These vintage spooky stories, tinged with horror, are told in a bold, forthright manner that makes them seem as fresh and unsettling as today's headlines.

    Brought together in this volume, these stories represent an unprecedented accomplishment in American literature. In their iconoclasm and needle-sharp irony, their formal and thematic ingenuity and element of surprise, they differ markedly from the fiction admired in Bierce's time. Readers familiar with the classic An Occurrence at Owl Creek Bridge will want to turn to Bierce's other Civil War stories. Also included here are his horror stories, among them The Death of Halpin Frayser and The Damned Thing, and such tall tales as Oil of Dog and A Cargo of Cat.

    Sheridan Le Fanu's marvellous ghost stories are "Madam Crowl's Ghost"; "Squire Toby's Will"; "Dickon the Devil"; "The Child That Went with the Fairies"; "The White Cat of Drumgunniol"; "An Account of Some Strange Disturbances in Aungier Street"; Ghost Stories of Chapelizod, including "The Village Bully," "The Sexton's Adventure," "The Specter Lovers"; "Wicked Captain Walshawe, of Wauling"; "Sir Dominick's Bargain"; "Ultor de Lacy"; "The Vision of Tom Chuff"; and Stories of Lough Guir, including "The Magician Earl," "Moll Rial's Adventure," "The Banshee," "The Governess's Dream," and "The Earl's Hall."

    P. Lovecraft was one of the greatest horror writers of all time. His seminal work appeared in the pages of legendary Weird Tales and has influenced countless writer of the macabre. This is one of those stories.

    Edwards is acknowledged as one of the best Victorian ghost story writers. She was one of the select band of authors invited by Charles Dickens to contribute ghost stories to the Christmas numbers of his magazine All the Year Round, and some of her tales—such as 'The Four-fifteen Express', 'Number Three', 'My Brother's Ghost Story', and the highly influential 'The Phantom Coach'—have become staples of ghost story anthologies.There was much more to Amelia Edwards than ghost stories, however, as Richard Dalby makes clear in his introduction. She was an indefatigable traveller, and she incorporated much of what she observed into her ghost stories, many of which are set in northern and central Europe. She was also an archaeologist of world renown, who was instrumental in ensuring that the treasures and antiquities of ancient Egypt were properly excavated and preserved.The Phantom Coach is the first book to collect together all of Amelia B. Edwards's supernatural fiction. In addition to all her known ghost stories, the volume also contains three additional items, including a delightful piece by Edwards herself about 'My Home Life': a fascinating look at one of the Victorian era's most fascinating women.Contents: Introduction by Richard Dalby; 'My Brother's Ghost Story'; 'The Eleventh of March'; 'Number Three'; 'The Discovery of the Treasure Isles'; 'The Phantom Coach'; 'The Recollections of Professor Henneberg'; 'An Engineer's Story'; 'The Four-fifteen Express'; 'The Story of Salome'; 'A Service of Danger'; 'The New Pass'; 'In the Confessional'; 'Sister Johanna's Story'; 'A Night on the Borders of the Black Forest'; 'Monsieur Maurice'; 'Was it an Illusion?'; Appendixes: 'Four Ghosts'; 'A Legend of Boisguilbert'; 'My Home Life'.

    Fine line-drawings by Laszlo Kubinyi enhance the mysterious and sometimes chilling mood.The lady's maid's bell (1904)The eyes (1910)Afterward (1910)Kerfol (1916)The triumph of night (1914)Miss Mary Pask (1925)Bewitched (1925)Mr Jones (1928)Pomegranate seed (1931)The looking glass (1935)All souls' (1937)

    Since its publication in 1895, The King in Yellow has inspired other horror-genre writers including H. P. Lovecraft, and the text is referenced by many works of fiction, in music, and by the hit television series True Detective, starring Matthew McConaughey and Woody Harrelson. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library_We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

    Comprised of spine-chilling tales published by Stoker’s widow after his death, as well as The Lair of the White Worm, an intensely intriguing novel of myths, legends, and unspeakable evils, this collection demonstrates the full range of Stoker’s horror writing.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    The family -- which refuses to believe in him -- is in Wilde's way a commentary on the British nobility of the day -- and on the Americans, too. The tale, like many of Wilde's, is rich with allusion, but ends as sentimental romance...

    He had always loved a good ghost story himself, particularly at Christmas time, and was open-minded, willing to accept, and indeed put to the test, the existence of spirits.His natural inclinations toward drama and the macabre made him a brilliant teller of ghost tales, and in the twenty stories presented here, which include his celebrated A Christmas Carol, the full range of his gothic talents can be seen.Chilling as some of these stories are, Dickens has managed to inject characteristically grotesque comedy as he writes of revenge, insanity, pre-cognition and dream visions, he indulges also in some debunking of contemporary credulity.