When billionaire mogul James Preston hires an escort as a date for his brother’s wedding, he knows he’s taking a risk. One thing he won’t be taking? The escort’s clothes off. He just wants a date—not a girlfriend. Not a relationship. No strings. No ties. No games. No sex. He has his reasons. He lost someone he loved, and isn’t interested in trying again. Too many opportunities for mistakes or worse, heartbreak. Audrey Reynolds became a high-end escort to keep her brother in his expensive group home. James Preston is the client of her dreams—he’s offering to pay her more money for two weeks than she’s ever made before. But James is... difficult. He’s gorgeous, troubled and all too human for Audrey's business-like tastes. Determined to complete her assignment and collect the money, Audrey tries to play by James’s rules. But before she knows what's happening, he's rewriting the contract. When Audrey ends up in James’s bed, he realizes that she’s everything he’s wanted… and everything he’s been running from. Escorting the Actress He was my party-boy billionaire stepbrother... Now he's my disinherited, sexy escort? FML! Kyle: She was my geeky, brace-faced stepsister. Now she's a stunning Hollywood actress. And she just became a client at the upscale escort agency where I work. Things might finally be looking up. Lowell: I had a PR disaster on my hands. I needed a pretend boyfriend--so I called the escort service. But then stepbrother bad boy showed up. Now I'm all sorts of screwed. Or wishing I was. Wait--I take that back! I take it back! Kyle: My powerful father will do anything to keep me away from Lowell, including dangling my fortune in front of me. But I just might be more interested in what my sexy ex-stepsister has to offer. That is, if I can convince her to give it to me. Escorting the Player Win or Lose... Winning is important but this is championship quarterback Chase Layne's last chance for glory. All he wants for his final season is to win the Superbowl. But dreams of ending his career on a high will be sacked if his soon to be ex-wife has her way. She and her new boyfriend have plans to ruin Chase in a media smear, stealing everything he's worked to achieve. He just has to show the press he's still in control and on top of his game, in business and his private life. It's How You Play the Game... Avery Banks knows all about being played. Life has done that to her for years now and she's tired of being the loser. All she needs is a big score...a job paying enough money to allow her stop turning tricks for good and to get her sister into rehab. Then it happens! She gets the dream job pretending to be a star football player's girlfriend. All she has to do is make him look good, help him keep up his All American Boy image for the next few weeks. Easy, right? Except her sister sees an even bigger payoff: Blackmailing Chase. As Chase and Avery play offense to everyone trying to bring them down, Avery must also face the hard truth: she's made the ultimate rookie mistake...falling in love with a client. Escorting the Groom TO HAVE AND TO HOLD… Ruthless technology billionaire Lucas Ford has run out of time. The rules of his trust make it clear: be married by thirty-five and stay married for one year. Otherwise, bye-bye inheritance—and the family fortune will be inherited by his sister, who might very well blow it on Botox and funding her sorority alma mater.

    H. Auden endowed poetry in the English language with a new face. Or rather, with several faces, since his work ranged from the political to the religious, from the urbane to the pastoral, from the mandarin to the invigoratingly plain-spoken.This collection presents all the poems Auden wished to preserve, in the texts that received his final approval. It includes the full contents of his previous collected editions along with all the later volumes of his shorter poems. Together, these works display the astonishing range of Auden's voice and the breadth of his concerns, his deep knowledge of the traditions he inherited, and his ability to recast those traditions in modern times.

    But they are young. All life still lies ahead. Vesey heads off hopefully to pursue a career as an actor. Harriet marries and has a child, becoming a settled member of suburban society. And then Vesey returns, the worse for wear, and with him the love whose memory they have both sentimentally cherished, and even after so much has happened it cannot be denied. But things are not at all as they used to be. Love, it seems, is hardly designed to survive life.      One of the finest twentieth-century English novelists, Elizabeth Taylor, like her contemporaries Graham Greene, Richard Yates, and Michelangelo Antonioni, was a connoisseur of the modern world’s forsaken zones. Her characters are real, people caught out by their own desires and decisions, and they demand our attention. The be-stilled suburban backwaters she sets out to explore shimmer in her books with the punishing clarity of a desert mirage.

    The first Caxley tale, The Market Square, introduces the deep-rooted camaraderie of Septimus Howard and Bender North, whose friendship survives misunderstandings, the tragedy of war, and the bitterness of loss. The story of their families continues through the generations. The second tale, The Howards of Caxley, tells of Edward Howard, grandson to them both. Edward flies for the Royal Air Force Reserve as England prepares for another war -- and Caxley braces itself for overwhelming changes.

    Beginning in 1905 with ninety-year-old Celia Dunne, it delightfully portrays the bustling life of her heir and grand-nephew, Humphrey Dunne, and his family of five rambunctious children. It follows the family over forty years -- through their youthful antics, merry parties, heartbreaks and loves and marriages, as each in turn comes to maturity and an understanding of the enduring satisfaction Dunnian gives to their lives.

    Heroic resistance is old hat. Everything is in short supply, and tempers are even shorter. Overwhelmed by the terrors and rigors of the Blitz, middle-aged Miss Roach has retreated to the relative safety and stupefying boredom of the suburban town of Thames Lockdon, where she rents a room in a boarding house run by Mrs. Payne. There the savvy, sensible, decent, but all-too-meek Miss Roach endures the dinner-table interrogations of Mr. Thwaites and seeks to relieve her solitude by going out drinking and necking with a wayward American lieutenant. Life is almost bearable until Vicki Kugelmann, a seeming friend, moves into the adjacent room. That’s when Miss Roach’s troubles really start to begin.Recounting an epic battle of wills in the claustrophobic confines of the boarding house, Patrick Hamilton’s The Slaves of Solitude, with a delightfully improbable heroine, is one of the finest and funniest books ever written about the trials of a lonely heart.

    This year, however, outside realities are pressing hard: Pamela and John, married for four decades, know that time is catching up with them. And trouble is brewing in the lives of their four children. Cassie, the cossetted youngest, is in the throes of an affair with a married man; Elizabeth, her awkward older sister, is struggling with a faltering second marriage; Peter, the eldest and designated inheritor of Ashley House, is beginning to meet resistance to such a prospect from his career-orientated wife. Only Charlie, the charming and carefree younger son, and his wife Serena, seem truly content, with nothing to worry about except their adolescent twin girls and the simpler teething troubles of their toddler. Everywhere the scent of change is in the air. Yet, change, when it comes, strikes in the form of a tragedy of the most unforeseeable and devastating kind. The family, so apparently secure, begins to unravel.And secrets, past and present, are exposed, laying bare the fragility of human happiness and the myriad faces of love in an imperfect world.

    Flora Poste, a recently orphaned socialite, moves in with her country relatives, the gloomy Starkadders of Cold Comfort Farm, and becomes enmeshed in a web of violent emotions, despair, and scheming, until Flora manages to set things right.

    You're just meant to do one thing every day that makes you happy. Could be little things. Could be big. In fact, we're doing one right now…”Annie Hebden is stuck. Stuck in her boring job, with her irritating roommate, in a life no thirty-five-year-old would want. But deep down, Annie is still mourning the terrible loss that tore a hole through the perfect existence she'd once taken for granted—and hiding away is safer than remembering what used to be. Until she meets the eccentric Polly Leonard.Bright, bubbly, intrusive Polly is everything Annie doesn't want in a friend. But Polly is determined to finally wake Annie up to life. Because if recent events have taught Polly anything, it's that your time is too short to waste a single day—which is why she wants Annie to join her on a mission…One hundred days. One hundred new ways to be happy. Annie's convinced it's impossible, but so is saying no to Polly. And on an unforgettable journey that will force her to open herself to new experiences—and perhaps even new love with the unlikeliest of men—Annie will slowly begin to realize that maybe, just maybe, there's still joy to be found in the world. But then it becomes clear that Polly's about to need her new friend more than ever…and Annie will have to decide once and for all whether letting others in is a risk worth taking."Simply irresistible!" -Library Journal “A special book that will make you laugh through your tears with its heartfelt take on happiness and friendship.”—Amy E. Reichert, author of The Coincidence of Coconut Cake

    Newly engaged Natalie Butterworth is an easy-going girl. She’ll do anything for a quiet life and if telling a few teensy white lies keeps her friends and family happy, then so what? It’s not like they’ll ever discover what she’s really thinking… Until one night, thanks to a pub hypnotist, Natalie’s most private thoughts begin to bubble up and pop out of her mouth. Things get very messy indeed. Especially when some sticky home truths offend her fiancé. Natalie must track down the hypnotist before the wedding is officially cancelled. So along with bad influence bestie Meg, Natalie finds herself in the Yorkshire Parish of Little Trooley - a small village bursting with big secrets, nosy old folk and intriguing Wellington-wearing men. When the girls get stranded in the village with no means of escape and no way to break the hypnotist's spell, Natalie is forced to face the truths she has been avoiding her whole life...

    It tells the story of Cécile, who leads a carefree life with her widowed father and his young mistresses until, one hot summer on the Riviera, he decides to remarry - with devastating consequences. In A Certain Smile Dominique, a young woman bored with her lover, begins an encounter with an older man that unfolds in unexpected and troubling ways. These two acerbically witty and delightfully amoral tales about the nature of love are shimmering masterpieces of cool-headed, brilliant observation.

    In 1936, Shostakovitch, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovitch reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovitch's career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.

    It takes Mr. and Mrs. Ambrose and their niece, Rachel, on a sea voyage from London to a resort on the South American coast. “It is a strange, tragic, inspired book whose scene is a South America not found on any map and reached by a boat which would not float on any sea, an America whose spiritual boundaries touch Xanadu and Atlantis” (E. M. Forster).

    For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.

    She also has an insomniac toddler, a precocious, death-obsessed seven-year-old, and a frequently-absent ecologist husband who has brought them all to Colsay, a desolate island in the Hebrides, so he can count the puffins. Ferociously sleep-deprived, torn between mothering and her desire for the pleasures of work and solitude, Anna becomes haunted by the discovery of a baby's skeleton in the garden of their house. Her narrative is punctuated by letters home, written 200 years before, by May, a young, middle-class midwife desperately trying to introduce modern medicine to the suspicious, insular islanders. The lives of these two characters intersect unexpectedly in this deeply moving but also at times blackly funny story about maternal ambivalence, the way we try to control children, and about women's vexed and passionate relationship with work. Moss's second novel displays an exciting expansion of her range - showing her to be both an excellent comic writer, and a novelist of great emotional depth.