Used to tending the sick as they are, nothing could have prepared them for what they confront, first near Gallipoli, then on the Western Front.Yet amid the carnage, Naomi and Sally Durance become the friends they never were at home and find themselves courageous in the face of extreme danger, as well as the hostility they encounter from some on their own side. There is great bravery, humor, and compassion, too, and the inspiring example of the remarkable women they serve alongside. In France, where Naomi nurses in a hospital set up by the eccentric Lady Tarlton while Sally works in a casualty clearing station, each meets an exceptional man: the kind of men for whom they might give up some of their precious independence — if only they all survive.At once vast in scope and extraordinarily intimate, The Daughters of Mars brings World War I to vivid, concrete life from an unusual perspective. A searing and profoundly moving tale, it pays tribute to men and women of extraordinary moral resilience, even in the face of the incomprehensible horrors of modern war.

    Ten years later, Ruth and Hans are married and living in Weimar Berlin when Hitler is elected chancellor of Germany. Together with Dora and her lover, Ernst Toller, the celebrated poet and self-doubting revolutionary, the four become hunted outlaws overnight and are forced to flee to London. Inspired by the fearless Dora to breathtaking acts of courage, the friends risk betrayal and deceit as they dedicate themselves to a dangerous mission: to inform the British government of the very real Nazi threat to which it remains willfully blind. All That I Am is the heartbreaking story of these extraordinary people, who discover that Hitler’s reach extends much further than they had thought.Gripping, compassionate, and inspiring, this remarkable debut novel reveals an uncommon depth of humanity and wisdom. Anna Funder has given us a searing and intimate portrait of courage and its price, of desire and ambition, and of the devastating consequences when they are thwarted.

    Let them slip away like the words of some half-remembered song and when one came back, she wasn't the one we were trying to recall to begin with.'So begins Tikka Molloy's recounting of the summer of 1992 - the summer the Van Apfel sisters, Hannah, the beautiful Cordelia and Ruth - disappear.Eleven and one-sixth years old, Tikka is the precocious narrator of this fabulously endearing coming-of-age story, set in an eerie Australian river valley suburb with an unexplained stench. The Van Apfel girls vanish from the valley during the school's 'Showstopper' concert, held at the outdoor amphitheatre by the river. While the search for the sisters unites the small community on Sydney's urban fringe, the mystery of their disappearance remains unsolved forever.Brilliantly observed, sharp, lively, funny and entirely endearing, this novel is part mystery, part coming-of-age story - and quintessentially Australian. Think The Virgin Suicides meets Jasper Jones meets Picnic at Hanging Rock.

    Bila Yarrudhanggalangdhuray is one of those books – a novel that turns Australia’s long-mythologised settler history into a raw and resilient heartsong.' – Guardian ***2021 ARA HISTORICAL NOVEL PRIZE SHORTLIST*** ***2022 INDIE BOOK AWARDS LONGLIST*** ***2022 VICTORIAN PREMIER'S LITERARY AWARDS HIGHLY COMMENDED*** _______________________________________________ Gundagai, 1852 The powerful Murrumbidgee River surges through town leaving death and destruction in its wake. It is a stark reminder that while the river can give life, it can just as easily take it away. Wagadhaany is one of the lucky ones. She survives. But is her life now better than the fate she escaped? Forced to move away from her miyagan, she walks through each day with no trace of dance in her step, her broken heart forever calling her back home to Gundagai. When she meets Wiradyuri stockman Yindyamarra, Wagadhaany’s heart slowly begins to heal. But still, she dreams of a better life, away from the degradation of being owned. She longs to set out along the river of her ancestors, in search of lost family and country. Can she find the courage to defy the White man’s law? And if she does, will it bring hope ... or heartache?Set on timeless Wiradyuri country, where the life-giving waters of the rivers can make or break dreams, and based on devastating true events, Bila Yarrudhanggalangdhuray (River of Dreams) is an epic story of love, loss and belonging.Praise for Bila Yarrudhanggalangdhuray (River of Dreams) 'Heiss fuses fiction with realism, conjuring a resonance still felt in Blak struggle today ... packs heart into every page.' – Saturday Paper 'Tells a powerful and affecting tale of Aboriginal people's identity, community and deep connection to country.’ – Canberra Times ' A profoundly moving showcase of Heiss’ skill ... Intimate, reflective, and impossible to put down.’  – The AU Review ‘Engrossing and wonderful storytelling. I really loved these strong, brave Wiradyuri characters.’ – Melissa Lucashenko ‘A powerful story of family, place and belonging.’ – Kate Grenville ‘A remarkable story of courage and a love of country ... Anita Heiss writes with heart and energy on every page.’ – Tony Birch'It is a love story, a story of loss, a hopeful story. The river is a guide, but you have to be open to its spiritual lessons.' – Terri Janke ‘Anita Heiss is at the height of her storytelling powers in this inspiring, heart-breaking, profound tale.’ – Larissa Behrendt 'The novel flows like the great Murrumbidgee River itself, with powerful undercurrents that sweep the reader along - I feel it's a book that all Australians should read, to try and understand why our colonial past still causes so much pain and grievance.’ – Kate Forsyth

    But her perfect sanctuary is shattered with the arrival of hand-delivered threatening notes. Someone has discovered her secret.When the notes escalate to vandalism, Jasmine's anxiety rises. But in such a small place, telling the police would mean the whole town finding out.Digby Wallace-Jones is stumbling through the motions of life, wrapped in a fog of grief since his fiancee Felicity died. Withdrawn from his family, Digby doesn't care about anything beyond his loss. But in a chance meeting with Jasmine, his sister's best friend who he's known forever, even he can see the tension she carries. Worried and feeling protective, he continues to drop by, but it's more than that. Jasmine soothes him; and, unlike the rest of his family, he can talk to her about his pain without fear of judgement. But as much as he likes Jasmine, Digby's enduring love for Felicity means he has nothing left to give and he pushes Jasmine away.Jasmine knew they were supposed to stay friends 'with excellent benefits' but she can't help her wayward heart from falling for this tortured, kind and sexy man. How can she ever loosen the grip Felicity's memory has on Digby's soul and remind him he still has a life ahead of him?

    For Whiskey and Charlie Ferns, the two-way alphabet (alpha, bravo, charlie, delta) whispered back and forth over their crackly walkie-talkies is the best they can do. But as the brothers grow up, they grow apart. Whiskey is everything Charlie is not-bold, daring, carefree-and Charlie blames his brother for always stealing the limelight, always striving ahead while seeming to push Charlie back. By the time the twins reach adulthood, they are barely even speaking to each other.When Charlie hears that Whiskey has been in a terrible accident and has slipped into a coma, he is shocked...although perhaps not devastated. But as days and weeks slip by and the chances of Whiskey recovering grow ever more slim, Charlie is forced to look back on their lives and examine whether or not Whiskey's actions were truly as unforgivable as Charlie believed them to be.

    . . the consequences a daughter could not redeem—but will risk everything in her attempt.All her life, Hannah Sterling longed for a close relationship with her estranged mother. Following Lieselotte’s death, Hannah unlocks secrets of her mother’s mysterious past, including the discovery of a grandfather living in Germany.Thirty years earlier, Lieselotte’s father, ascending the ranks of the Nazi party, demands a marriage for his daughter to help advance his career. But Lieselotte is in love—and her beloved Lukas secretly works against the Reich. How far will her father go to achieve his goal?Both Hannah’s and Lieselotte’s stories unfold as Hannah travels to Germany to meet her grandfather, who hides wartime secrets of his own. Longing for connection, yet shaken by all she uncovers, Hannah must decide if she can atone for her family’s tragic past, and how their legacy will shape her future.

    The town midwife, Gertrude Foote, is roused from her bed when the woman is brought to her door. Try as she might, Gertrude is unable to save her, but the baby lives. Gertrude's daughter Amber who has recently lost a son in childbirth and her husband Norman take the child in.

    Three years later, however, Emily sees her marriage for what it is – a loveless tie to a callous man. When John's cruelty reaches new heights, Emily is forced to move out, braving both her husband's wrath and her mother's glaring disapproval. With the encouragement of her new friend Barbara, Emily moves into an abandoned property and takes on the mammoth task of turning the unloved house into a home. In the process she discovers a new business venture, meets new friends and finds an inner strength she never knew she had. Emily's newfound confidence is soon tested, though, when the owners of the property make her a tempting offer. Will she risk everything and invest in the ramshackle house that has finally given her a sense of purpose? Or will Emily listen to the views of the community – and the voice of her mother – and go back to continue on the road more travelled? Saving Grace is the first book in The Button Jar series.

    But one day, Millie’s mum leaves her alone beneath the Ginormous Women’s underwear rack in a department store, and doesn’t come back.Agatha Pantha is an eighty-two-year-old woman who hasn’t left her home since her husband died. Instead, she fills the silence by yelling at passers-by, watching loud static on TV, and maintaining a strict daily schedule. Until the day Agatha spies a little girl across the street.Karl the Touch Typist is eighty-seven years old and once typed love letters with his fingers on to his wife’s skin. He sits in a nursing home, knowing that somehow he must find a way for life to begin again. In a moment of clarity and joy, he escapes.Together, Millie, Agatha and Karl set out to find Millie’s mum. Along the way, they will discover that the young can be wise, that old age is not the same as death, and that breaking the rules once in a while might just be the key to a happy life.

    Isabel, mostly occupied with her toddler, will run a mother–baby therapy group. But on the first day she gets an anonymous note from one of the mothers: The baby killer is going to strike again. Soon.Then a series of small harassments begins.Is it an attempt to warn Dean off? Or could the threat be serious? A child was murdered in Riley once before.As Isabel discovers more about the mothers in her group, she begins to believe the twenty-five-year-old mystery of a baby’s death may be the key to preventing another tragedy.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    The only item stolen—a million-dollar bottle of bourbon. The thief, a mysterious woman named Paris, claims the bottle is rightfully hers. After all, the label itself says it's property of the Maddox family who owned and operated Red Thread Bourbon distillery since the last days of the Civil War until the company went out of business for reasons no one knows… No one except Paris. In the small hours of a Louisville morning, Paris unspools the lurid tale of Tamara Maddox, heiress to the distillery that became an empire. But the family tree is rooted in tainted soil and has borne rotten fruit. Theirs is a legacy of wealth and power, but also of lies, secrets and sins of omission. The Maddoxes have bourbon in their blood—and blood in their bourbon. Why Paris wants the bottle of Red Thread remains a secret until the truth of her identity is at last revealed, and the century-old vengeance Tamara vowed against her family can finally be completed.

    There she meets the Aquino family, whose fishing business was founded by their ancestor, Giuseppe, an Italian immigrant, some ninety years before. Life for Cassie on the south west coast is sweet as she sets up a successful restaurant and falls in love with Giuseppe's great grandson Michael. But when the family patriarch dies, a devastating family secret is revealed which threatens to destroy her dreams. Cassie's future happiness now rests with her quest for the truth, in Di Morrissey's The Winter Sea.

    Stephan’s best friend and companion is the brilliant Žofie-Helene, a Christian girl whose mother edits a progressive, anti-Nazi newspaper. But the two adolescents’ carefree innocence is shattered when the Nazis’ take control.There is hope in the darkness, though. Truus Wijsmuller, a member of the Dutch resistance, risks her life smuggling Jewish children out of Nazi Germany to the nations that will take them. It is a mission that becomes even more dangerous after the Anschluss—Hitler’s annexation of Austria—as, across Europe, countries close their borders to the growing number of refugees desperate to escape.Tante Truus, as she is known, is determined to save as many children as she can. After Britain passes a measure to take in at-risk child refugees from the German Reich, she dares to approach Adolf Eichmann, the man who would later help devise the “Final Solution to the Jewish Question,” in a race against time to bring children like Stephan, his young brother Walter, and Žofie-Helene on a perilous journey to an uncertain future abroad.