Through the stories he tells of everyday concerns, Adrian creates a vivid and unforgettable sense of the presence of God in the midst of the problems of ordinary life.

    There was immediate uproar. The incident was, in many ways, the culmination of a life of youthful rebellion and brash sexuality that Protima, the scandalous model and wife of the rising star of Bollywood, Kabir Bedi, had lived ever since she ran away from home to live ‘in sin’. Barely four years later, the glamorous flower child had reinvented herself as an accomplished classical dancer, a devotee of Goddess Kali, and chosen the sari over slit skirts and halter-necks Shortly before her death, she had shaved her head and decided on a monk’s life. She died in August 1998, in a landslide in the Himalayas while on a pilgrimage to Kailash Mansarovar, leaving behind her most lasting achievement—a flourishing dance village, Nrityagram, where students continue to learn the classical dance styles of India Few lives have been more eventful and controversial than Protima Bedi’s, and Timepass, derived from her unfinished autobiography, journals and her letters to family, friends and lovers, is a startlingly frank and passionate memoir. Protima recounts with unflinching honesty the events that shaped her life: her humiliation as a child at being branded the ugly duckling, repeated rape by a cousin when she was barely ten, the failure of her ‘open’ marriage with Kabir Bedi, her many sexual encounters, and the romantic relationships she had with prominent politicians and artistes. She writes, too, of her involvement with dance, her relationship with her guru and fellow dancers, the difficult mission of establishing Nrityagram, and the suicide of her son—a tragedy from which she never fully recovered. In a moving afterword to the book, her daughter, Pooja Bedi, describes her last days and the circumstances of her death. Illustrated with over fifty photographs, Timepass is the story of a remarkable woman who had the spirit, the courage and the intelligence to live life entirely on her own terms.

    The novel starts with the news of theft of an ancient idol of Goddess Saraswati from a Hoysala temple. The journalist visits the place, which incidentally happens to be his ancestral town. The canvas of the novel encompasses almost the whole of India and most of the spheres like education, communal politics, business, political corruption and destruction of traditional moral values. The novel ends with the clamping of the so-called Emergency by Indira Gandhi in 1975.

    The Indian team is a glorious mix of people from different religions, classes, castes, regions and languages; where the son of a pump manager from Ranchi is tightly bound in fate and determination to the child prodigy of a Marathi professor from Mumbai and a Muslim from the back alleys of Hyderabad. And while dynasts can rule the roost in politics and Bollywood, cricket is a meritocratic space. But it wasn't always this way. Gandhi, for instance, intensely disapproved of cricket. During the Raj it was associated with racism. It had the nasty odour of communal division, with Hindus and Muslims playing in separate teams. Dalits, meanwhile, were personas non grata on the field. Bestselling author and journalist Rajdeep Sardesai narrates the story of post-Independence cricket through the lives of eleven extraordinary Indian cricketers who represent different dimensions of this change - from Dilip Sardesai and Tiger Pataudi in the 1950s to M.S. Dhoni and Virat Kohli today. This is not a book about an all-time best Indian cricket eleven but one that seeks to show us glimpses of a changing India through personal and anecdotal biographical portraits. From the days that Indian cricketers travelled by train and earned a few hundred rupees for Test matches to the bright lights of the multimillion-dollar IPL, this book puts the spotlight on the evolution of Indian cricket and society, and shows how a post-colonial nation found self-respect.