The best part? She doesn’t even have to talk to anybody. Her outgoing older sister, Virginia - the face of the fictitious writer - takes care of all those pesky activities. It’s a lucrative partnership that landed Amy Mathews literary fame and fortune . . . Until now. Virginia wants more books, but Amy Mathews is pretty much dead to Eugenia. She’s determined to break out of her comfy coffin of a life, ditch the pen name, and maybe even meet a fan or two. But her sister doesn’t like the idea of unemployment. She doesn’t like it one bit. And soon, Eugenia discovers that it’s not that easy to put down the pen. In fact, it can very well turn deadly . . . For fans of Woman In The Window and Gillian Flynn comes this stirring tale that will leave you wondering: do you ever really know someone? This smart and twisty thriller will keep you on the edge of your seat until the very last page.

    Her disappearance destroys her mother, who spends the rest of her life at the lake house, hoping in vain that her favorite daughter will walk out of the woods. Emily’s two older sisters stay, too, each keeping her own private, decades-long vigil for the lost child. Sixty years later Lucy, the quiet and watchful middle sister, lives in the lake house alone. Before she dies, she writes the story of that devastating summer in a notebook that she leaves, along with the house, to the only person to whom it might matter: her grandniece, Justine. For Justine, the lake house offers a chance to escape her manipulative boyfriend and give her daughters the stable home she never had. But it’s not the sanctuary she hoped for. The long Minnesota winter has begun. The house is cold and dilapidated, the frozen lake is silent and forbidding, and her only neighbor is a strange old man who seems to know more than he’s telling about the summer of 1935.Soon Justine’s troubled oldest daughter becomes obsessed with Emily’s disappearance, her mother arrives with designs on her inheritance, and the man she left behind launches a dangerous plan to get her back. In a house steeped in the sorrows of the women who came before her, Justine must overcome their tragic legacy if she hopes to save herself and her children.

    A chance meeting leads Kate to Della, a life coach who runs support groups for young women, dubbed by Kate as ‘the Janes.’Della takes a special interest in Kate, and Kate soon finds herself entangled in Della’s life – her house, her family, and her husband. It’s only when she realises that she’s in too deep that Della’s veneer begins to crumble, and the warnings from ‘the Janes’ begin to come true.Why is Della so keen to keep Kate by her side? What does Kate have that Della might want? And what really lies beneath the surface of their friendship?

    Sara, who knows no one in Northern Ireland, is jobless, carless, friendless—all but a prisoner in her own house. When a blood-soaked old woman beats on the door, insisting the house is hers before being bundled back to her care facility, Sara begins to understand the house has a terrible history her husband never intended for her to discover. Through the counterpoint voices of two women—one modern Englishwoman, one Northern Irish farmgirl speaking from half a century earlier—Stuart Neville offers a chilling and gorgeous portrait of violence and resilience in this truly haunting narrative.

    So begins the swirling, serpentine world of Paraic O’Donnell’s Victorian-inspired mystery, the story of a city cloaked in shadow, but burning with questions: why does the seamstress jump from the window? Why is a cryptic message stitched into her skin? And how is she connected to a rash of missing girls, all of whom seem to have disappeared under similar circumstances?On the case is Inspector Cutter, a detective as sharp and committed to his work as he is wryly hilarious. Gideon Bliss, a Cambridge dropout in love with one of the missing girls, stumbles into a role as Cutter’s sidekick. And clever young journalist Octavia Hillingdon sees the case as a chance to tell a story that matters—despite her employer’s preference that she stick to a women’s society column. As Inspector Cutter peels back the mystery layer by layer, he leads them all, at last, to the secrets that lie hidden at the house on Vesper Sands.By turns smart, surprising, and impossible to put down, The House on Vesper Sands offers a glimpse into the strange undertow of late nineteenth-century London and the secrets we all hold inside us.

    She understands nothing.Only a handful of people in the world have a truly perfect memory. Nicola is one of them.With her condition proving to be more of a curse than a blessing, she has spent years trying to live a quiet life.But a body has been found, a discovery that threatens to tear the community apart.Nicola remembers the night with perfect clarity, but she never discovered the truth of what happened.Now she must use her ability to solve the murder from decades agoAnd save the man she loved from being wrongly convicted of the crime.

    Luckily, her search is aided by an enchanting cast of characters, including a seven-foot tall housemaid; a melancholic, tattoo-covered ghost; and an avuncular apothecary. But secrets abound in this foggy underworld where spectacle is king and nothing is quite what it seems.Blending darkness and light, history and folklore, Things in Jars is a spellbinding Gothic mystery that collapses the boundary between fact and fairy tale to stunning effect and explores what it means to be human in inhumane times.

    . .Connie lost her words at the age of five, the day she witnessed her mother and father's untimely death.Since then she has been all but mute, only being able to choke out a few select words. Now, years on, Connie's husband is on his deathbed and all she can do is quietly sit by his side.But there are so many dreadful secrets locked up in Connie's silent prison. And time is running out to set them free . . .

    But now they can't get out.A page-turning thriller perfect for fans of Ruth Ware's IN A DARK, DARK WOOD and Lucy Foley's THE HUNTING PARTY."Down By The Water takes the reader on a weekend trip from hell... I loved the classy writing and ever-growing sense of unease in this clever subversion of a classic country house mystery" Harriet Tyce"Sinister and atmospheric" Chris Brookmyre"Tense, mesmerising and heartbreaking, I was truly gripped" Susi HollidaySeven friends gather at a castle in the Scottish Borders. One last girls' weekend before Georgina's wedding. Near the castle, through a path in the woods, is a loch. After a few drinks, they head down to the water to take photos. The loch is wild, lonely, and stunningly beautiful. They set their camera to self-timer and take some group shots. Later, looking back at the pictures, they see something impossible.Behind them, eyes wide, a small, drenched boy emerges from the water.But none of them saw him, and nobody knows where he went. They're miles from the nearest town. How did he get there? Where did he go? As the weekend unravels and terrible secrets come to light, it soon becomes clear that their perfect weekend is turning into a perfect nightmare. They're desperate to leave - but someone won't let them.

    Black rocks roll beneath the surface, drowning ghosts. And out of the swell like a finger of light, the salt-scratched tower stands lonely and magnificent.It's New Year's Eve, 1972, when a boat pulls up to the Maiden Rock lighthouse with relief for the keepers. But no one greets them. When the entrance door, locked from the inside, is battered down, rescuers find an empty tower. A table is laid for a meal not eaten. The Principal Keeper's weather log describes a storm raging round the tower, but the skies have been clear all week. And the clocks have all stopped at 8:45. Two decades later, the wives who were left behind are visited by a writer who is determined to find the truth about the men's disappearance. Moving between the women's stories and the men's last weeks together in the lighthouse, long-held secrets surface and truths twist into lies as we piece together what happened, why, and who to believe.In her riveting and suspenseful novel, Emma Stonex writes a story of isolation and obsession, of reality and illusion, and of what it takes to keep the light burning when all else is swallowed by dark.

    One Chance.When Lizzie's car crashes with her two daughters inside, she faces a terrible choice. And when she recovers from her injuries, she has to deal with the impact of that tragedy as well as the police investigation into it.As Lizzie and her family struggle to come to terms with the events of that night, things take an even darker turn. Just what did happen on that remote country road? Who is responsible? And can the family get through this together...Or will the truth finally tear them apart?A stunning, deeply emotional and beautifully realised cross between SOPHIE'S CHOICE and DAUGHTER.

    But there’s no escaping the past in this chilling novel from the bestselling author of The Unremembered Girl. Filmmaker Tessa Shepherd helped free a man she believed was wrongly imprisoned for murder. When he kills again, Tessa’s life is upended.She’s reeling with guilt, her reputation destroyed. Worse, Tessa’s mother has unexpectedly passed away, and her sister, Margot, turns on her after tensions from their past escalate. Hounded by a bullying press, Tessa needs an escape. That’s when she learns of a strange inheritance bequeathed by her mother: a derelict and isolated estate known as Fallbrook. It seems like the perfect refuge.A crumbling monument to a gruesome history, the mansion has been abandoned by all but two elderly sisters retained as caretakers. They are also guardians of all its mysteries. As the house starts revealing its dark secrets, Tessa must face her fears and right the wrongs of her past to save herself and her relationship with Margot. But nothing and no one at Fallbrook are what they seem.

    She hadn’t seen Elizabeth in years, but the remote farmhouse offers refuge from a bad relationship, and a chance to start again.But going through Elizabeth’s belongings unearths memories Caro would rather stay buried. In particular, the story her stepmother would tell her, about two little girls and the terrible thing they do.As heavy snow traps Caro in the village, where her neighbours stare and whisper, Caro is forced to question why Elizabeth hated her so much, and what she was hiding. But does she really want to uncover the truth?A haunting and twisty story about the lies we tell those closest to us, perfect for fans of Ruth Ware and Cass Green.

    Gabriel Stone is desperate to escape the ghosts that haunt him in Massachusetts after his wife's death, so he moves to Pale Harbor, Maine, where there is a vacancy for a new minister. Gideon and his late wife had always dreamed of building their own church, and Pale Harbor is the perfect opportunity.But not all is as it seems in the sleepy town of Pale Harbor. Strange, unsettling things have been happening, and the townspeople know that only one person can be responsible: Sophronia Carver, a widow who lives with a spinster maid in the decaying Castle Carver on the edge of town. Sophronia is a recluse, rumored to be a witch who killed her husband.When Gabriel meets her, he knows the charming, beautiful woman cannot be guilty of anything. Together, Gabriel and Sophronia realize that the mysterious events have one thing in common: they all contain an element from the wildly popular stories of Mr. Edgar Allan Poe. And when the events escalate to murder, Gabriel and Sophronia must find the real killer, before it's too late for them both.

    One dark secret.Jennifer Nielsen has her life on track. Until she gets news that her former psychiatrist, Phillip Walton, has been brutally murdered, and that she is implicated.Philip knew her darkest secrets. And circumstances of his murder suggest that someone else out there knows them too.Jenny needs to speak to old friends, and old enemies, from her dark years spent at Hillside Psychiatric Hospital. Because they are the only ones who know what really happened at Hillside, about the secret that Phil kept for them all, and that this is not the first murder.