In celebration of the 100th anniversary of Pablo Neruda's birth, New Directions is pleased to announce the reissue of a classic work in a timeless translation by Donald D. Walsh and fully bilingual.The Captain's Verses was first published anonymously in 1952, some years before Neruda married Matilde Urrutia - the one with "the fire / of an unchained meteor" - to whom he had addressed these poems of love, ecstasy, devotion, and fury. Our bilingual edition is seen by many as the most intimate and passionate volume of Neruda's love poetry, capturing all the erotic energy of a new love.

    Selected by a team of poets and prominent Neruda scholars in both Chile and the United States, this is a definitive selection that draws from the entire breadth and width of Neruda’s various styles and themes. An impressive group of translators that includes Alaistair Reid, Stephen Mitchell, Robert Hass, Stephen Kessler and Jack Hirschman have come together to revisit or completely retranslate the poems. A bilingual edition, with English on one side of the page, the original Spanish on the other. This selection sets the standard for a general, high--quality introduction to Neruda’s complete oeuvre. Pablo Neruda was born in Chile in 1904. He received the Nobel Prize for Literature in 1971.

    His young life is disrupted by two arrivals.The first is his aunt Julia, recently divorced and thirteen years older, with whom he begins a secret affair. The second is a manic radio scriptwriter named Pedro Camacho, whose racy, vituperative soap operas are holding the city's listeners in thrall. Pedro chooses young Marito to be his confidant as he slowly goes insane.Interweaving the story of Marito's life with the ever-more-fevered tales of Pedro Camacho, Vargas Llosa's novel is masterfully done, hilarious, mischievous, a classic named one of the best books of the year by the New York Times Book Review.

    In a new preface, editor and translator Robert Bly explores what the poems reveal today about politics, the spirit, and the purpose of art.

    This new bilingual selection brings together some two hundred poems--the largest collection of Borges' poetry ever assembled in English, including scores of poems never previously translated. Edited by Alexander Coleman, the selection draws from a lifetime's work--from Borges' first published volume of verse, Fervor de Buenos Aires (1923), to his final work, Los Conjurados, published just a year before his death in 1986. Throughout this unique collection the brilliance of the Spanish originals is matched by luminous English versions by a remarkable cast of translators, including Robert Fitzgerald, Stephen Kessler, W. S. Merwin, Alastair Reid, Mark Strand, Charles Tomlinson, and John Updike.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Social protest and poetry; reality and myth; nostalgia for an uncorrupted, golden past; sensual human enjoyment of the present; 'magic' rather than lineal time, and, above all, a tender, compassionate love for the living, fertile, wondrous land and the struggling, hopeful people of Guatemala.—Saturday Review • Winner of the 1967 Nobel Prize for Literature

    When it was published by Seix Barral in 1996, critics in Spain were quick to recognize the arrival of an important new talent. The book presents itself as a biographical dictionary of American writers who flirted with or espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. It is a tour de force of black humor and imaginary erudition. Nazi Literature in the Americas is composed of short biographies, including descriptions of the writers’ works, plus an epilogue (“for Monsters”), which includes even briefer biographies of persons mentioned in passing. All of the writers are imaginary, although they are all carefully and credibly situated in real literary worlds. Ernesto Pérez Masón, for example, in the sample included here, is an imaginary member of the real Orígenes group in Cuba, and his farcical clashes with José Lezama Lima recall stories about the spats between Lezama Lima and Virgilio Piñera, as recounted in Guillermo Cabrera Infante’s Mea Cuba. The origins of the imaginary writers are diverse. Authors from twelve different countries are included. The countries with the most representatives are Argentina (8) and the USA (7).

    The novel follows Bolívar as he takes his final journey in 1830 down the Magdalena River toward the sea, revisiting the scenes of his former glory and lamenting his lost dream of an alliance of American nations. Forced from power, dogged by assassins, and prematurely aged and wasted by a fatal illness, the General is still a remarkably vital and mercurial man. He seems to remain alive by the sheer force of will that led him to so many victories in the battlefields and love affairs of his past. As he wanders in the labyrinth of his failing powers-and still-powerful memories-he defies his impending death until the last.The General in His Labyrinth is an unforgettable portrait of a visionary from one of the greatest writers of our time.

    She’s been staying out till all hours of the night and grows more disagreeable by the day. Should Lucio have Diana committed to the Psychiatric Institute, as her friend the dog trainer suggests? Before Lucio can even make up his mind, Diana is carted away by the mysterious head of the institute. Never mind, Diana’s sister, who looks just like Diana—and yet is nothing like her—has moved in. And on the recommendation of the dog trainer, Lucio acquires an adoring German shepherd, also named Diana. Then one glorious day, Diana returns, affectionate and pleasant. She’s been cured!—but have the doctors at the institute gone too far?Asleep in the Sun is the great work of the Argentine master Adolfo Bioy Casares's later years. Like his legendary Invention of Morel, it is an intoxicating mixture of fantasy, sly humor, and menace. Whether read as a fable of modern politics, a meditation on the elusive parameters of the self, or a most unusual love story, Bioy's book is an almost scarily perfect comic turn, as well as a pure delight.

    In 1988, she introduced the world to Eva Luna in a novel of the same name that recounted the adventurous life of a young Latin American woman whose powers as a storyteller bring her friendship and love. Returning to this tale, Allende presents The Stories of Eva Luna, a treasure trove of brilliantly crafted stories. Lying in bed with her European lover, refugee and journalist Rolf Carlé, Eva answers his request for a story "you have never told anyone before" with these twenty-three samples of her vibrant artistry. Interweaving the real and the magical, she explores love, vengeance, compassion, and the strengths of women, creating a world that is at once poignantly familiar and intriguingly new. Two words --Wicked girl --Clarisa --Toad's mouth --The gold of Tomás Vargas --If you touched my heart --Gift for a sweetheart --Tosca --Walimai --Ester Lucero --Simple María --Our secret --The little Heidelberg --The judge's wife --The road north --The schoolteacher's guest --The proper respect --Interminable life --A discreet miracle --Revenge --Letters of betrayed love --Phantom palace --And of clay are we created

    The title is Latin for "Our earth". Modeled on James Joyce's Finnegans Wake, Terra Nostra shifts unpredictably between the sixteenth century and the twentieth, seeking the roots of contemporary Latin American society in the struggle between the conquistadors and indigenous Americans. -Terra Nostra is the spreading out of the novel, the exploration of its possibilities, the voyage to the edge of what only a novelist can see and say.- Milan Kundera

    Lispector did not even live to see it published.At her death, a mountain of fragments remained to be “structured” by Olga Borelli. These fragments form a dialogue between a god-like author who infuses the breath of life into his creation: the speaking, breathing, dying creation herself, Angela Pralini. The work’s almost occult appeal arises from the perception that if Angela dies, Clarice will have to die as well. And she did.

    The beginning is marked by a vivid memory, which I can reconstruct down to the last detail. Before, there is nothing, and after, everything is an extension of the same vivid memory, continuous and unbroken, including the intervals of sleep, up to the point where I took the veil ." So starts Cesar Aira's astounding "autobiographical" novel. Intense and perfect, this invented narrative of childhood experience bristles with dramatic humor at each stage of growing up: a first ice cream, school, reading, games, friendship. The novel begins in Aira's hometown, Coronel Pringles. As self-awareness grows, the story rushes forward in a torrent of anecdotes which transform a world of uneventful happiness into something else: the anecdote becomes adventure, and adventure, fable, and then legend. Between memory and oblivion, reality and fiction, Cesar Aira's How I Became a Nun retains childhood's main treasures: the reality of fable and the delirium of invention.A few days after his fiftieth birthday, Aira noticed the thin rim of the moon, visible despite the rising sun. When his wife explained the phenomenon to him he was shocked that for fifty years he had known nothing about "something so obvious, so visible." This epiphany led him to write How I Became a Nun. With a subtle and melancholic sense of humor he reflects on his failures, on the meaning of life, and the importance of literature.

    Famous and beloved during her lifetime all over Latin America and in Europe, Mistral has never been known in North America as she deserves to be. The reputation of her more flamboyant and accessible friend and countryman Pablo Neruda has overshadowed hers, and she has been officially sentimentalised into a 'poetess' of children and motherhood. Translations, and even selections of her work in Spanish, have tended to underplay the darkness, the strangeness, and the raging intensity of her poems of grief and pain, the yearning power of her evocations of the Chilean landscape, the stark music of her Round Dances, the visionary splendour of her Hymns of America. During her lifetime Mistral published four books: Desolation, Tenderness, Clearcut, and Winepress. These are included in the 'Complete' Nobel edition published in Madrid; the Poem of Chile, her last book, was printed years after her death. Le Guin includes poems from all five books in this volume, with particular emphasis on the later work. The intelligence and passion of Le Guin's selection and translation wil

    Time shifts from one consciousness to another in a hypnotic flow of dreams, desires, and memories, a world of ghosts dominated by the figure of Pedro Páramo - lover, overlord, murderer.Rulfo's extraordinary mix of sensory images, violent passions, and unfathomable mysteries has been a profound influence on a whole generation of Latin American writers, including Carlos Fuentes, Mario Vargas Llosa, and Gabriel García Márquez. To read Pedro Páramo today is as overwhelming an experience as when it was first published in Mexico back in 1955.