Bennet recently deceased and Jane doing her best to manage the Longbourn estate. While traveling to his new home, Charles Bingley, accompanied by his friend, Fitzwilliam Darcy, come across an injured young woman who has fallen against a rock and is unconscious. As the men work to discover her identity and reunite her with her family, they learn what it is to love. For one couple, the path is clear. For the other, it appears at first that love may not be enough. However, after a painful separation, they learn that nothing else is required but love to bring happiness and joy to their lives.

    Mr. Darcy receives a visit at his isolated manor in Cornwall. It is Charles Bingley, and he is there to ask for a favor... He needs help with his new estate, Netherfield. As for Miss Elizabeth Bennet, there is nothing she likes more than a laugh – except for a mystery. From the moment she first encounters Mr. Darcy, she senses he is hiding something. But the more she tries to find out about who he is, the more evasive he becomes. However, Elizabeth soon turns her attention to someone else. As Mrs. Bennet points out, Mr. Darcy is a nobody, and Elizabeth needs to marry someone who can provide for her and her sisters. Meanwhile, Mr. Darcy doesn’t want anyone to know about the scandal that haunts him from the past. He certainly doesn’t need someone like Miss Bennet, who asks him questions and tries to slip him up. Fortunately, he is more than equal to the task of putting her off. What he doesn’t expect is that before he knows it, he finds himself longing to tell her the truth. Are Elizabeth and Darcy meant to come together in this variation, or is Elizabeth destined for somebody else? Note: Mysterious Mr. Darcy is not a mystery. It is a ‘what-if’ in which Mr. Darcy has to deal with the consequences of his past, a past that will change the shape of his future.

    What could have possibly happened to produce a tight-lipped Darcy, a sheepish Elizabeth, and an embarrassed Georgiana? Colonel Fitzwilliam is determined to find out during one entertaining and unprecedented evening. The only problem lies in knowing that truth can be hard to discern from fiction, especially with three story-tellers. Overheard at Pemberley – The position as lady’s maid to the mistress of an estate is an enviable one in service, particularly for an unrepentant eavesdropper like Daisy Tiller. She is in a unique position to be confidante and observer both, apt to hear much of interest. When she is hired by Mrs Darcy, Tiller finds there is much to keep her entertained throughout the days at Pemberley, especially with a master and mistress like Mr and Mrs Darcy. A Stolen Day at Pemberley – After an insulting marriage proposal, Elizabeth Bennet desires nothing more than to never see rude Mr Darcy again. But that very night she endures a vivid nightmare of his home at Pemberley, one in which she is his wife, and mother to his children, and happy to be so! What is she to do with this confusion, even as she becomes more convinced that the nightmare world might be real? Could she really love Mr Darcy? This collection of short stories is the first publication from Georgina Pryke, based on the novel by Jane Austen.

    Who are these obsessed admirers, whose passion has transformed Austen from classic novelist to pop-culture phenomenon? Deborah Yaffe, journalist and Janeite, sets out to answer this question, exploring the remarkable endurance of Austen's stories, the unusual zeal that their author inspires, and the striking cross-section of lives she has touched.Along the way, Yaffe meets a Florida lawyer with a byzantine theory about hidden subtexts in the novels, a writer of Austen fan fiction who found her own Mr. Darcy while reimagining Pride and Prejudice, and a lit professor whose roller-derby nom de skate is Stone Cold Jane Austen. Yaffe goes where Janeites gather, joining a pilgrimage to historic sites in Britain, chatting online with fellow fans, and attending the annual ball of the Jane Austen Society of North America--in period costume. Part chronicle of a vibrant literary community, part memoir of a lifelong love, Among the Janeites is a funny, touching meditation on the nature of fandom.

    In the mid-1990s it became a favorite movie for millions of new admirers.A key reason for Emma's success is that the story has two heroines-Emma Woodhouse and Jane Fairfax. In Austen's novel, Jane's backgound is left obscure, and the turmoil underlying her current reduced circumstances in mysterious.At last we learn her whole story in Joan Aiken's superb retelling of Emma-this time from Jane Fairfax's point of view. When Jane Fairfax was published in hardcover, Aiken's wit, style, and skill prompted Booklist to say, "Brilliant...extraordinarily will done and highly recommended."This worthy companion to the great original is for the first time now available in paperback.

    Yet every era has its share of Emmas: young women trying to find themselves in their own corners of the world. I Could Write a Book is the story of a self-proclaimed modern woman: Emma Katherine Woodhouse, a 1970s co-ed whose life is pleasant, ordered, and predictable, if a bit confining. Her friend George Knightley is a man of the world who has come home to fulfill his destiny: run his father’s thriving law practice and oversee the sprawling Donwell Farms, his family legacy in Central Kentucky horse country. Since childhood, George’s and Emma’s lives have meshed and separated time and again. But now they’re adults with grown-up challenges and obligations. As Emma orchestrates life in quaint Highbury, George becomes less amused with her antics and struggles with a growing attraction to the young woman she’s become. Rich with humor, poignancy, and the camaraderie of life in a small, Southern town, I Could Write a Book is a coming of age romance with side helpings of self-discovery, friendship, and finding true love in the most unlikely places.

    Some part of her still clung to the hope that all was not lost. As the days turned into weeks, she finally took it off and set it atop her dresser. When weeks gave way to months, the ring finally went back into its box, where it gathered dust until it was moved to Hanna’s unmentionables drawer. For the first few years, she had taken it out on the anniversary of the day she’d received it, allowing herself to wallow in what might have been. She had been all but stamped out of Derick Wentworth’s mind. Sure, he thought about her occasionally, especially on cloudless nights when he lay on the bow of the Laconia looking up at the stars. But as time went on, Derick began to feel grateful that it hadn’t worked out, for one thing was certain: if he ever did settle down, it would be with someone who knew her own mind. Someone who went after the thing she wanted without hesitation. Someone who would never allow herself to be persuaded otherwise. Persuaded, a modern adaptation of Jane Austen's Persuasion.

    Collins who has come to offer marriage as an olive branch to soothe the way when he inherits their home, Longbourn. A deathbed promise from the past saves the ladies and Elizabeth Bennet becomes better acquainted with the wealthy, handsome Mr. Darcy, the man who insulted her at the assembly in Meryton. With the Bennets living at Somersal, a country estate that belongs to the Fitzwilliam family and is only a short distance from Pemberley, the home of Mr. Darcy, their mutual love of riding fosters a love neither Darcy nor Elizabeth can deny. After a terrible accident, Elizabeth believes she must race in the spring to secure her family’s future, much to Mr. Darcy’s dismay. His proposal, given to keep her from racing, is summarily refused as Elizabeth Bennet will not marry from necessity.

    Regency and contemporary alike, each romance was dreamt to spark love, humor, and wonder while you dawdle over a hot cup of tea this Christmas.Stories by: Elizabeth Adams * J. Marie Croft * Amy D’Orazio * Lona Manning * Anngela Schroeder * Joana Starnes * Caitlin Williams Edited by: Christina BoydAll proceeds to benefit Chawton Great House in Hampshire, former manor of Jane Austen’s brother Edward Austen Knight and now the Centre for the Study of Early Women’s Writing, 1600-1830.

    From Longbourn to Pemberley traces the first year of their lives, as each daughter of Robert Bennet fights for her own happily ever after. This is a boxed set of the previously published A Winter Wrong, A Spring Sentiment, A Summer Shame, and An Autumn Accord designed specifically for readers who want to sit down and enjoy the story as one novel as the novellas were planned to fulfill a story arc this way.

    The arc of their courtship, marriage, and the starting of a family serves as the foundation for a turbulent series of events. As it always is within Austen’s world, there is the familiar carousel of suitors, betrothals, triumphs, and societal disgrace. Many of the familiar characters are on hand, including Mr. and Mrs. Bennet; their daughters Jane and Elizabeth; Colonel Fitzwilliam; and Bingley, who has his eyes on Jane. Also here is the bitter Lady Catherine, as the novel also considers the more ominous social realities of the fondly remembered age. The handsome but conniving Mr. Wickham seeks to even an old score with his former friend Darcy. False accusations challenge Elizabeth’s love for her new husband, and the novel careens to a violent climax that is the result of society gossip and damaged reputations. This attention to the consequences of the contemporary mores of the day in the lives of these characters represents a fresh take on this time-honored tale.

    The author, however, does not rest on the laurels of Austen; she introduces an entirely new cast of characters, including an ambitious soldier, a wistful vicar, a flirtatious abolitionist, and an ordinary curate. The fates of these characters intertwine as each struggles to find the conviction to live out his or her own calling while confronting issues of loyalty, courage, faith, and love. Conviction is not a novel merely for fans of Pride and Prejudice, but for all who take part in the ordinary struggles of humanity.

    Sir Walter Elliot refused to countenance a marriage, and Anne's godmother, Lady Russell, strongly advised Anne against him. Persuaded by those nearest to her, Anne had given him up and he had taken his broken heart to sea. When Jane Austen's Persuasion opens in the year 1814, Frederick Wentworth, now a famous and wealthy captain in His Majesty's Navy, finds himself back in England and, as fate would have it, residing as a guest in Anne's former home. Now, it is the baronet who is in financial difficulties, and Anne exists only at her family's beck and call. For eight long years, Frederick had steeled his heart against her. Should he allow Anne into his heart again, or should he look for love with younger, prettier woman in the neighbourhood who regard him as a hero? The mature sweetness of Jane Austen's Persuasion is brought to life in Wytherngate Press's, None But You ., the first in the two-volume series, Frederick Wentworth, Captain, by Susan Kaye.

    When Mrs. Bennet discovers all her worse nightmares are about to come true, she does not react the way her family expects. Instead the normally silly woman takes matters into her own hands and gives marching orders to her daughters. Will they follow them to the letter? Will any of them find their happy ending? Just remember, the secret to a long and lasting relationship is compromise.

    Darcy think when he first saw Elizabeth Bennet? How did Miss Bingley talk her brother out of proposing to Jane Bennet? And how did Lady Catherine de Bourgh find out Mr. Darcy was on the verge of proposing to Elizabeth? 25 authors of Austen-inspired fiction decided to answer these questions and more. Here are the scenes Jane Austen never wrote: ones that happened off stage, such as Mr. Collins proposing to Charlotte Lucas, and actual Pride and Prejudice scenes from the point of view of different characters. Each author wrote according to their own inspiration, so PRIDE & PREJUDICE: THE SCENES JANE AUSTEN NEVER WROTE is not a complete novel in and of itself. It is a collection of scenes written independently and designed to compliment the original. The reader can start at the beginning or dip into any scene they choose. Contributing authors include Abigail Reynolds (Mr. Darcy's Noble Connections), Sharon Lathan (Miss Darcy Falls in Love), Regina Jeffers (The Mysterious Death of Mr. Darcy), Mary Simonsen (Becoming Elizabeth Darcy), Susan Mason-Milks (Please, Mr. Darcy), Jack Caldwell (The Three Colonels), C. Allyn Pierson (Mr. Darcy's Little Sister), Shannon Winslow (The Darcys of Pemberley), Colette Saucier (Pulse and Prejudice), Jane Odiwe (Project Darcy), Monica Fairview (Steampunk Darcy), Maria Grace (Twelfth Night at Longbourn), Diana Birchall (Mrs. Darcy's Dilemma), Marilyn Brant (Pride, Prejudice, and the Perfect Match), Karen Doornebos (Undressing Mr. Darcy), Nina Benneton (Compulsively Mr. Darcy), Susan Adriani (The Truth About Mr. Darcy), J. Marie Croft (Mr. Darcy Takes a Plunge), Vera Nazarian (Mansfield Park and Mummies), Cailin Rubino-Bradway (Lady Vernon and her Daughter), Kara Louise (Pirates and Prejudice), and Heather Lynn Rigaud (Fitzwilliam Darcy, Rock Star). All proceeds from sales of PRIDE & PREJUDICE: THE SCENES JANE AUSTEN NEVER WROTE will be donated to Jane Austen-related charities.