She raised her children with the income from just a few acres of land that she managed on her own, tending to the cattle and crops with maternal concern, all the while minding her unruly husband. Every obligation met, all accounts squared up, each meal cooked to satiate the tongue and heart—Amma never rested, not even when bedridden with Parkinson’s. She lived a farmer’s life and died a farmer’s death.Amma is a homage to a way of life and values—simplicity, honesty and hard work—lost to us today. Peppered with unsentimental nostalgia and delightful humour, and vividly documenting village and farming life in the Kongu region, Amma tugs at generational memory. Murugan’s non-fiction writing, his first to appear in English, is as deeply affecting as his fiction.

    Ali sees his new business flourish as the indomitable Mrs. Ali and his careful assistant, Aruna, look on with vigilant eyes. There's the man who wants a tall son-in-law because his daughter is short; the divorced woman who ends up back with her ex-husband; a salesman who can't seem to sell himself; and a wealthy, young doctor for whom no match is ever perfect. But although his clients go away happy, little does Mr. Ali know that his esteemed Aruna hides a tragedy in her past-a misfortune that the bureau, as luck would have it, serendipitously undoes. Bursting with the color and allure of India, and with a cast of endearing characters, The Marriage Bureau for Rich People has shades of Jane Austen and Alexander McCall Smith but with a resonance and originality entirely its own. Farahad's effortless style reveals a country still grappling with the politics of caste, religion, and civil unrest, all the while delivering a shamefully delightful read.

    They can both confine or release a consciousness. I Am Vidya is the story of one such journey: that of a declaration, of the claiming of an identity. It is an assertion of a consciousness that has suffered the agony of being trapped in a mould it does not belong to, a body it does not identify with. Vidya has lived through all the indignities forced upon a tirunangai, a transgender, by a society which divides and defines itself as men and women in terms of biology alone. From being spurned by her family, to begging on the streets as a social outcast, from donning a woman's clothes, to undergoing excruciating surgery to lose her 'manhood', from suffering emotional and physical harassment, to arriving at her true identity. A compelling narrative about a woman trapped within a man's body, this is a story of extraordinary courage and perseverance.

    But Ruttie was just sixteen and her outraged father forbade the match. But when Ruttie turned eighteen, they married and Bombay society, its riches and sophistication notwithstanding, was scandalized. Everyone sided with the Petits and Ruttie and Jinnah were ostracized. It was an unlikely union that few thought would last. But Jinnah, in his undemonstrative, reserved way was unmistakably devoted to his beautiful, wayward child-bride—as proud of her fashionable dressing as he was of her intelligence, her wide reading and her fierce commitment to the nationalist struggle. Ruttie, on her part, worshipped him and could tease and cajole the famously unbending Jinnah, whom so many people found intimidating and distant. But as the tumultuous political events increasingly absorbed him, Ruttie felt isolated and alone, cut off from her family, friends and community. The unremitting effort of submitting her personality to Jinnah’s, his frequent coldness, his preoccupation with politics and the law, took its toll. Ruttie died at twenty-nine, leaving her daughter, Dina and her inconsolable husband, who never married again. Sheela Reddy, well-known journalist and former books editor of Outlook magazine, uses never-before-seen personal letters of Ruttie and her close friends as well as accounts left by contemporaries and friends to portray this marriage that convulsed Indian society, with a sympathetic, discerning eye. A product of intensive and meticulous research in Delhi, Bombay and Karachi and based on first-person accounts and sources, Reddy brings the solitary, misunderstood Jinnah and the lonely, wistful Ruttie to life. A must-read for all those interested in politics, history and the power of an unforgettable love story.

    But both are in jeopardy when her brother, Dean, announces his sudden engagement to the conniving Sheree Vern. Much to Sydney's dismay, Dean inherits ownership of Decadent, despite his lack of interest. Now he and Sheree are selling the chain to finance his dreams of becoming a music producer—or so Dean believes…Thanks to Sheree, Dean’s plans, the business, and his marriage, soon implode in ways he never expected—leaving Sydney determined to salvage whatever she can, and fix the mess left behind. Her only solace is her romance with Hayden Windsor. But Hayden is Sheree’s half brother, and it doesn’t take long for Sydney to wonder if Hayden knew about Sheree’s scheming all along? Soon Sydney creates a deception of her own to find out the truth. Her strategy is working, until the consequences threaten to destroy everything she values most—including her faith. Overcome with guilt, can she make things right with her brother, with Hayden, and with God?...