Pharaohs and Kings unveils the historical reality of such biblical personalities as Moses, David, and Solomon, and such archaeological wonders as the desecrated statue of Joseph in his coat of many colors. Basis of a series on The Learning Channel in January 1996. Photos.

    They are the Avatari.An Ancient Artefact: When Henry Ashton, a retired British Army officer settled in the Yorkshire dales, receives a letter from a monk entreating him to prevent a hidden treasure stolen from a Laotian monastery from being misused, he finds himself honour-bound to respond. Assisted by a retired Gurkha Sergeant, a high-strung mathematician from Oxford with a Shambhala fixation of her own and an American mercenary on the CIAs hit list, Ashtons mission leads to an ancient map that dates back to the time of the great Mongol, Kublai Khan.A Secret that Must Not be Revealed: The group follows the trail, risking the perils of the inhospitable deserts of Ladakh, turmoil in Pakistan and the rugged mountains of Northern Afghanistan, where the Afghan War is at its height. But they are up against a deadly adversary with seemingly unlimited resources, who will stop at nothing to get possession of the anicent secret a secret that, if revealed, could threaten the very fabric of human civilization.

    Peter Brown describes how this shift transformed the Church s institutional relationship to money and set the stage for its domination of medieval society in the West.Early Christian doctrine held that the living and the dead, as equally sinful beings, needed each other in order to achieve redemption. The devotional intercessions of the living could tip the balance between heaven and hell for the deceased. In the third century, money began to play a decisive role in these practices, as wealthy Christians took ever more elaborate steps to protect their own souls and the souls of their loved ones in the afterlife. They secured privileged burial sites and made lavish donations to churches. By the seventh century, Europe was dotted with richly endowed monasteries and funerary chapels displaying in marble splendor the Christian devotion of the wealthy dead.In response to the growing influence of money, Church doctrine concerning the afterlife evolved from speculation to firm reality, and personal wealth in the pursuit of redemption led to extraordinary feats of architecture and acts of generosity. But it also prompted stormy debates about money s proper use debates that resonated through the centuries and kept alive the fundamental question of how heaven and earth could be joined by human agency."

    Greece, The Mask of Apollo is narrated by Nikeratos, a tragic actor who takes with him on all his travels a gold mask of Apollo, a relic of the theater's golden age, which is now past. At first his mascot, the mask gradually becomes his conscience, and he refers to it his gravest decisions, when he finds himself at the center of a political crisis in which the philosopher Plato is also involved. Much of the action is set in Syracuse, where Plato's friend Dion is trying to persuade the young tyrant Dionysios the Younger to accept the rule of law. Through Nikeratos' eyes, the reader watches as the clash between the two looses all the pent-up violence in the city.

    John Mack never intended to become an expert in the controversial study of alien abductees. But after investigating over 60 cases of alien abduction through hundreds of hours of interviews and treatment, Dr. Mack now presents the mesmerizing tales of alien encounters revealed by his patients-- none of whom are mentally ill-- and the profound, surprising and at times deeply spiritual impact these experiences have has on their lives. Providing details of alien encounters never before reported or depicted on the screen, the men and women whose experiences are related here in unforgettably vivid detail are not extremists recounting dreams or hallucinations. Rather, as Dr. Mack reports, they are survivors of harrowing, real-life experiences that challenge the most basic assumptions that make up our understanding of our existence and our role in the universe.

    

    How should we communicate who we are, what we know, to asyet-unmet intelligent beings elsewhere in both time and space? Will they be able to decipher what we say? And what information will we leave to Earth's occupants a million years hence? How can we address an unknown destiny in which human culture itself may no longer exist?Combining the logical rigor of a scientist with the lyrical beauty of a novelist, Gregory Benford explores these and other fascinating questions in a provocative analysis of humanity's attempts to make its culture immortal, to cross the immense gulf that such deep-time messages must span in order to be understood. In clear, crisp language, he confronts our growing influence on events hundreds of thousands of years into the future, and explores the possible "messages" we may transmit to our distant descendants in the language of the planet itself -- from nuclear waste to global warming to the extinction of species.We are already sending messages into nearby space; in the coming ages we will be able to launch probes accurately to other stars. Our indelible legacy to future generations, or to the next occupants of this planet, is already being constructed. As we begin our incredible journey down the path of eternity, Gregory Benford masterfully calls forth some of the intriguing, astounding, undreamed -- of futures which may await us in deep time.Human civilization has evolved to the point at which we have begun consciously sending messages into the far future. How should we communicate who we are, what we know, to as-yet-unmet intelligent beings elsewhere in both time and space? Will they be able to decipher what we say? And what information will we leave to Earth's occupants a million years hence? How can we address an unknown destiny in which human culture itself may no longer exist?Combining the logical rigor of a scientist with the lyrical beauty of a novelist, Gregory Benford explores these and other fascinating questions in a provocative analysis of humanity's attempts t make its culture immortal, to cross the immense gulf that such deep-time messages must span in order to be understood. In clear, crisp language, he confronts our growing influence on events hundreds of thousands of years into the future, and explores the possible "messages' we may transmit to our distant descendants in the language of the planet itself-from nuclear waste to global warming to the extinction of species.

    Yet, no records exist explaining how, why, or who built Egypt’s megalithic monuments and statues. The ancient Egyptians did, however, record that their civilization resided in the shadow of a kingdom of “gods” whose reign ended many thousands of years before their first dynasty. What was this Civilization X that antiquity’s most accomplished people revered as gods?The recent discovery of a large stone at one of Egypt’s oldest ruins presents physical evidence that clearly and distinctly shows the markings of a machining process far beyond the capabilities of the Ancient Egyptians. Likewise, experimental modeling of the Great Pyramid’s subterranean chambers and passageways gives scientific evidence to further support the theory that the civilization responsible for such magnificent monuments is much older than presently believed. Ancient Egypt 39,000 BCE examines this evidence from historical and technical points of view, explaining who these prehistoric people were, what happened to them, why they built their civilization out of granite, and why they built a series of pyramids along the west bank of the Nile River.