Collins was a fool, yes, but not a fool who deserved to die.Torn between anger with her cousin and remorse on his behalf, Miss Elizabeth Bennet must navigate the changes Mr. Collins’ demise brings to her family and sort out her feelings for both the charming Mr. Wickham and not-so-charming Mr. Darcy. In addition, she must discover the reasons behind a rash of anger directed her way. But most of all, she needs to learn what, if any, impact will befall her because of Mr. Collins’ Will.Fitzwilliam Darcy knows he, his family, and his friends are all too good for the likes of the Bennets. Or are they? Decades old secrets and impulsive, and not so impulsive, proposals start reordering Darcy’s view of the world. Will he come to terms with what truly defines a person’s worth in time to claim the woman he loves, or lose her to a charming man seeking a fortune?

    Darcy desires marriage to Elizabeth Bennet, but he ruins any such prospect during his proposal at Hunsford. The resulting general sense of malaise interferes with his usually amicable yet stately demeanour, and his Fitzwilliam relatives resolve that Darcy is lonely-he must be in want of a wife. His cousins convince him to leap into the London Season for one month and partner every lady they select for his felicity.At Longbourn, chaos erupts as Mr. Bennet undergoes a transformation, and Jane and Elizabeth receive the gift of a month in town to enjoy the Season. Meanwhile, Elizabeth pores over Mr. Darcy's Hunsford letter and wonders about him, warmed by his words.It's only a matter of time before the two meet again in this Pride and Prejudice novella. But will their encounter be a repeat of the earlier disaster, or will they overcome their tenuous history? And can Elizabeth's credentials pass the stringent criteria of the scheming Fitzwilliam cousins who direct Darcy towards the single daughters of every peer of the realm?

    Darcy is in need of a wife. Business keeps him in London, but Georgiana must go to Pemberley for the sake of her health. He cannot trust her care to the servants. He knows his duty - he must seek a wife. A ball at Almack’s is the place to seek a wife of good breeding and wealth. So Mr. Darcy must force himself to attend. Miss Elizabeth Bennet is pleasing to look at. Miss Elizabeth Bennet is lively, playful and intelligent. Miss Elizabeth Bennet is wearing exquisite, costly gowns. Miss Elizabeth Bennet has a voucher to Almack’s, so she must be from a highly suitable family. Mr. Darcy knows his position in life is such that no lady will refuse his offer of marriage, even when he makes it clear that the arrangement does not include affection. Nothing can possibly go wrong. Artifice and Attraction is a sweet and clean Regency Romance novel of over 89,000 words

    Darcy and plead for his assistance in locating the wayward couple. As a result, they face daunting hurdles with help from well-loved friends and interference from old rivals. Will their struggles result in permanent estrangement or a love match?

    It is the story of a powerful, determined, honourable and brave Darcy, ready to put his life in danger for the woman he loves, and a strong, witty, kind-hearted Elizabeth, ready to admit her errors and to receive and return his ardent love. What if, instead of meeting for the first time after the failed proposal at Pemberley, their first encounter instead takes place while they are both travelling toward the North.The story begins in July, at the beginning of the Gardiners’ and Elizabeth’s journey towards the Lakes. A storm thwarts their plans and a broken wheel on their carriage forces them to make an impromptu stop at an inn, which is already overcrowded and has no rooms left to accommodate them. With no place to stay, no carriage to continue their travel and even in danger of falling ill, their plans seem entirely ruined. Unless…Still grieving over his failed marriage proposal, Darcy is on his way home to Pemberley. As usual, he stops for the night at his favourite inn, together with his valet and two coachmen. An unexpected storm causes the inn to be overcrowded and, faced with so many people without shelter, he is trying his best to offer his support. To his utter astonishment, one of those in need is the woman of his dreams and nightmares, Elizabeth Bennet.Since they seem to share the same destination, the same regrets and sorrow and the same hopes, could they mend the past and build a happy future whilst travelling together? What if new villains and new dangers threaten their lives, forcing them to face the most difficult choices? Will Darcy be able to protect his love?Find out all the answers in this romantic and adventurous tale of our beloved couple.

    Bennet, nobody can escape their mischief. From locked doors to misdirected carriages, Matlock and Bennet wreak havoc on inhabitants of Longbourn and Netherfield alike.Darcy and Elizabeth fall prey to their relations' schemes more than once, but they firmly resist any matchmaking efforts. Darcy knows his value in the marriage market and has no intention of marrying beneath him. Elizabeth could never marry such a pompous bore. But their pride and prejudice become a lot harder to maintain when they find themselves trapped alone together.Will Matlock and Bennet succeed in making matches for all of Meryton—except the two stubborn fools they know belong together?This sweet comedic variation of Jane Austen’s Pride and Prejudice is 73,000 words of mischief and matchmaking.

    Mr. Darcy wants to gain command of his wayward heart. But Miss Bingley wants to be acting. Thrown together in the cause of entertainment, our reluctant pair learn to see each other with fresh eyes. But the course of true love never does run smooth. And neither does the course of amateur theatricals. To achieve the stuff that dreams are made of they and their friends must navigate a sea of troubles and dodge the slings and arrows of outrageous fortune.

    Something buried in his past is always trying to emerge. Unable to overcome his pain, he hides from the world. Until a letter reaches him. Bingley, one of his best friends, is inviting him to spend some time at the coast, in the neighbouring area of Penzance, Cornwall, where he is not just dealing with his business, but also enjoying the first months of his new life as a married man. His bride is an angel-like gentlewoman called Jane, whom he met during a visit to Hertfordshire, last Summer. In case Darcy accepts, Bingley has only one request to make: that he may bring with him one of his new sisters, a Miss Elizabeth, as a favour to his dearest wife. After such a painful summer, and considering he had already missed his friend’s wedding, against all the odds, Darcy decides to accept. What he does not know is that this single decision will change his life forever. First, because he will meet the only woman not just handsome enough to tempt him, but also the one who breaks the walls of his prison, opening for him a door to a happiness he never thought possible. And, second, because he will never be the same ever again after this, which will also be the most terrifying experience of his life. “The Curse of Land’s End” is a story about secrets, intrigue and mysteries which challenges rationality and faith, and demands a courage strong enough to transcend every instinct of self-preservation in the name of honour and love. “You will do nothing in this world without courage, for it is the greatest quality of the mind next to honour.” (Aristotle) Rated Mild+ (Contains up to 10 mild swear words; contains kisses, and mild, non-seductive description of intimacy — 'My Book Rating'). FROM THE AUTHOR Suddenly, I felt compelled to write a story which would take me (and JAFF) far from my comfort zone, and try something new. It was watching ‘Crimson Peak’, a biting-nail horror story, that the inspiration finally came to me. How would it be to write a story about ghosts, combining romance and mystery, but with no ghosts? "The Curse" is set in 1815, a year when Romanticism — a movement marked by the exaltation of feelings of loss and guilt related both to nature and men — was the fashion and drama, an essential component of the works of this time. "Songs of Experience", by William Blake (1794), "The Corsair", by Lord Byron (1814), and "Frankenstein", by Mary Shelley (1818), are all good examples of how committed the authors were in exploring human's woes; sometimes the sombre tone and dramatic plots are almost too depressing to endure. I can understand the bad reviews related to this point. But I cannot regret my choice. As another reviewer said, “we are all entitled to our own opinions”; the good reviews show it. I grant — my choice in writing a story using Romantic features was bold, but, for me, the result was very pleasing, especially considering the happy ending — what is not the norm for the Romantics. I should not be saying this, but it doesn't matter how much Literature I study, I always love a good happy ending. Another important choice was the deep POV of ODC. In P&P, we live the story through the eyes of Elizabeth and do not learn about Darcy’s struggles until very close to the end. I intended to show the huge abyss between his aloof appearance and his troubled mind — but here, he another reason for it.

    Her carriage has met with an accident! Of course, Darcy comes to the rescue despite the recent, scathing rejection of his hand and heart. Circumstances force them to seek refuge in a nearby farmhouse, posing as man and wife! Why was Elizabeth travelling to London in a strange carriage, days before her visit to the metropolis was scheduled? Why did their hostess at the farmhouse welcome them with a shooting rifle. And with the acrimony and hurt of the proposal still raw, how would our dear couple navigate this chance encounter! This light-hearted story answers all these questions and more!

    All seems well, but when Mr. Darcy unexpectedly arrives from Pemberley, he reveals that things in Brighton were not quite as they had seemed. Drawn to Mr. Darcy in their mutual quest to restore balance and safety to both their families, Elizabeth finds herself struggling to recognize the man who had insulted her in Hertfordshire and Kent. So much has changed—yet can she rely upon the change? And will he still love her and wish to marry her when he sees her family and its folly fully unleashed in Brighton?

    The men in my life would consider it amusing but naïve to afford the same semantics of conversation for wholly different circumstances such as these, or they would should one of them choose to read it.This vagary proposes an alternate telling of the original Pride and Prejudice and considers what may have happened should the characters have been afforded a slightly altered set of circumstances. What if Mr. Darcy had accepted quite early that he was falling in love with Elizabeth? What if Elizabeth was the least stubborn of her sisters? What if Mrs. Bennet was allowed to settle in mind and spirit? What if Mr. Bennet exerted himself on behalf of his daughters? What if Mr. Collins was in some way welcomed as the next owner of the estate? Those are only some of the twists within this tale, and while not canon, I hope I gave your favorite character a moment unto themselves that will make you smile.CAUTION: I want to specifically state that this vagary is not for all Pride and Prejudice genre readers. If one reads to find fault in what is not canon, I’ve been most forthcoming about the fact that it is a vagary, so you should already be on your guard and perhaps pass it by. For those of you who are strict authoress-guidelines conscious, I will argue that in all time periods people spoke with the use of contractions. To that end, I was true to life rather than follow her pointed non-use of them. Outside conversation, however, you will not find them, and I hope that soothes any feathers which may be ruffled at such a bold defiance.CAUTION: My editor also requested that I issue a point of clarification on her behalf. I confess that as an author em-dashes drive me nanabas, so in conflict with her excellent advice, I did not include many of them where she said they should be. Despise me for it if you must, but no novel, story, prose, or verse ever hinged on one’s use. The lacking or use of a comma, however, has cost millions. I promise that for those, I let her fully guide me.NOTE: My personal pleasure in writing this book was the intent to make any who read it find themselves staying up at night; not because ODCs are near death, have been forced to do that which they despise, or are off chasing Lydia again, but because I believe I am not the only one of us who dearly loves to laugh.

    She is reunited with her sister Jane, who is still in the Gardiners’ home.As both sisters are in low spirits, Mrs. Gardiner attempts to cheer them and arranges for them to attend several parties, balls and plays.These occasions lead Elizabeth and Darcy to be caught in some awkward encounters, both filled with regret for their past behaviour.Furthermore, the beautiful Jane Bennet appears to have gained the interest of a wealthy earl, who has begun courting her. She is still very much in love with Mr. Bingley – who, however, has not appeared again.Darcy has more knowledge about the earl’s true character and does not consider him a suitable match for the kind Miss Bennet. Feeling guilty for his intervention that separated Jane and Bingley, and willing to show Elizabeth that he has taken her reproaches to heart, he intervenes to remedy a situation caused by his arrogant presumptions.When Bingley returns in town, Darcy reveals the whole truth to him. Unlike in canon, Bingley’s reaction is very strong, against Darcy, against his sisters, even against the earl who seems unworthy of Jane.Fighting for his love, Bingley is badly injured, in danger of losing his life.Darcy intervenes again, protecting his friend, helping him to heal in body and spirit and to reunite with the woman he loves.Amidst these endeavours, Darcy and Elizabeth finally put their pride and prejudice aside, and unite their efforts in a fight for love and happiness.

    She learns the hard way that a handsome face can mask cruelty and depravity.This experience forever alters her relationships with her sisters, her parents, and her friends.How will a changed Elizabeth Bennet react to Fitzwilliam Darcy's insults at the Meryton Assembly?Can Elizabeth and Mr. Darcy overcome their altered pride and prejudices to find happily ever after?A Look Behind the Mask is a full-length, clean Pride & Prejudice variation of 112,000 words.**Trigger warning: the prologue shows an experience of an adult male abusing a young female teen. It does NOT go into detail, but it may be disturbing for some. If it becomes uncomfortable for you, you can skip to chapter 1 without missing any of the story.**Praise for A Look Behind the Mask:“I enjoyed how you used the Jane Austen characters and set them in your own story. I really enjoyed all the differences and unique plot twists. Well done.”“Wow what a glorious story!”“Oh my god I SOBBED during the epilogue. What a beautiful story and a beautiful end.”“This was a wonderful story! I really enjoyed the exploration of these characters and how real they were.”“Your story is one of the top stories I've read… Please keep writing, you have a talent that should not be wasted.”“Just the idea of Elizabeth dumping a pitcher of water on Lydia's head is giving me more enjoyment than I ever expected.”“What a great story. You carried the many plot lines beautifully.”“Your story is one of the top Jane Austen Fan Fiction stories I've read.”

     Her sister, Elizabeth, is distraught over the engagement, and although aware of an unspoken attraction between Jane and Mr Bingley, she is powerless to alter her sister’s inevitable future without encouraging a scandal. Elizabeth’s displeasure is often manifest by way of general complaint to the even wealthier and more distinguished Mr Fitzwilliam Darcy, who confesses a propensity for offending wherever he goes. Despite assurances that Jane has made a most suitable match, Elizabeth is determined never to marry for mere security and familial obligations, but her sharp wit and biting tongue produce obstacles in making a fortunate alliance of her own. “My Dear Readers, If you have taken up the delightful chore of reading this novel, I hope that you are as fond of ‘Pride and Prejudice’ and its author, Jane Austen, as I am. I make no claims of being her equal in writing, though I strive to preserve her style and characters in a way that will do justice to those presented to us in the original. I am under no delusion that my adaptation must appeal to every reader of Jane Austen fan-works. Yet I have done my utmost to deliver to you the sort of drama we might expect from a novel of this period; that of familial duty and regret, of sisterly quarrels and affection, enduring friendships, first impressions, and yes, now and then a runaway animal, and a bit of family scandal. For any inaccuracies written in ignorance, I apologise. For liberties taken for the sake of writerly whims, I can only request your indulgence. These liberties may be most apparent in the continuing stories compiled in Volume II, as this is where my novel expands into new territory and ‘Pride and Prejudice’ could not be consulted for material, leaving me to rely on speculation. My original design to end the story by Volume I was thwarted when I found it impossible to do some of our favourite couples and their endings justice under such limitations. My wise editor, fellow author, and eternal friend, Miss Catherine Miller, suggested I take a page from the illustrious Jane Austen herself and expand into a second volume, the better to tell everyone’s stories in the most satisfactory manner. A last word to those astonishing persons who have made it this far. Thank you ever so much for choosing to read this humble author’s adaptation of such a beloved and enduring novel. I know there are a multitude of fan-works to choose from in this sphere, and I am absolutely delighted that you would consider mine worthy of your time and attention. May it prove so! Your Little Scribbler, Madam Beth Poppet”

    This may be especially so when the man in question not only possesses the rightful inheritance of said ladies, but is also of a most odious disposition and less than agreeable in appearance. Such was the lot of five young women near the town of Meryton. Not only had they no fortune, their own father, an absentee parent at best, had not the foresight to put aside a single pound should they not have the opportunity marry. For this sole reason, their overbearing mother deemed it necessary for one of her daughters to marry this impossible man. However, a mother’s best laid plans cannot come to pass if the gentleman in question is not only repulsive, but also very, very dead. Desperate times often call for desperate measures. There is a myriad of ways to dispose of an unwanted suitor, all of which may be deemed accidental, for who would ever accuse a young lady of good family? The answer is simple… no one. However, some persons are as extremely difficult to be rid as they are to tolerate in life. The Reverend Mr. Collins, despite his obvious deficiencies when it came to appearance and personality, has an uncanny knack for staying alive but, where there is a will, there is always a way…