But even Simon doesn't know that a far deadlier creature is about to come out of the deep and threaten everything he cares for. A creature whose malevolence is unthinkable. Whose need to feed is insatiable. And whose relentless hunt for prey is unstoppable.Twenty years after his huge bestseller Jaws, the master of the deep has done it again, letting loose a chilling new predator that only he could create. Drawing on his singular knowledge of the sea, science, and history, Peter Benchley masterfully spins a suspense-filled novel that hits you on a primal level, makes your heart pound, and leaves your blood running cold.White Shark is Peter Benchley at his best. Read it at your own risk.

    The "world's most advanced smart speaker!" didn't interest Thiago, but Vera thought it would be a bit of fun for them amidst all the strange occurrences happening in the condo. It made things worse. The cold spots and scratching in the walls were weird enough, but peculiar packages started showing up at the house—who ordered industrial lye? Then there was the eerie music at odd hours, Thiago waking up to Itza projecting light shows in an empty room.It was funny and strange right up until Vera was killed, and Thiago's world became unbearable. Pundits and politicians all looking to turn his wife's death into a symbol for their own agendas. A barrage of texts from her well-meaning friends about letting go and moving on. Waking to the sound of Itza talking softly to someone in the living room...The only thing left to do was get far away from Chicago. Away from everything and everyone. A secluded cabin in Colorado seemed like the perfect place to hole up with his crushing grief. But soon Thiago realizes there is no escape—not from his guilt, not from his simmering rage, and not from the evil hunting him, feeding on his grief, determined to make its way into this world.A bold, original horror novel about grief, loneliness and the oppressive intimacy of technology, This Thing Between Us marks the arrival of a spectacular new talent.

    She, herself, is tiny—like a kid peering up over the steering wheel. She has a remarkable face and wears the thickest corrective lenses anyone has ever seen. Her posture is suggestive of some spinal problem. Her breasts are perfect; perhaps implants. She is strangely erotic yet somehow grotesque, vulnerable yet threatening. Her hitchhikers are a mixed bunch of men—trailer trash and travelling postgrads, thugs and philosophers. But Isserley is only interested in whether they have families and whether they have muscles. Then, it's only a question of how long she can endure her pain—physical and spiritual—and their conversation. Michel Faber's work has been described as a combination of Roald Dahl and Franz Kafka, as Somerset Maugham shacking up with Ian McEwan. At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory—our own moral instincts and the boundaries of compassion.

    It is. For behind the town's idyllic facade lies a terrible secret—a secret so shattering that no one who encounters it will ever be the same.At once a masterpiece of psychological suspense and a savage commentary on a media-driven society that values the pursuit of youth and beauty at all costs, The Stepford Wives is a novel so frightening in its final implications that the title itself has earned a place in the American lexicon.

    . . A Must Read! E.J. Simon is the real deal VITO COLUCCI, JR. author of the true crime book, Rogue Town, A City Under the Stranglehold of Organized Crime "This reader white-knuckled her way from start to finish. Simon is a master at the game of suspense. A page-turner at its best that left me begging for more" JUDITH MARKS-WHITE, author of Seducing Harry and Bachelor Degree "DEATH NEVER SLEEPS . . . will make you ponder the technology suturing our lives. You will also question where life ends, and where death begins" MARK RUBINSTEIN, author of Mad Dog House and Love Gone Mad DO THE DEAD HAVE SMARTPHONES? The problem with Alex Nicholas is that he won't stay dead. Alex Nicholas was the consummate Queens bookie: fast cars and even faster women, and friends in all the wrong places. As an illegal sports betting and loan shark king in New York City, Alex was fearless-until the night his luck ran out and someone leveled the silver barrel of an automatic on him and pulled the trigger. Michael Nicholas was everything his brother Alex was not: a powerful, married straight-arrow corporate CEO living the American Dream. Their two worlds collide when Michael discovers his brother's secret laptop. As Michael crosses the globe to find his brother's murder, can he avoid his brother's fate? And can the information contained in the laptop help Alex reach out to help Michael-from beyond the grave.

    Until he's accused of murder.Attorney Danielle Parkman knows her teenage son Max's behavior has been getting worse—using drugs and lashing out. But she can't accept the diagnosis she receives at a top-notch adolescent psychiatric facility that her son is deeply disturbed. Dangerous.Until she finds Max, unconscious and bloodied, beside a patient who has been brutally stabbed to death.Trapped in a world of doubt and fear, barred from contacting Max, Danielle clings to the belief that her son is innocent. But has she, too, lost touch with reality? Is her son really a killer?With the justice system bearing down on them, Danielle steels herself to discover the truth, no matter what it is. She'll do whatever it takes to find the killer and to save her son from being destroyed by a system that's all too eager to convict him.

    While twisting through one of the narrow underground passageways, Leah’s flashlight illuminates the remains of a violent massacre. Ancient human remains—all slaughtered in a long-ago massacre—cover the cavern floor, along with a number of brilliantly colored, granite crystals. The rare crystals are native to only one place on earth: a frozen mountain range in central Antarctica. Could Native Americans have traveled to the frozen continent of Antarctica 800 years prior to the first known human exploration? If so how? And why? There’s only one person who can get Leah to those mountains in Antarctica: her estranged husband and climbing guide Jack Hobson. At their destination they make a stunning discovery that will change history and science forever. But Leah’s team is far from the only interested party. As her secret makes its way to the highest levels of government, a race to seize the Russian-claimed Antarctic territory brings the world to the brink of nuclear conflict.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Everybody has that black hole at the beginning of their life. That time you can’t remember. Your first step. Your first taste of table food. My real memories begin in our assigned living area in Compound 14.”Just a generation ago, this place was called America. Now, after the worldwide implementation of a UN-led program called Agenda 21, it’s simply known as “the Republic.” There is no president. No Congress. No Supreme Court. No freedom.There are only the Authorities.Citizens have two primary goals in the new Republic: to create clean energy and to create new human life. Those who cannot do either are of no use to society. This bleak and barren existence is all that eighteen-year-old Emmeline has ever known. She dutifully walks her energy board daily and accepts all male pairings assigned to her by the Authorities. Like most citizens, she keeps her head down and her eyes closed.Until the day they come for her mother.“You save what you think you’re going to lose.”Woken up to the harsh reality of her life and her family’s future inside the Republic, Emmeline begins to search for the truth. Why are all citizens confined to ubiquitous concrete living spaces? Why are Compounds guarded by Gatekeepers who track all movements? Why are food, water and energy rationed so strictly? And, most important, why are babies taken from their mothers at birth? As Emmeline begins to understand the true objectives of Agenda 21 she realizes that she is up against far more than she ever thought. With the Authorities closing in, and nowhere to run, Emmeline embarks on an audacious plan to save her family and expose the Republic—but is she already too late?

    power grid.No electricity. No cars or phones. The country is plunged into instant chaos.But for Hannah Sheridan, it's the best day of her life. For the last five years, she's been the captive of a sadistic psychopath--until the EMP releases the lock of her prison.Battered but not broken, she emerges from her underground cell into a hostile winter wilderness with nothing but her determination to survive.Reclusive ex-soldier Liam Coleman is headed nowhere fast. He believed he was prepared for any disaster, until the EMP took everything he'd ever cared about in a matter of seconds.Two hundred frozen, perilous miles stand between them and their destination in rural Michigan. But the killing cold isn't the only threat, for Hannah's captor isn't about to let her go...When the country goes dark, ordinary people find themselves facing the end of the world as they know it. With society collapsing before their eyes, they'll have to risk everything to protect their home and the people they love.From USA Today Bestselling Author Kyla Stone comes the Edge of Collapse series, a gripping EMP apocalypse story featuring flawed, complex characters and high-octane action adventure. A survival thriller perfect for fans of Ryan Schow, Boyd Craven, and Jack Hunt.*This is the first book in a series. Rated PG-13 for mild language and moderate violence*

    I've uncovered something.... They're watching...."That panicked message on her answering machine is the last time Liz Ames hears from her sister Rachel, pastor of Paradise Christian Church in Key West, Florida.Compelled to uncover the truth about her sister's disappearance, she heads to Key West. Within hours of her arrival a successful banker jumps to his death. Then a teenage girl whom Rachel was counseling is found brutally murdered. The ritualistic style of the killing is hauntingly similar to that used by the notorious "New Testament" serial killer--now on death row. Could the teen's murder be related to Rachel's disappearance? Is a copycat killer at work? And why do the police refuse to help?For answers, Liz turns to Rick Wells, a former Miami cop who worked the fringes of the "New Testament" investigation. Together they peel away layers of deception to reveal a terrifying adversary--and the unspeakable evil at the heart of this island paradise.

    Before he dies in her arms, he gasps a few cryptic words about a vast conspiracy to hide an awesome historical artifact and tells Dilara that the only person who can help her is a decorated former Army combat engineer named Tyler Locke.Two days later, Locke is consulting on a North Atlantic oil platform when a ferry helicopter carrying Dilara suffers a mechanical failure and goes down next to the rig. With only minutes before the survivors freeze to death in the frigid waters, the quick-thinking Locke manages to rescue everyone on board, including Dilara. She tells him that the helicopter crash was no accident. Someone wants to stop her from finding Noah’s Ark.A second attempt on Dilara’s life convinces a skeptical Locke that there is truth to her story. When a movie star’s private jet crashes into the Mojave desert, it proves to be another link to the conspiracy. Locke and Dilara head to Arizona, and their investigation reveals a chilling discovery. A group of religious fanatics has recovered a weapon from the Ark that will let them recreate the effects of the biblical flood and mold the remnants of humanity according to their leader’s twisted vision.Now Locke and Dilara have just seven days to find the Ark and the secret hidden inside before it is used to wipe out civilization again…

    But when the doctors snake the fiber-optic tube down Robert Smith's throat, what they discover doesn't make medical sense. Plastic casings. Silver filaments. Moving metal parts. In his naked, anesthetized state on the operating table, Robert hears the surgeons' shocked comments: "What the hell is that?" "It's me," Robert thinks, "and I've got to get out of here." Armed with a stolen automatic and the videotape of his strange organs, he manages to escape, and to embark on an orphan's violent odyssey to find out exactly who--exactly what--he is.

    When Leila discovers the Web site Red Pill, she feels she has finally found people who understand her. A sheltered young woman raised by her mother, Leila has often struggled to connect with the girls at school; but on Red Pill, a chat forum for ethical debate, Leila comes into her own, impressing the Web site's founder, a brilliant and elusive man named Adrian. Leila is thrilled when Adrian asks to meet her, flattered when he invites her to be part of "Project Tess." Tess is a woman Leila might never have met in real life. She is beautiful, urbane, witty, and damaged. As they e-mail, chat, and Skype, Leila becomes enveloped in the world of Tess, learning every single thing she can about this other woman—because soon, Leila will have to become her. An ingeniously plotted novel of stolen identity, Kiss Me First is brilliantly frightening about the lies we tell—to ourselves, to others, for good, and for ill.

    A pandemic called 'The Sweats' is sweeping the globe. London is a city in crisis. Hospitals begin to fill with the dead and dying, but Stevie Flint is convinced that the sudden death of her boyfriend Dr Simon Sharkey was not from natural causes. As roads out of London become gridlocked with people fleeing infection, Stevie's search for Simon's killers takes her in the opposite direction, into the depths of the dying city and a race with death. A Lovely Way to Burn is the first outbreak in the Plague Times trilogy. Chilling, tense and completely compelling, it's Louise Welsh writing at the height of her powers.