All of a sudden, he found himself falling back into the old religious devotions of an earlier time. The meaning he had found through years of engagement with therapy began to dissolve. Here, in On Tuesdays I'm a Buddhist, Harding examines the search for meaning in life which keeps him fastened to the idea of god. After many therapy sessions focused on an effort to uncover personal truth, and long solitary months on the road with a one man show, Harding is finally led to an artists' retreat in the shadow of Skellig Michael.Mixing stories from the road with dispatches from his Irish Times columns, On Tuesdays I'm a Buddhist is a spell-binding and powerful book about the human condition, the narratives we weave around the self, and the ultimate bliss of living in the present moment. 'What happens between one story and the next? That's the really interesting part. That's the space where we find bliss; where we float sometimes, suspended, and only for a brief moment. Perhaps only for a few scarce moments in an entire life.'

    Though officially unsolved, Jane’s murder was apparently the third in a series of seven brutal rape-murders in the area. Nelson was born a few years after Jane’s death, and the narrative is suffused with the long shadow her murder cast over both the family and her psyche.Jane explores the nature of this haunting incident via a collage of poetry, prose, and documentary sources, including newspapers, related "true crime" books, and fragments from Jane’s own diaries written. Each piece in Jane has its own form that serves as an important fissure, disrupting the tabloid, "page-turner" quality of the story, and eventually returning the reader to deeper questions about girlhood, empathy, identification, and the essentially unknowable aspects of another’s life and death. Part elegy, part memoir, detective story, part meditation on violence, and part conversation between the living and the dead, Jane’s powerful and disturbing subject matter, combined with its innovations in genre, expands the notion of what poetry can do—what kind of stories it can tell, and how it can tell them.

    Catholic homeschooler Cari Donaldson here relates how her friend’s newborn baby, a portrait of the Virgin Mary, and the words of the Miraculous Medal called her forth from a selfish, small way of life into the welcoming arms of the Church.

    . . ."   With the candor and often hilarious outlook that have made her a beloved commentator on NPR, Marion Winik takes the reader on an unforgettable journey through modern parenthood, with all of its attendant anxieties and joys.        A single mother with two small boys, Winik knows exactly what she's talking about, from battles over breakfast and bedtime to the virtues of pre-packaged food and weightier issues like sex education and sibling rivalry. Part memoir and part survival guide, The Lunch-Box Chronicles is an engaging philosophy of parenting from a staunch realist, who knows that kids and their parents both will inevitably fall far short of perfection, and that a "good enough mom" really is, in fact, good enough.

    Sarah Krasnostein's The Trauma Cleaner is a love letter to an extraordinary ordinary life. In Sandra Pankhurst she discovered a woman capable of taking a lifetime of hostility and transphobic abuse and using it to care for some of society's most in-need people.Sandra Pankhurst founded her trauma cleaning business to help people whose emotional scars are written on their houses. From the forgotten flat of a drug addict to the infested home of a hoarder, Sandra enters properties and lives at the same time. But few of the people she looks after know anything of the complexity of Sandra's own life. Raised in an uncaring home, Sandra's miraculous gift for warmth and humour in the face of unspeakable personal tragedy mark her out as a one-off.

    Resentful of a childhood lost to his father’s reckless and demanding adventures, young Ollestad was often paralyzed by fear. Set in Malibu and Mexico in the late 1970s, the book captures the earthy surf culture of Southern California; the boy’s conflicted feelings for his magnetic father; and the exhilarating tests of skill in the surf and snow that prepared young Norman to become a fearless surfer and ski champion--which ultimately saved his life.In February 1979, just as he was reaping the rewards of his training, a chartered Cessna carrying Norman, his father, his father’s girlfriend, and the pilot, crashed into the San Gabriel Mountains in Southern California and was suspended at eight thousand feet, engulfed in a blizzard. Norman’s father, his coach and hero, was dead, and the 11-year old Ollestad had to descend the mountain alone and grief-stricken, through snow and ice, without any gear.Stunningly, the boy defied the elements and put his father’s passionate lessons to work. As he told the LA Times after his ordeal, “My dad told me never to give up.”

    Following in the tradition of her first book, Monsoon Diary: a memoir with recipes, award-winning author, Shoba Narayan explores themes of family, culture and identity. In vivid and heartfelt prose, Shoba Narayan describes the trajectory of her immigrant life from the salty plains of South India to the high rises of New York and Boston. From the exhilarating thrill of being a new immigrant to becoming an angst-ridden mother grappling with hyphenated identities, Narayan describes the life of an immigrant with humour and insight. She talks about why she yearned for America and became a citizen of the land she would ultimately leave. Return to India is about love and loss; about family and identity; and about the quest for a place called home. Return to India is about the costs of chasing the American dream and the complications of returning to your homeland. Rich in detail and empathetic in tone, this book will resonate with immigrants and diaspora from all cultures.

    "Ocean Star" is the story of how God found her in the midst of an abusive childhood, became the loving parent she never had, and revealed himself in tangible ways through her amazing life journey. Filled with insightful symbolism, "Ocean Star" will help Christians and non-Christians find hope, humor, and healing in a powerful true story of a broken life made new.

    For all the children who suffered in this terrible place. For all those I consider my brothers and sisters; the ones who died, the ones who lost their minds, the ones who drown their memories everyday in a bottle of whisky, I tell this for you.Because in the end we are all brothers and sisters – and if we don’t feel that bond of love between each other, just as human beings, then we are nothing. We are no better than the monsters that ran the convents.”Based in Ireland in the 1960s and 70s, Kathleen’s story is a story of extreme hardship, suffering and abuse. It is the story of 11 siblings, abandoned by their mother and torn from their father, incarcerated in convents and then driven apart in the cruellest ways imaginable; it is the story of their ruined childhoods and their fight for recompense. But more than that, it is a story of courage, survival and the incredible strength of sibling bonds against overwhelming adversities.Out of terrible darkness comes a remarkable story. In the tradition of Irish storytelling, Kathleen offers a mesmerising account of her family’s experience.

    Dealing with these losses, one after another, made Jesmyn ask the question: why? And as she began to write about the experience of living through all the dying, she realized the truth--and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships. Jesmyn says the answer was so obvious she felt stupid for not seeing it. But it nagged at her until she knew she had to write about her community, to write their stories and her own. Jesmyn grew up in poverty in rural Mississippi. She writes powerfully about the pressures this brings, on the men who can do no right and the women who stand in for family in a society where the men are often absent. She bravely tells her story, revisiting the agonizing losses of her only brother and her friends. As the sole member of her family to leave home and pursue high education, she writes about this parallel American universe with the objectivity distance provides and the intimacy of utter familiarity.

    Though bound by an indestructible love, their journey through a world that is darkening with tragedy is fraught with the kind of misunderstandings that bring as much laughter as pain, and as many dreams as nightmares. How does a child cope when faced with a wall of adult secrets? What does a mother do when her biggest fear starts to become a reality? Because it's the Sixties, and because it's shameful to own up to feelings, Eddress tries to deny the truth, while Susan creates a world that will never allow her mother to leave.Set in a world where a fridge is a luxury, cars have starting handles, and where bingo and coupons bring in the little extras, Just One More Day is a deeply moving true-life account, told by mother and daughter, of how the spectre of death moved into their family, and how hard they tried to pretend it wasn't there.

    So when she meets Lloyd AKA Black, a rich street king who ruthlessly runs Atlanta and everything in it, she has no problem shedding her good girl image to be his coke-addicted ride or die. But there is one problem---his wife Dior who Lloyd is NOT divorcing although he tells Keisha a different story. After a turn of events that almost ends in bloodshed for Lloyd and Dior at her hands, Keisha swears to never do coke again, goes back to the stripclub, and takes back her job as a bartender. And it is there that she meets Trigga...Trigga is a boss nigga with an attitude. He's all business and making money but he has a mean, sexy swag that makes him effortlessly attract women. One night, he's in Pink Lips when he sees Keisha, but he's not there for pleasure...he's there for business. And his business involves putting a bullet straight through Lloyd's skull. What he soon finds is that Lloyd won't be an easy mark and one mistake ends up placing him and Keisha in the hospital fighting for their lives. When Trigga wakes up, the first person on his mind is Keisha--the woman he met who he now feels obligated to protect. And Kiesha is all too ready to allow him to do so as long as she can keep her best kept secrets regarding Lloyd underwraps.Dior Mitchell-Evans has been cheated on one to many times by her husband, Lloyd, and she decides once and for all that she won't continue to take it lying down. So she enlists the only man she knows just might love her more than Lloyd to help her with her plans...Lloyd's cousin, Kenyon. Although Kenyon and Lloyd were raised like brothers, Kenyon can't hide the fact that he's loved Dior throughout the years and he won't stand by idly any longer as Lloyd continues to use and abuse her.Love and betrayal sometimes fall hand in hand. But when you fall in love in the streets, you can guarantee that betrayal will soon come. This isn't the typical 'good girl meets thug' tale. This is classic romance meets thug love and it will leave you wanting more.

    After a couple of failed attempts to kill his brother Martin, his parents gave him a guitar for Christmas.From schoolyard battles between the Bowie Boys and the Prog Rockers to Mrs Kemp’s firm insistence on net curtains, and from acting for the Children’s Film Foundation to manning a fruit and veg stall on Saturdays, Gary brilliantly evokes an upbringing full of love, creativity and optimism.As the Thatcher years begin, Gary’s account of the outrageous London club scene centred around the Blitz and Billy’s is just sizzling. Out of this glamorous mayhem of kilt-wearing mascara’d peacocks would emerge Spandau Ballet – the band that would define the era, and hold high the victorious standard of the New Romantics.Gary’s thrilling journey with Spandau Ballet would see them record worldwide hits such as ‘True’, ‘Gold’ and ‘Through the Barricades’, play the biggest stadiums in the world and take to the stage in togas when their luggage gets lost in flight. Stallions, supermodels and dwarves would be hired for video shoots, and through it all, Gary records the wonderful friendships, and the slowly-building tensions, that would eventually see five old friends facing each other in court.‘I Know This Much’ tells the story of Spandau Ballet, but it’s far more than a book about being in a band. Whether it’s meeting Ronnie Kray before filming ‘The Krays’, sketching out the fashions and subcultures of the day, or hanging out with Princess Diana, this book offers a story on every page. And all the more so because it’s all written – brilliantly – by Gary himself.

    The autobiographical novel from the author of Uptown Dreams and Satin Doll Karen E. Quinones Miller is AN ANGRY-ASS BLACK WOMAN You’d be angry, too . . . if you grew up poorer than poor in Harlem in the 1960s and ’70s, a place of unrelenting violence, racism, crime, rape, scamming, drinking, and drugging . . . with a dad permanently checked out in Bellevue and a mom at the end of her rope raising you, your twin sister, and your two brothers, moving every time the money runs out— and doing what it takes to survive. But there’s more to her story . . . Ke-Ke Quinones was whip smart and sassy, a voracious reader of everything from poetry to the classics. No matter what, 117th Street—where you could always count on someone to stand up for you—would always be home. And with every hard-knock lesson learned, Ke-Ke grew fiercer, unleashing her inner angry-ass black woman to get through it all. Is this her final chapter? Now, decades later, comatose in a hospital bed after a medical crisis, she reflects on her life—her success as a journalist and renowned author, her tragicomic memories of Harlem, her turbulent marriage, the birth of her daughter, future possibilities—all the while surrounded by her splintered family in all of their sound and fury. Will she rise above once more?

    Everyone else know Gideon Goosen as a monster: a gangster, assassin and murderer, who made a pact with the devil and deserves to live out his days in a solitary cell in Pretoria Central. How is it possible that the son of a decorated, God-fearing security policeman could fall so low? His mother blames it on his friends from the other side of the railway line in Randfontein, others on a leggy prostitute from Nigel who became his obsession. Gideon himself believes everything changed on an autumn morning when the fatal pellets from a pump-action shotgun cut short the life of an anti-apartheid activist in the driveway of his home. Set against the backdrop of the dying days of apartheid, and inspired by a true story and events that really happened, Jacques Pauw's explosive debut novel exposes the raw, seamy underworld of gangsterism and brutality when life was cheap and fear was everywhere.