There she meets farm wife Irenie Lambey, who is immediately drawn to the lady agent’s self-possession. Already, cracks are emerging in Irenie’s fragile marriage to Brodis, an ex-logger turned fundamentalist preacher: She has taken to night ramblings through the woods to escape her husband’s bed, storing strange keepsakes in a mountain cavern. To Brodis, these are all the signs that Irenie—tiptoeing through the dark in her billowing white nightshirt—is practicing black magic.When Irenie slips back into bed with a kind of supernatural stealth, Brodis senses that a certain evil has entered his life, linked to the lady agent, or perhaps to other, more sinister forces.Working in the stylistic terrain of Amy Greene and Bonnie Jo Campbell, this mesmerizing and award-winning debut by Julia Franks is the story of a woman intrigued by the possibility of change, escape, and reproductive choice—stalked by a Bible-haunted man who fears his government and stakes his integrity upon an older way of life. As Brodis chases his demons, he brings about a final act of violence that shakes the entire valley. In this spellbinding Southern story, Franks bares the myths and mysteries that modernity can’t quite dispel.

    After the disappearance of Leon Owenby, his younger brother and central narrator, Martin, returns to the family’s Willoby County, N.C., mountain town from his life as a destitute writer in New York City to aid in the search for Leon and support his other siblings. The year is 1986; Martin leaves behind his ex-lover, Dennis, and their many friends sick and dying from AIDS. Back home, he must face his painful past, his extended family to whom he is closeted, and his high school girlfriend (who still carries a torch for him). Many months of searching reveal more about the searchers than about Leon; the secrets and resentments in the Owenby family run deep and bubble to the surface unexpectedly. It’s problematic that with so many family issues coming to light, Martin’s sexuality is ignored and remains a secret, but Newton’s use of multiple viewpoints and distinct voices is adept and lively, and helps to fill in the thin premise of Leon’s disappearance. With many novels of this construction, a reader tends to favor one voice over the rest. Not so here; Newton delivers across the board with these characters, who run the gamut from perky to depressive, desperate to schizophrenic.

    Her husband went off to fight for the Union while her father and brother fought for the Confederates. While the men were gone, outliers raided Lydia's mother's home, assaulting her and stealing the livestock. A pregnant Lydia returned to her old home place to tend to her mother and brothers and sisters. When her labor began, the doctor was too inebriated to come, so Lydia's Aunt Tildy delivered the baby, who was turned the wrong way, causing brain damage. After the war, when Mark returned, Lydia learned he had been imprisoned. Her Mark was a changed man who dealt with demons from the war and harbored a deep hatred for the men who had raided Lydia's mother's home, blaming his son's mental problems on them. Through the years, Lydia had more children while dealing with her husband's alienation and cynicism, hoping that through her love, he would become the man he used to be. Times were rough in their mountain region, but Lydia worked hard, trying to do her best for her children and their small community.

    Thus begins an intense relationship that will shape both of their lives for decades to come. Though Lisbeth leads a life of privilege, she finds nothing but loneliness in the company of her overwhelmed mother and her distant, slave-owning father. As she grows older, Mattie becomes more like family to Lisbeth than her own kin and the girl’s visits to the slaves’ quarters—and their lively and loving community—bring them closer together than ever. But can two women in such disparate circumstances form a bond like theirs without consequence? This deeply moving tale of unlikely love traces the journey of these very different women as each searches for freedom and dignity. Revised edition: This edition of Yellow Crocus includes editorial revisions.

    She's been living in stifling old Gentry since the day she was born and trapped in a sham of a marriage to PeeWee LeBlanc since she was only seventeen. In short, she's fed up, restless, and ready for an adventure. Sissy just never imagined temptation would come into her life that breathless summer day as she sat smoking on her porch swing. For although she may have been fixated on the taut muscles of the lineman shimmying down the telephone pole across the street, she hadn't allowed herself to imagine that he'd be none other than her high school sweetheart, Parker Davidson, who left town fourteen years before without so much as a wave good-bye. But suddenly, here he is, leaning in for a kiss that will stir up more excitement than Sissy could ever have imagined...

    In this bold new rendering, Matthiessen has cut nearly a third of the overall text and collapsed the time frame while deepening the insights and motivations of his characters with brilliant rewriting throughout. In Shadow Country, he has marvelously distilled a monumental work, realizing his original vision. Inspired by a near-mythic event of the wild Florida frontier at the turn of the twentieth century, Shadow Country reimagines the legend of the inspired Everglades sugar planter and notorious outlaw E. J. Watson, who drives himself relentlessly toward his own violent end at the hands of neighbors who mostly admired him, in a killing that obsessed his favorite son.Shadow Country traverses strange landscapes and frontier hinterlands inhabited by Americans of every provenance and color, including the black and Indian inheritors of the archaic racism that, as Watson’s wife observed, "still casts its shadow over the nation."

     Jimmy Madden, a fiercely independent high school basketball star with big dreams for his future, sees them dim one Fourth of July when his debutante girlfriend May Tilley tells him she is pregnant. Twelve years later, Jimmy grudgingly endures the workaday drudgery of his father-in-law's tobacco warehouse; May, equally dissatisfied, wonders if love alone can make, and save, a marriage. But it is young Joey who bears the brunt of his parents' unhappy union. As he struggles to cope with his fractured family life, Joey turns to his grandfather, who explains that "a time may come when a person has to let go of what he loves in order to save himself." Set in 1950's North Carolina, rich with the windswept beauty of its Outer Banks, Ruin Creek is a major work by one of the most insightful students of family writing fiction in America today. Writing in the contrapuntal voices of Joey, May, and Jimmy, David Payne examines the early life of characters from Gravesend Light, creating a portrait of a family that breaks apart, heals, and endures. "Full of life, full of wisdom, full of words that singe, sing, and somehow console." (The Boston Globe) "Masterful.... Somewhere between Faulkner and Conroy." (The Denver Post)

    Five years of struggle to create a community ensue, in which part of the struggle is just to survive. This is the story of late 18th century life in an untamed country.

    It was the first novel by a Georgia author to win a Pulitzer, soon followed by Margaret Mitchell's Gone With the Wind in 1937. In fact, Lamb was largely responsible for the discovery of Gone With the Wind; after reading Miller's novel, Macmillan editor Harold S. Latham sought other southern novels and authors, and found Margaret Mitchell.Caroline Miller was fascinated by the other Old South—not the romantic inhabitants of Gone With the Wind, but rather the poor people of the south Georgia backwoods, who never owned a slave or planned to fight a war. The story of Cean and Lonzo, a young couple who begin their married lives two decades before the Civil War, Lamb in His Bosom is a fascinating account of social customs and material realities among settlers of the Georgia frontier. At the same time, Lamb in His Bosom transcends regional history as Miller's quietly lyrical prose style pays poignant tribute to a woman's life lived close to nature—the nature outside her and the nature within.