Troubled by his wife’s disturbing mental state and concerned about a mysterious plague sweeping through his slave population, Master Satterfield purchases Polly Shine, a slave reputed to be a healer. But Polly’s sharp tongue and troubling predictions cause unrest across the plantation. Complicating matters further, Polly recognizes “the gift” in Granada, the mistress’s pet, and a domestic battle of wills ensues.   Seventy-five years later, Granada, now known as Gran Gran, is still living on the plantation and must revive the buried memories of her past in order to heal a young girl abandoned to her care. Together they learn the power of story to heal the body, the spirit and the soul.  Rich in mood and atmosphere, The Healing is the kind of novel readers can’t put down—and can’t wait to recommend once they’ve finished.This download includes a 30-minute bonus feature.

    Like the old master Henry James, Sheila Bosworth uses the chilling device of using the mirror of innocence to reflect evil. It is a lovely achievement, a superior one."-Walker Percy Clay-Lee Calvert is the love child of two people who are as beautiful as models in a magazine but whose similarity ends there. Her father, Rand, is an artist-easygoing, dreamy, principled, and chronically jobless. Her mother, Constance, is the blue-blooded, pampered, delicate but determined daughter of a state supreme court justice. How their intense passion for each other plays out against the sumptuousness and decay of 1950s New Orleans is something to which no innocent should be privy. In Sheila Bosworth's mesmerizing first novel, the era, the place, the people, of Clay-Lee's childhood all form an air as real as our own pasts, alternately dim and indelible, where everyone bears some guilt, and all are almost innocent.

    Olivia Harker Cross owns a strip of mountain in Pope County, Kentucky, a land where whites and blacks eke out a living in separate, tattered kingdoms and where silver-faced wolves howl in the night. But someone is killing the wolves of Big Foley Mountain–and Olivia is beginning to realize how much of her own bitter history she’s never understood: Her mother’s madness, building toward a fiery crescendo. Her daughter’s flight to California, leaving her to raise Will’m, her beloved grandson. And most of all, her town’s fear, for Olivia has real and dangerous enemies. Now this proud, lonely woman will face her mother and daughter, her neighbors and the wolf hunters of Big Foley Mountain. And when she does, she’ll ignite a conflict that will embroil an entire community–and change her own life in the most astonishing of ways.

    Having been mentored by his hometown newspaper's publisher, a survivor of the civil rights turmoil, he now passes these stories along to students far too young to have experienced or, in some cases, even heard about them. But when a long-lost friend suddenly returns to Loring, where years ago her family had been shattered by an act of spectacular violence, Luke begins to realize that his connection with her runs deeper, both personally and politically, than he ever imagined. Just children in 1962, they had no sense of what was happening when James Meredith's enrollment at Ole Miss provoked a bloody new battle in the old Civil War, much less its impact on their fathers' ambiguous friendship. Once his daughters leave for Ole Miss, and with his marriage at an impasse, Luke's investigation of this decades-old trauma soon spills over into his own life. With his parents unwilling, or unable, to help him unlock secrets whose existence he'd never suspected, this amateur historian is soon entirely consumed by an obscure past he can neither explain nor control--a gripping reminder that the past isn't dead, or even past. Once again Steve Yarbrough powerfully evokes--as David Guterson put it--"not only historical grief but the grief of our own time."

    A child with a doubtful future. And a shared journey toward healing for both their hearts.It begins on the shaded town square in a sleepy Southern town. A spirited seven-year-old has a brisk business at her lemonade stand. But the little girl's pretty yellow dress can't quite hide the ugly scar on her chest.Her latest customer, a bearded stranger, drains his cup and heads to his car, his mind on a boat he's restoring at a nearby lake. The stranger understands more about the scar than he wants to admit. And the beat-up bread truck careening around the corner with its radio blaring is about to change the trajectory of both their lives.Before it's over, they'll both know there are painful reasons why crickets cry . . . and that miracles lurk around unexpected corners.

    But Sweetgrass -- named for the indigenous grass that grows in the area -- is in trouble. Bulldozers are leveling surrounding properties. And the Blakelys could be forced to sell the one thing that continues to hold their disintegrating family together. For some of the Blakelys, the prospect of selling Sweetgrass is bittersweet -- for others, it is completely unimaginable. But as they find the strength to stay and fight, they realize that their bond as a family is all they need to stay together.

    With help from a couple of neighborhood boys, Faith lugs her priceless Louis XV elephant clock, countless Tiffany lamps, and everything else from her nineteenth-century mansion out onto her long, sloping lawn.Why is a recluse of twenty years suddenly selling off her dearest possessions? Becasue God told her to.As the townspeople grab up five generations of heirlooms, everyone drawn to the sale--including Faith's lon-lost daughter--finds that the antiques not only hold family secrets but also inspire some of life's most imponderable questions: Do our possessions possess us? What are we without our memories? Is there life after death or second chances here on earth? And is Faith really selling that Tiffany lamp for $1?READERS GUIDE INCLUDED

    Revolving around the electrification of rural northeast Georgia shortly after the end of World War II, the novel has become a classic coming-of-age story. Kay, now an acclaimed writer with an international following, has reread the novel with the eyes of a seasoned storyteller. Cutting here and adding there, Kay has enriched an already highly comical and poignant work. The Year the Lights Came On is ready to find its place in the hearts of a new generation.

    Now comes a reissue of the best-selling debut novel that launched her remarkable career. St. Elizabeth's, a home for unwed mothers in Habit, Kentucky, usually harbors its residents for only a little while. Not so Rose Clinton, a beautiful, mysterious woman who comes to the home pregnant but not unwed, and stays. She plans to give up her child, thinking she cannot be the mother it needs. But when Cecilia is born, Rose makes a place for herself and her daughter amid St. Elizabeth's extended family of nuns and an ever-changing collection of pregnant teenage girls. Rose's past won't be kept away, though, even by St. Elizabeth's; she cannot remain untouched by what she has left behind, even as she cannot change who she has become in the leaving.

     During the summer of 1968, Shenandoah Carmody's mother disappeared. Her twin sister, Woody, stopped speaking, and her once-loving father slipped into a mean drunkenness unbefitting a superior court judge. Since then, Shenny-named for the Shenandoah valley-has struggled to hold her world together, taking care of herself and her sister the best she can. Shenny feels certain that Woody knows something about the night their mother vanished, but her attempts to communicate with her mute twin leave her as confused as their father's efforts to confine the girls to the family's renowned virginia estate. As the first anniversary of their mother's disappearance nears, her father's threat to send Woody away and his hints at an impending remarriage spur a desperate Shenny to find her mother before it's too late. She is ultimately swept up in a series of heartbreaking events that force her to come to terms with the painful truth about herself and her family. Told with the wisdom, sensitivity, and humor for which Lesley Kagen has become known, Tomorrow River is a stellar hardcover debut.

    At fourteen, wearing the coat his mother sewed to ensure his safety—blue on one side, gray on the other— Robey thinks he's off on a great adventure. But not far from home, his horse falters and he realizes the enormity of his task. It takes the gift of a powerful and noble coal black horse to show him how to undertake the most important journey of his life: with boldness, bravery, and self-posession.Coal Black Horse joins the pantheon of great war novels—All Quiet on the Western Front, The Red Badge of Courage, The Naked and the Dead.

    Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest; handsome; intelligent); Cob (short; heavy set; a bit slow); and Chimney (the youngest; thin; ill-tempered). Several hundred miles away in southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula. After Ellsworth is swindled out of his family’s entire fortune, his life is put on a surprising, unforgettable, and violent trajectory that will directly lead him to cross paths with the Jewetts. No good can come of it. Or can it?In the gothic tradition of Flannery O’Connor and Cormac McCarthy with a healthy dose of cinematic violence reminiscent of Sam Peckinpah, Quentin Tarantino and the Coen Brothers, the Jewetts and the Fiddlers will find their lives colliding in increasingly dark and horrific ways, placing Donald Ray Pollock firmly in the company of the genre’s literary masters.

    Tacker, a young engineering student and all-around boy-hero, has returned from a West African odyssey where he fell in love with the local culture but was sent home in shame. Kate's and Tacker's stories come together when, on the same day and in different moments, they encounter a young African-American man named Gaines. The relationship that develops between the three is complicated, as each one searches for love, freedom, and new beginnings.

    The lonely young Appalachian woman joins the historical Pack Horse Library Project of Kentucky and becomes a librarian, riding across slippery creek beds and up treacherous mountains on her faithful mule to deliver books and other reading material to the impoverished hill people of Eastern Kentucky.Along her dangerous route, Cussy, known to the mountain folk as Bluet, confronts those suspicious of her damselfly-blue skin and the government's new book program. She befriends hardscrabble and complex fellow Kentuckians, and is fiercely determined to bring comfort and joy, instill literacy, and give to those who have nothing, a bookly respite, a fleeting retreat to faraway lands.

    Then of course, there’re Louise and Julia, the boldly eccentric Hunsenmeir sisters. Wheezie and Juts spend their whole lives in Runnymede, cheerfully quibbling about everything from men to child-rearing to how to drive a car. But they never let small-town life keep them from chasing their biggest dreams—or from being true to who they really are. Sparkling with a perfect combination of sisterhood and sass, Six of One is a richly textured Southern canvas—Rita Mae Brown “at her winning, fondest best”(Kirkus Reviews).