A tiny creature comes to save her under the condition that she has three chances to guess his name right.West Indian

    One was a town mouse and one was a country mouse, and when they end up in each other's worlds they soon discover that they were much happier where they started!The Tale of Johnny Town-Mouse is number 13 in Beatrix Potter's series of 23 little books, the titles of which are as follows:1 The Tale of Peter Rabbit2 The Tale of Squirrel Nutkin3 The Tailor of Gloucester4 The Tale of Benjamin Bunny5 The Tale of Two Bad Mice6 The Tale of Mrs. Tiggy-Winkle7 The Tale of Mr. Jeremy Fisher8 The Tale of Tom Kitten9 The Tale of Jemima Puddle-Duck10 The Tale of the Flopsy Bunnies11 The Tale of Mrs. Tittlemouse12 The Tale of Timmy Tiptoes13 The Tale of Johnny Town-Mouse 14 The Tale of Mr. Tod15 The Tale of Pigling Bland16 The Tale of Samuel Whiskers17 The Tale of The Pie and the Patty-Pan18 The Tale of Ginger and Pickles19 The Tale of Little Pig Robinson20 The Story of a Fierce Bad Rabbit21 The Story of Miss Moppet22 Appley Dapply's Nursery Rhymes23 Cecily Parsley's Nursery Rhymes

    A he said/she said series with a prince and princess twist.Rapunzel is having the ultimate bad day. She's been stolen from home by an evil witch, locked in an incredibly high tower, and doesn't even have a decent brush for her hair. Prince Benjamin is in a pretty uncomfortable situation himself. His father wants him to be more kingly, his mother wants him to never leave her sight, and his cousin wants to get him into as much trouble as possible. Plus, there's the little matter of prearranged marriages. . . . Both Rapunzel and Prince Benjamin are trapped--in very different ways. It's only when their paths cross, that things really start to change.

    The stunning transformation of a pumpkin into a magnificent coach, a rat into a coachman, and Cinderella into a beautiful princess is pure magic.

    Meticulously researched illustrations faithfully depict the ornate beauty of an ancient land" (Kirkus Reviews).In this jewel-like version of a classic story, popular folklorist Shirley Climo tells the tale of Settareh, the Persian Cinderella.Magic enables Settareh to outsmart two jealous stepsisters and win the heart of a prince. But where most Cinderella stories end, poor Sattareh's troubles are only beginning! The unexpected plot twists will enchant readers as they rediscover the familiar tale in the lush setting of long-ago Persia.Shirley Climo's authentic details bring the story to life, and Robert Florczak's stunning paintings echo the vibrant colors and motifs of an ancient land.

    She defies them, hiding the little books she makes that preserve a variety of Cinderella stories from around the world--tales she hears from travelers on the high road who take shelter at the inn run by her stepmother. She knows the sisters would destroy the small, handmade books, for in their view, it is unnatural for a common girl to know how to read.But when the king’s summer gala draws near and Thursey is, as usual, left at home, she takes charge of her own fate. With help from a traveling monk and a friendly goatherd, she secretly prepares to attend the ball. Does she have help, as well, from the ugly white mare whom she loves? And will she gain more than a rare evening of happiness, perhaps even the joy of new-found love?This vivid Cinderella retelling with a spunky and inventive heroine, set in a medieval European village, is a romance enjoyed by YA readers as well as younger ones. Those who have been searching for it will be happy to know that it’s back in print.

    If she can only find her fairy godmother before the first class begins, Ella is sure she'll put things right. But her FG is off at a convention and Ella is on her own--she'll have to get through the first weeks of Princess School without any bobbity-boo. Ella is terrified--until she meets silly Snow, spunky Rapunzel, and beautiful, sheltered Rose. Ella's new friends make Princess School (continued)

    She wasn’t even remotely pretty, and the whole kingdom was in deep shock about it."Princess Rose doesn’t get any prettier as she grows up, but the kingdom does get over its shock. Everyone adores the skinny, buck-toothed princess, and she doesn’t mind her appearance—until the handsomest prince in the world comes looking for a bride. Despite warnings from her seafaring fairy godmother and a wise fool named Jasper, reckless Rose wishes for beauty. She gets her wish, and the prince, but finds neither is as nice as she had expected. The Ugly Princess and the Wise Fool is a 2003 Bank Street - Best Children's Book of the Year.

    Her mother hates the cold, so every few months her parents pack their bags and drag her off after the sun. She’s grown up lonely and longing for magic. She doesn’t know that it’s magic her parents are running from. When Sarah’s mother walks out on their family, all the strange old magic they have tried to hide from comes rising into their mundane world. Her father begins to change into something wild and beastly, but before his transformation is complete, he takes Sarah to her grandparents—people she has never met, didn’t even know were still alive. Deep in the forest, in a crumbling ruin of a castle, Sarah begins to untangle the layers of curses affecting her family bloodlines, until she discovers that the curse has carried over to her, too. The day she falls in love for the first time, Sarah will transform into a beast . . . unless she can figure out a way to break the curse forever.

    — ...fairy tales were written for young and old alike; it is only in the last century that they have been deemed fit only for children and stripped of much of their original violence, sensuality, and power to frighten and delight. — Patricia C. Wrede, the best-selling author of Caught In Crystal and other beloved fantasy novels, brings Snow White and Rose Red back to an adult audience, in this romantic and magical retelling set in the enchanted forests of England at the time of Queen Elizabeth.Tor Books is proud to present the latest offering in the Fairy Tale Series -- a growing library of beautifully-designed original novels by acclaimed writers of fantasy and horror, each retelling a classic tale such as Snow White and Rose Red, Briar Rose, and Tam Lin in interesting -- often startling -- new ways.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    They had been best friends since they were six, spending hot Minneapolis summers and cold Minneapolis winters together, dreaming of Hogwarts and Oz, superheroes and baseball. Now that they were eleven, it was weird for a boy and a girl to be best friends. But they couldn't help it - Hazel and Jack fit, in that way you only read about in books. And they didn't fit anywhere else. And then, one day, it was over. Jack just stopped talking to Hazel. And while her mom tried to tell her that this sometimes happens to boys and girls at this age, Hazel had read enough stories to know that it's never that simple. And it turns out, she was right. Jack's heart had been frozen, and he was taken into the woods by a woman dressed in white to live in a palace made of ice. Now, it's up to Hazel to venture into the woods after him. Hazel finds, however, that these woods are nothing like what she's read about, and the Jack that Hazel went in to save isn't the same Jack that will emerge. Or even the same Hazel.Inspired by Hans Christian Andersen's "The Snow Queen," Breadcrumbs is a story of the struggle to hold on, and the things we leave behind.

    In 1558, while exiled by Queen Mary Tudor to a remote castle known as Perilous Gard, young Kate Sutton becomes involved in a series of mysterious events that lead her to an underground world peopled by Fairy Folk—whose customs are even older than the Druids’ and include human sacrifice.

    Hoffmann in 1816, has fascinated and inspired artists, composers, and audiences for almost two hundred years. It has retained its freshness because it appeals to the sense of wonder we all share.Maurice Sendak designed brilliant sets and costumes for the Pacific Northwest Ballet's Christmas production of Nutcracker and has created even more magnificent pictures especially for this book. He has joined with the eminent translator Ralph Manheim to produce this illustrated edition of Hoffmann's wonderful tale, destined to become a classic for all ages.The world of Nutcracker is a world of pleasures. Maurice Sendak's art illuminates the delights of Hoffmann's story in this rich and tantalizing treasure.

    Prince Sigismund has grown up hearing fantastical stories about enchantments and faie spells, basilisks and dragons, knights-errant and heroic quests. He'd love for them to be true--he's been sheltered in a country castle for most of his life and longs for adventure--but they are just stories. Or are they? From the day that a mysterious lady in a fine carriage speaks to him through the castle gates, Sigismund's world starts to shift. He begins to dream of a girl wrapped, "trapped," in thorns. He dreams of a palace, utterly still, waiting. He dreams of a man in red armor, riding a red horse--and then suddenly that man arrives at the castle! Sigismund is about to learn that sometimes dreams are true, that the world is both more magical and more dangerous than he imagined, and that the heroic quest he imagined for himself as a boy . . . begins now.