But to all the creatures who lived there...." Like a shaman, Monette, the novelist, poet, essayist, AIDS activist and National Book Award winner (Becoming a Man) who died of AIDS in 1995, creates a magic space within this animal fable, which resonates with wisdom and grace. This posthumous offering is an amazingly tender parable of same-sex love full of political overtones sounding Monette's lifelong themes of social justice, the need for tolerance of diversity and the fluid nature of sexual selves. The romantic love that blossoms between Renarda the Fox and Lapine the Rabbit is doubly wrong in the eyes of the dictatorial Great Horned Owl who presides over their forest realm - wrong because it's interspecies and because it's between two females. The Owl (not a wise bird here) commands all the forest creatures to spy on one another and to report any "differentness." By splitting up the forest's denizens into two races, First Ones and second-class "refugees" the Owl sows antagonism and fear, fostering a network of spies and snitches. The lovers, once discovered, are charged with "crimes against nature," arrested and banished to separate rehabilitation camps, until a bumbling apprentice wizard, Albertus the Lesser, exposes the Owl as an impostor and transforms the forest into a haven of tolerance and love. Monette's complex, quicksilver prose aims at the heart and never misses. His entrancing tale is illustrated throughout with luminous, spectral pictures that enhance the moonlit aura of enchantment. (Publisher's Weekly.)In a fairy tale that captures the strangeness of society's rules and the liberating nature of love, the Great Horned Owl sets his intolerant agenda for the forest.

    Yamanaka pens powerful novel of friendship, family, sexuality, and identity in which 13-year-old Emi-Lou struggles with coming of age and middle school in Hawaii.

    Forever in search of spiritual fulfillment, Andrea has rejected everything from religion to eating disorders, in favor of "I'm-with-the-band" style fanaticism, all centered on Cry Wolf, a brother-sister folk/rock duo with an eccentric hodgepodge of followers. When Andrea meets fellow groupie Jordan outside a concert, their connection is undeniable: Jordan is powerfully seductive, and Andrea is intrigued by Jordan’s lawless ways. Their romance escalates as they follow Cry Wolf around the country, but as Jordan becomes increasingly manipulative and unreliable, Andrea begins to realize that her passion for Jordan has turned into yet another addiction. The first time Jordan leaves her, Andrea flees Los Angeles for Chicago, almost relieved, and almost ready to start fresh. But when Jordan arrives unannounced on Andrea’s doorstep, Andrea can’t help it; she’s thrilled.Meet Andrea: tightly wound, mid-20s, teacher, hotter than she gives herself credit for, less clever than she believes.Meet Jordan: LA-skinny, ocean eyes, early-40s, perpetual undergraduate student, a liar who believes her own lies.Post-modern in form (lists, 3x5 cards, even the occasional screenplay), but classical in theme: a tale of a girl desperate for something like, but not quite love.

    Maggie is a funeral director from Indiana who lives a double life. Bug is a ten-year-old boy in the Pennsylvania foster care system who is sent to live with an aunt he doesn't know. Jimmy is a former paramedic and prescription drug addict on his way to meet a woman he met online who thinks he's a successful doctor. Helen is a Chicago insurance investigator who is leaving her marriage in search of the woman she wants to be. Four strangers, all traveling to Boston in search of better lives, are tied together in ways they don't even realize. Each are trying to fill the void of what's missing in their lives. Sometimes it takes a tragedy to overcome all that we lack.

    With words and illustrations even the youngest of children can understand, My Princess Boy tells the tale of 4-year-old boy who happily expresses his authentic self by happily dressing up in dresses, and enjoying traditional girl things such as jewelry and anything pink or sparkly. The book is from a mom's point of view, sharing both good and bad observations and experiences with friends and family, at school and in shopping stores.My Princess Boy opens a dialogue about embracing uniqueness, and teaches you and others how to accept young boys who might cross traditional gender line clothing expectations. The book ends with the understanding that 'my' Princess Boy is really 'our' Princess Boy, and as a community, we can accept and support youth for whoever they are and however they wish to look.

    They hang out in coffee bars, go for walks, swim, and do other fun stuff. But one day Fergus appears in her uncle's kitchen. Mini Mia does not want to share Tommy with his new boyfriend.

    As the only son on a remote farm in New Zealand, he’s forced into farm chores that aren’t just abhorrent, but that leave him little time to indulge his theatrical bent. He gets by with the help of his tomboy cousin Lou and a rich fantasy life. The arrival of two outsiders — the freaky, pimply Roy and the sexy David Cassidy look-alike Jamie — changes everything. Billy is drawn to both Roy and Jamie, testing his friendships and loyalties in the process. Funny and engaging, this tale of a gay awakening resonates with anyone who endured an awkward adolescence. Billy struggles with his sexual identity, but also with his weight, in achingly familiar attempts to diet and camouflage his girth. Capturing the period when the adult world begins to impinge on the child’s, the book narrates the agonies of early adolescence with wit and tenderness.

    In their beautiful house, they cook dinner together, they laugh together, and they dance together. But some of the other families don't accept them. They say they are different. How can a family have two moms and no dad? But Marmee and Meema's house is full of love. And they teach their children that different doesn't mean wrong. And no matter how many moms or dads they have, they are everything a family is meant to be. Here is a true Polacco story of a family, living by their own rules, and the strength they gain by the love they feel.

    I knew our motive; we were practicing the act, hoping to impress the right boy when it came time. But then something happened in the mix of the moment, in the mix of the alcohol. It wasn't planned, but somehow our kissing experiment turned into something else. Things went further . . . and once they had, once I returned to earth from the euphoria . . . I wrestled with my feelings at that frank realization, questioning whether our said objective was entirely true. When fourteen-year old Krista McKinley transfers from Catholic school in Ohio to California's public Crestmount High, she discovers she has a lot to learn. Luckily, she is befriended by Carrie and Brandon and things start to look up. But when a simple dare tests Krista s values, it sends her entire world spiraling into a confusing series of events that leaves her questioning her identity as well as the people around her.

    Award-winning author Rob Sanders’s stirring text, and acclaimed illustrator Steven Salerno’s evocative images, combine to tell this remarkable—and undertold—story. A story of love, hope, equality, and pride.

    After all, as ringbearer, he has a very important job to do. Any boy or girl with same-sex parents—or who knows a same-sex couple—will appreciate this picture book about love, family, and marriage.  The story captures the joy and excitement of a wedding day while the illustrations show the happy occasion from a child's point of view.

    Two famous novels by Horatio Alger that focus on rags-to-riches tales.

    Graham’s heart aches for a friend, and maybe a boyfriend, but is Josiah the answer to his dreams? Why is Bry Hartnett, the school hunk, taking an interest in Graham as well? When strange happenings begin to occur at Griswold Jr./Sr. High, Graham’s once boring life becomes more exciting than he can handle. Mystery, intrigue, and danger await Graham as he sets out on an adventure he never dreamed possible.

    He paints amazing pictures and he loves his classroom's dress-up center, especially the tangerine dress. It reminds him of tigers, the sun and his mother's hair. The other children don't understand--dresses, they say, are for girls. And Morris certainly isn't welcome in the spaceship his classmates are building--astronauts, they say, don't wear dresses. One day Morris has a tummy ache, and his mother lets him stay home from school. He stays in bed reading about elephants, and her dreams about a space adventure with his cat, Moo. Inspired by his dream, Morris paints a fantastic picture, and everything begins to change when he takes it to school.

    Set in 1970s Southern California, Gringa is the story of a young girl conflicted by two extremes. On the one hand there’s life with her mother, who leaves her father to begin a lesbian relationship, taking Hart and her two siblings along. Hart tells of her mom’s new life in a Hispanic neighborhood of Oxnard, California, and how these new surroundings begin to positively shape Hart herself. At the opposite extreme is her father’s white-bread well-to-do security, which is predictable and stable and boring. Hart is made all the more fraught with frustration when a judge rules that being raised by two women is “unnatural” and grants her father primary custody.Hart weaves a powerful story of fleeting moments with her mother, of her unfolding adoration of Oxnard’s Latino culture, and of the ways in which she’s molded by the polarity of her parents’ worldviews. Hart is faced with opposing ideals, caught between what she is “supposed” to want and what she actually desires. Gringa offers a touching, reflective look at one girl’s struggle with the dichotomies of class, culture, and sexuality.