Egyptian Mythology: A Very Short Introduction explains the cultural and historical background to the fascinating and complex world of Egyptian myth, with each chapter dealing with a particular theme.To show the variety of source material for Egyptian myth, each chapter features a particular object--such as the obelisk known as Cleopatra's Needle, a golden statue of Tutankhamun, and a papyrus containing a story in which the Egyptian gods behave outrageously--which is illustrated by a photograph or line-drawing. The myth "The Contendings of Horus and Seth" is looked at in detail, and the many interpretations it has provoked are examined. In addition to a list of major deities and myths, there are explanations of related topics such as how hieroglyphs work, royal names and titles, and the Egyptian cosmos. There is also a timeline of Egyptian history, a glossary of technical terms and an up-to-date bibliography.

    It tells the hilarious story of the pleasure-seeking adventures of an educated rogue, Encolpius, his handsome serving boy, Giton, and Ascyltus, who lusts after Giton—three impure pilgrims who live by their wits and other men's purses. The Satyricon unfailingly turns every weakness of the flesh, every foible of the mind, to laughter.

    First published in German in 1977, it has now been translated into English with the assistance of the author himself. A clearly structured and readable survey for students and scholars, it will be welcomed as the best modern account of any polytheistic religious system.Burkert draws on archaeological discoveries, insights from other disciplines, and inscriptions in Linear B to reconstruct the practices and beliefs of the Minoan–Mycenaean age. The major part of his book is devoted to the archaic and classical epochs. He describes the various rituals of sacrifice and libation and explains Greek beliefs about purification. He investigates the inspiration behind the great temples at Olympia, Delphi, Delos, and the Acropolis—discussing the priesthood, sanctuary, and oracles. Considerable attention is given to the individual gods, the position of the heroes, and beliefs about the afterlife. The different festivals are used to illuminate the place of religion in the society of the city-state. The mystery cults, at Eleusis and among the followers of Bacchus and Orpheus, are also set in that context. The book concludes with an assessment of the great classical philosophers’ attitudes to religion.Insofar as possible, Burkert lets the evidence—from literature and legend, vase paintings and archaeology—speak for itself; he elucidates the controversies surrounding its interpretation without glossing over the enigmas that remain. Throughout, the notes (updated for the English-language edition) afford a wealth of further references as the text builds up its coherent picture of what is known of the religion of ancient Greece.

    With In Search of the Trojan War, Michael Wood brings to life the legend & lore of the Heroic Age in an archeological adventure that sifts thru the myths & speculation to provide a fresh view of the riches & the reality of ancient Troy. This gripping story shows why the legend of Troy forms the bedrock of Western culture & why its past is a paradigm of history. Wood's meticulous scholarly sleuthing yields fascinating evidence about the continuity & development of civilization in the Aegean & Asia Minor. With 50' of debris from constant rebuilding, human destruction, earthquake & abandonment, the mound of Troy contains the beginnings & ends of new races & civilizations.AcknowledgementsPrologueThe search for TroyHeinrich SchliemannThe coming of the GreeksHomer: the singer of tales Agamemnon's empire A forgotten empire: the Hittites & the GreeksThe peoples of the sea Conclusions: the end of the bronze ageBibliographyPicture CreditsIndex

    With stage performance specifically in mind, Ahl renders Seneca's dramatic force in a modern idiom and style that move easily between formality and colloquialism as the text demands, and he strives to reproduce the richness of the original Latin, to retain the poetic form, images, wordplays, enigmas, paradoxes, and dark humor of Seneca's tragedies.In this powerful and imaginative translation of Medea, Frederick Ahl retains the compelling effects of the monologues, as well as the special feeling and pacing of Seneca's choruses.

    The transformation of state and society, the violent transference of power and property, and the establishment of Augustus' rule are presented in an unconventional narrative, which quotes from ancient evidence, refers seldomly to modern authorities, and states controversial opinions quite openly. The result is a book which is both fresh and compelling.

    The lively and highly readable narrative is complemented by an appendix of detailed references to all the original texts and a fine selection of illustrations taken from vase paintings.

    He shows first how the Huns overtuned the existing strategic balance of power on Rome's European frontiers to force the Goths and others to seek refuge inside the empire. This prompted two generations of struggle, during which new barbarian coalitions, formed in response to Roman hostility, brought the Roman west to its knees. The Goths first destroyed a Roman army at the battle of Hadrianople in 378 and went on to sack Rome in 410. The Vandals spread devastation in Gaul and Spain befor conquering North Africa, the breadbasket of the western empire, in 439. We then meet Attila the Hun, whose reign of terror swept from Constantinople to Paris, but whose death in 453 ironically precipitated a final desperate phase of Roman collapse, culminating in the Vandals' defeat of the massive Byzantine Armada, the west's last change for survival.Peter Heather convincingly argues that the Roman Empire was not on the brink of social or moral collapse. What brought it to an end were the barbarians.

    Indeed, he sees the fall of Rome as a time of horror and dislocation that destroyed a great civilization, throwing the inhabitants of the West back to a standard of living typical of prehistoric times. Attacking contemporary theories with relish and making use of modern archaeological evidence, he looks at both the wider explanations for the disintegration of the Roman world and also the consequences for the lives of everyday Romans, who were caught in a world of marauding barbarians, and economic collapse.The book recaptures the drama and violence of the last days of the Roman world, and reminds us of the very real terrors of barbarian occupation. Equally important, Ward-Perkins contends that a key problem with the new way of looking at the end of the ancient world is that all difficulty and awkwardness is smoothed out into a steady and positive transformation of society. Nothing ever goes badly wrong in this vision of the past. The evidence shows otherwise.Up-to-date and brilliantly written, combining a lively narrative with the latest research and thirty illustrations, this superb volume reclaims the drama, the violence, and the tragedy of the fall of Rome.From Back Cover:For decades, the dominant view amongst historians has been that the 'fall of Rome' was a largely peaceful transition to Germanic rule, within a period of positive cultural evolution. Now, Bryan Ward-Perkins argues for what you always thought but didn't dare say: the Roman Empire really did fall to violent invasion; the 'transformation' of the Roman world saw a catastrophic collapse of living standards; and the 'Dark Ages' were genuinely sombre.

    Focusing on the leading figures of existentialism, including Sartre, Nietzsche, Heidegger, Kierkegaard, de Beauvoir, Merleau-Ponty, and Camus, Thomas Flynn offers a concise account of existentialism, explaining the key themes of individuality, free will, and personal responsibility, which marked the movement as a way of life, not just a way of thinking. Flynn sets the philosophy of existentialism in context, from the early phenomenologists, to its rise in the 40's and 50's, and the connections with National Socialism, Communism, and Feminism. He identifies the original definition of "existentialism," which tends to be obscured by misappropriation, and highlights how the philosophy is still relevant in our world today.

    This book aims to introduce readers to some ancient debates and to get them to engage with the ancient developments of some themes. Getting away from the presentation of ancient philosophy as a succession of Great Thinkers, the book aims to give readers a sense of the freshness and liveliness of ancient philosophy, and of its wide variety of themes and styles.About the Author:Julia Annas is Professor of Philosophy at the University of Arizona and author of several books for OUP, including An Introduction to Platos Republic and The Morality of Happiness. She is also series editor for the Oxford Studies in Ancient Philosophy.

    He is also a satirical and epigrammatic writer who savagely consoles with laughter. Carmina captures in English both the mordant, scathing wit and also the concise tenderness, the famous love for reluctant Lesbia who is made present in these new versions. A range of English metres and rhymes evoke the epigrammatic power of the many modes and moods of this most engaging, erotic and influential of the Latin poets. He left a mark on Horace, Virgil, Ovid and on the lyric and epigrammatic traditions of all the languages of Europe. Of Len Krisak's Horace translations, Frederic Raphael said, ‘[He] enables us both to enjoy a fresh voice and to hear (and see), very distinctly, what lies behind and within his unintimidated rescripts’. Again in Carmina he works his precise magic.

    In this thoroughly engaging book, Natalie Haynes brings her scholarship and wit to the most fascinating true stories of the ancient world. The Ancient Guide to Modern Life not only reveals the origins of our culture in areas including philosophy, politics, language, and art, it also draws illuminating connections between antiquity and our present time, to demonstrate that the Greeks and Romans were not so different from ourselves: is Bart Simpson the successor to Aristophanes? Do the Beckhams have parallel lives with The Satiricon's Trimalchio? Along the way Haynes debunks myths (gladiators didn't salute the emperor before their deaths, and the last words of Julius Caesar weren't "et tu, brute?") from Athens to Zeno's paradox, this irresistible guide shows how the history and wisdom of the ancient world can inform and enrich our lives today.

    Here is a new Loeb Classical Library edition of the great Roman poet's Odes and Epodes, a fluid translation facing the Latin text. Horace took pride in being the first Roman to write a body of lyric poetry. For models he turned to Greek lyric, especially to the poetry of Alcaeus, Sappho, and Pindar; but his poems are set in a Roman context. His four books of odes cover a wide range of moods and topics. Some are public poems, upholding the traditional values of courage, loyalty, and piety; and there are hymns to the gods. But most of the odes are on private themes: chiding or advising friends; speaking about love and amorous situations, often amusingly. Horace's seventeen epodes, which he called iambi, were also an innovation for Roman literature. Like the odes they were inspired by a Greek model: the seventh-century imabic poetry of Archilochus. Love and political concerns are frequent themes; here the tone is generally that of satirical lampoons. In his language he is triumphantly adventurous, Quintilian said of Horace;Content:Odes* Book I* Book II* Book III* Book IVHymn for a New AgeEpodes

    Fry transforms the adventures of Zeus and the Olympians into emotionally resonant and deeply funny stories, without losing any of their original wonder.This stunning book features classical artwork inspired by the myths, as well as learned notes from the author. Each adventure is infused with Fry's distinctive wit, voice, and writing style. Connoisseurs of the Greek myths will appreciate this fresh-yet-reverential interpretation, while newcomers will feel welcome. Retellings brim with humor and emotion and offer rich cultural contextCelebrating the thrills, grandeur, and unabashed fun of the Greek myths, Mythos breathes life into ancient tales—from Pandora's box to Prometheus's fire.This gorgeous volume invites you to explore a captivating world with the brilliant storyteller Stephen Fry as your guide.