Singers, writers, and artists are disappearing, leaving no trace in a world where everyone leaves a digital footprint. Posing as a journalist, Kera attempts to track the artists’ last-known movements.On a hunt that takes her from the underground art scene to a rogue domestic spying program, Kera finds her investigation on a deadly collision course with ONE Corp., the world’s largest multimedia conglomerate. As she’s drawn deeper into the investigation, she discovers that an enigmatic young ad exec, a wealthy playboy, and a mysterious website may connect the missing artists and ONE’s growing power. And with each discovery comes confirmation of a terrifying truth—no one’s secrets are safe.A smartly suspenseful and timely thriller, End of Secrets dives into the depths of our culture’s two most relentless obsessions: entertainment and profit.

    Until Nameless arrives—a vigilante whose past is a mystery and whose future is written in blood.Anyone who crosses Sheriff Russell Soakes is dead, missing, or warned. One of them is a single mother trying to protect her children but bracing herself for the worst. Nameless fears the outcome. He’s seen it in his visions. Now it’s time to teach the depraved Soakes a lesson in fear. But in turning predators into prey, will Nameless unearth a few secrets of his own?From #1 New York Times bestselling author Dean Koontz comes In the Heart of the Fire, part of Nameless, a riveting collection of short stories about a vigilante nomad, stripped of his memories and commissioned to kill. Follow him in each story, which can be read or listened to in a single sitting.

    He has found it in Mr. Anderson of British Intelligence.Bruno's African upbringing, and fluency in numerous African languages, has made him a top interpreter in London, useful to businesses, hospitals, diplomats-and spies. Working for Anderson in a clandestine facility known as the "Chat Room," Salvo (as he's known) translates intercepted phone calls, bugged recordings, snatched voice mail messages. When Anderson sends him to a mysterious island to interpret during a secret conference between Central African warlords, Bruno thinks he is helping Britain bring peace to a bloody corner of the world. But then he hears something he should not have....Building upon the box office success of le Carre's The Constant Gardener (like THE MISSION SONG, built around turmoil and conspiracy in Africa) and le Carre's laser eye for the complexity of the modern world (seen in Absolute Friends' prediction that the Iraq war would be based on phony and manipulated intelligence), this new novel is a crowning achievement, full of politics, heart, and the sort of suspense that nobody in the world does better.

    Who am I? My name is Christy Snow. I'm seventeen and I'm about to die. I'm buried in a coffin under tons of concrete. No one knows where I am. My heart sounds like a monster with clobber feet, running straight toward me. I'm lying on my back, soaked with sweat from the hair on my head to the soles of my feet. My hands and feet won't stop shaking.Some will say that I m not really here. Some will say I'm delusional. Some will say that I don t even exist. But who are they? I'm the one buried in a grave. My name is Christy Snow. I'm seventeen. I'm about to die.So who are you?In a return to the kind of storytelling that made Black, Showdown and Three unforgettable, New York Times bestselling author Ted Dekker drags that question into the light with this modern day parable about how we see ourselves. Humming with intensity and blindsided twists, Eyes Wide Open is raw adrenaline from the first page to the last pure escapism packed with inescapable truth. Not all is as it seems. Or is it? Strap yourself in for the ride of your life. Literally.

    Falling into a downward spiral of prostitution, drugs and drink, she is picked up by a journalist who has discovered that it was a bomb that caused the crash. And it is his murder that pulls her out of herself.The Rhythm Section is not a thriller about the hunt for a terrorist, although that is the path Stephanie takes, and it’s not a story about revenge, although justice for her family is her initial motivation. Rather, The Rhythm Section is the story of Stephanie’s attempt to reclaim herself. She has to rediscover who she is through a series of roles that she is forced to play; she is never herself. As a prostitute, she is Lisa, the chemical blonde. Later, she is Petra Reuter, German anarchist turned mercenary terrorist. Sometimes, she is Marina Gaudenzi, a Swiss businesswoman, or she’s Susan Branch, an American student, or Elizabeth Shepherd, an English management consultant.But whoever she is, she’s never herself because her life depends on her being someone else. This is the way she is trained by the intelligence service that recruits her, but it’s also the way she’s taught herself to be; being someone else has always worked for her and so it does now, until she begins to fall in love for the first time with Frank White. This undermines her completely and poses new questions: which of the many people she has become is the one to have fallen in love? Stephanie? Petra? Or one of the others? With whom has Frank fallen in love? Marina? Or the real Stephanie? More than anything, The Rhythm Section is about a catastrophic crisis of identity.