Memories of her life still glow in her fading consciousness, but she imagines writing a history of the world. Instead, Moon Tiger is her own history, the life of a strong, independent woman, with its often contentious relations with family and friends. At its center — forever frozen in time, the still point of her turning world — is the cruelly truncated affair with Tom, a British tank commander whom Claudia knew as a reporter in Egypt during World War II.

    Francis, realising the implications for the world of an ever-youthful, wealthy elite, wants to keep it secret, but Diana sees an opportunity to overturn the male status quo by using the lichen to inspire a feminist revolution.As each scientist wrestles with the implications and practicalities of exploiting the discovery, the world comes ever closer to learning the truth . . . Trouble With Lichen is a scintillating story of the power wielded by science in our lives and asks how much trust should we place in those we appoint to be its guardians?

    Mrs. Aubrey, a former concert pianist, struggles to keep the family afloat, but then she is something of a high-strung eccentric herself, as is all too clear to her daughter Rose, through whose loving but sometimes cruel eyes events are seen. Still, living on the edge holds the promise of the unexpected, and the Aubreys, who encounter furious poltergeists, turn up hidden masterpieces, and come to the aid of a murderess, will find that they have adventure to spare.In The Fountain Overflows, a 1957 best seller, Rebecca West transmuted her own volatile childhood into enduring art. This is an unvarnished but affectionate picture of an extraordinary family, in which a remarkable stylist and powerful intelligence surveys the elusive boundaries of childhood and adulthood, freedom and dependency, the ordinary and the occult.

    1, was conceived by Cicely Hamilton as a suffrage novel but then became a book about the First World War. Constance Maud knew Cicely Hamilton because both were members of the 400-strong Women Writers Suffrage League; she published No Surrender in November 1911 when the struggle for the vote was at its height.The narrative is faithful to real facts and incidents, with some of the main characters drawing on leading suffrage figures. One is based on Lady Constance Lytton and another, the heroine Jenny Clegg, is a Lancashire mill girl – thus putting paid to the myth that the suffrage movement was mainly middle-class: the main focus of the novel is on the strong support for women’s suffrage by women workers in the textile mills and on the prejudice against votes for women on the part of many of the men in the labour movement.When Emily Wilding Davison, who was to die in 1913 under the King’s horse at the Epsom Derby, reviewed No Surrender, she wrote: ‘There is scarcely a notable incident of the militant campaign which is left untouched. As we devour its pages, we once more review such unforgettable events as the Pantechnicon incident, the protest of the Grille, the Suffragette Fire-Engine, the sending of women by Express Post to the Prime Minister, and the final word-picture of the procession of 1910. But for vivid realism, the pictures of prison life, of the Hunger Strike and Forcible Feeding, are difficult to beat. It is a book which breathes the very spirit of the Women’s Movement.As Lydia Fellgett writes in her Persephone Preface: ‘A political novel cannot be successful without well-written characters: it is therefore also a love story between Jenny Clegg and the Independent Labour Party member Joe Hopton. And it is about powerful female friendship fostered through a common cause. But like most of the (surprisingly few) novels that emerged from the women’s suffrage movement, No Surrender’s importance comes from its documentation of social history; it is polemical but not without complexity; it accurately portrays the arguments of the anti-Suffragists alongside those of the heroines, and it is a passionate account, full of enthralling detail and political fervour.’

    Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you." On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra--a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight.In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end--a "happy" ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

    The autobiographical elements of the book are well documented. Its publication caused acute distress to Woolf’s family. Leonard’s sister, Bella, urged him to bury the novel, while his mother was shocked and mortified by unflattering portraits of herself and her neighbors. Two weeks after reading the novel, Virginia Woolf suffered the worst of her many breakdowns.As a roman à clef the novel holds considerable interest for its picture of Leonard and Virginia’s courtship, as well as its sketches of Vanessa Stephen and Clive Bell. (Virginia would later retell the story, from a much different perspective, in Night and Day.) But the novel offers the contemporary reader other rewards. It remains a witty, engaging satire about English society just before World War I and its conventions and prejudices. In Harry Davis, Woolf created a memorable Jewish antihero who rails against society’s conventions but tragically finds himself unable to escape them. Award-winning biographer Victoria Glendinning contributes a foreword to this new paperback edition.

    On the eve of the Great War, Millicent King begins to keep her journal and vividly records the dramas of everyday life in a family touched by war, tragedy, and money troubles. From bohemian London to Rome in the 1920s her story moves on to social work and the build-up to another war, in which she drives ambulances through the bombed streets of London.Here is twentieth-century woman in close-up coping with the tragedies and upheavals of women's lives from WWI to Greenham Common and beyond. A triumph of resolution and evocation, this is a beautifully observed story of an ordinary woman's life - a narrative where every word rings true.

    But Dyer plans to conceal a dark secret at the heart of each church - to create a forbidding architecture that will survive for eternity. Two hundred and fifty years later, London detective Nicholas Hawksmoor is investigating a series of gruesome murders on the sites of certain eighteenth-century churches - crimes that make no sense to the modern mind ...

    John Galsworthy, a Nobel Prize-winning author, chronicles the ebbing social power of the commercial upper-middle-class Forsyte family through three generations, beginning in Victorian London during the 1880s and ending in the early 1920s.

    It’s always been easier for Cara Hargraves to bury herself in the past than confront the present, which is why working with a gruff but brilliant antiques dealer is perfect. While clearing out an estate, she pries open an old tin that holds the relics of a lost relationship: among the treasures, a World War II-era diary and a photograph of a young woman in uniform. Eager to find the author of the hauntingly beautiful, unfinished diary, Cara digs into this soldier’s life, but soon realizes she may not have been ready for the stark reality of wartime London she finds within the pages. In 1941, nineteen-year-old Louise Keene’s life had been decided for her—she’ll wait at home in her Cornish village until her wealthy suitor returns from war to ask for her hand. But when Louise unexpectedly meets Flight Lieutenant Paul Bolton, a dashing RAF pilot stationed at a local base, everything changes. And changes again when Paul’s unit is deployed without warning. Desperate for a larger life, Louise joins the women’s branch of the British Army in the anti-aircraft gun unit as a Gunner Girl. As bombs fall on London, she and the other Gunner Girls relish in their duties to be exact in their calculations, and quick in their identification of enemy planes during air raids. The only thing that gets Louise through those dark, bullet-filled nights is knowing she and Paul will be together when the war is over. But when a bundle of her letters to him are returned unanswered, she learns that wartime romance can have a much darker side. Illuminating the story of these two women separated by generations and experience, Julia Kelly transports us to World War II London in this heartbreakingly beautiful novel through forgotten antique treasures, remembered triumphs, and fierce family ties.

    Lawrence's frank portrayal of an extramarital affair and the explicit sexual explorations of its central characters caused this controversial book, now considered a masterpiece, to be banned as pornography until 1960.

    He never made it. Desperate to find him, his mother begins a vigil that lasts for days, then weeks, then months. She is treated first as a tragic figure, then as a grief-crazed hysteric, then as a reminder of the bad fortune that can befall us all. Against all hope, despite false leads and the desertions of her friends and allies, she believes with all her heart that somehow, somewhere, Alex will be found alive.Beth Gutcheon builds a heartrending suspense that culminates in a climax you will never forget.

    Rikard von Holz is on the staff of the German Foreign Office--and secretly a member of the anti-Hitler resistance. The two men were friends at Oxford in the 1920s, but have not been in contact since. Now, when Guy flies with Chamberlain from London to Munich, and Rikard travels on Hitler's train overnight from Berlin, their paths are set on a disastrous collision course. And once again, Robert Harris gives us actual events of historical importance--here are Hitler, Chamberlain, Mussolini, Daladier--at the heart of an electrifying, un-put-downable novel.

     London, 1926. American-raised Maisie Musgrave is thrilled to land a job as a secretary at the upstart British Broadcasting Corporation, whose use of radio—still new, strange, and electrifying—is captivating the nation. But the hectic pace, smart young staff, and intimidating bosses only add to Maisie’s insecurity. Soon, she is seduced by the work—gaining confidence as she arranges broadcasts by the most famous writers, scientists, and politicians in Britain. She is also caught up in a growing conflict between her two bosses, John Reith, the formidable Director-General of the BBC, and Hilda Matheson, the extraordinary director of the hugely popular Talks programming, who each have very different visions of what radio should be. Under Hilda’s tutelage, Maisie discovers her talent, passion, and ambition. But when she unearths a shocking conspiracy, she and Hilda join forces to make their voices heard both on and off the air…and then face the dangerous consequences of telling the truth for a living.

    As the Cazalet households prepare for their summer pilgrimage to the family estate in Sussex, readers meet Edward, in love with but by no means faithful to his wife Villy; Hugh, wounded in the Great War; Rupert, who worships his lovely child-bride Zoe; and Rachel, the spinster sister.