As the band of Companions fight to keep the nations united against the Dark Queen, an unlikely leader arises.

    But now his rule is failing, and revolution is sweeping across the Empire's many islands.Lin is the emperor's daughter and spends her days trapped in a palace of locked doors and dark secrets. When her father refuses to recognise her as heir to the throne, she vows to prove her worth by mastering the forbidden art of bone shard magic.Yet such power carries a great cost, and when the revolution reaches the gates of the palace, Lin must decide how far she is willing to go to claim her birthright - and save her people.

    Vhalla has always been taught to fear the Tower of Sorcerers, a mysterious magic society, and has been happy in her quiet world of books. But after she unknowingly saves the life of one of the most powerful sorcerers of them all—the Crown Prince Aldrik—she finds herself enticed into his world. Now she must decide her future: Embrace her sorcery and leave the life she’s known, or eradicate her magic and remain as she’s always been. And with powerful forces lurking in the shadows, Vhalla’s indecision could cost her more than she ever imagined.

    Dark elf ranger Drizzt Do'Urden and his most trusted friends find themselves in the path of destruction. As blades slash and feet trample, even the heroes may not survive a desperate stand.

    They are never heard from again.After the chaos of the great Wizard Wars nearly a thousand years ago, the people turned their backs on magic. It was deemed evil. Those born with it will stop at nothing to remain hidden.In the north, a young boy is hunted by the Black Watch. Desperate to survive, he turns to the one thing he fears most. Magic. A young girl's affection for him forces her to pick up the sword. Her life may never be the same. In the east, a tortured prisoner vows to escape the White Tower. His sister’s life depends on it. And in the west, a captain fights to protect his king while shielding the woman he loves from the king's son.The world balances on the edge of a blade.Can a handful of wielders manage to change it?The first installment in the Aldoran Chronicles, a new epic fantasy saga filled with magic and monsters, sword and scorcery, heroes, villains, and those in between.

    But his latest mission tasks him and his master with a far more difficult challenge: to save a life. Someone, or many someones, is trying to kill the heir to the throne, and it is up to Girton and his master to uncover the traitor and prevent the prince's murder. In a kingdom on the brink of civil war and a castle thick with lies Girton finds friends he never expected, responsibilities he never wanted, and a conspiracy that could destroy an entire kingdom.

    A princess doomed by a witch to lose her “gravity” results in a silly heroine that has neither physical nor spiritual weight. George MacDonald’s masterful teaching on the subject of sacrificial love is delivered eloquently in the events and characters of this engaging story.

    Reformed thief Han Alister will do almost anything to eke out a living for his family. The only thing of value he has is something he can't sell—the thick silver cuffs he's worn since birth. They're clearly magicked—as he grows, they grow, and he's never been able to get them off.One day, Han and his clan friend, Dancer, confront three young wizards setting fire to the sacred mountain of Hanalea. Han takes an amulet from Micah Bayar, son of the High Wizard, to keep him from using it against them. Soon Han learns that the amulet has an evil history—it once belonged to the Demon King, the wizard who nearly destroyed the world a millennium ago. With a magical piece that powerful at stake, Han knows that the Bayars will stop at nothing to get it back.Meanwhile, Raisa ana'Marianna, princess heir of the Fells, has her own battles to fight. She's just returned to court after three years of freedom in the mountains—riding, hunting, and working the famous clan markets. Raisa wants to be more than an ornament in a glittering cage. She aspires to be like Hanalea—the legendary warrior queen who killed the Demon King and saved the world. But her mother has other plans for her...The Seven Realms tremble when the lives of Hans and Raisa collide, fanning the flames of the smoldering war between clans and wizards.

    Boasting lenticulars, an easy-to-assemble trading card pyramid, and full-color diagrams and maps, this deluxe, lavishly illustrated guide teaches readers how to compile secret messages, read hieroglyphics, and recite ancient magic spells. Featuring enough information and extras to satisfy avid followers and budding Egyptologists alike, this guide will cast a spell on readers of all ages.

    Frank Baum has been captivating the hearts of the young, and not so young, for over a hundred years.This delightful compilation includes all fifteen books written by L. Frank Baum:The Wonderful Wizard of OzThe Marvelous Land of OzOzma of OzDorothy and the Wizard in OzThe Road to OzThe Emerald City of OzThe Patchwork Girl Of OzLittle Wizard Stories of OzTik-Tok of OzThe Scarecrow Of OzRinkitink In OzThe Lost Princess Of OzThe Tin Woodman Of OzThe Magic of OzGlinda Of OzPerhaps there is no better, or fitting, introduction one could give to this compilation than the author's note that Baum himself writes in his very first book, "The Wonderful Wizard of Oz." Here he reveals the true intention of his work. Folklore, legends, myths and fairy tales have followed childhood through the ages, for every healthy youngster has a wholesome and instinctive love for stories fantastic, marvelous and manifestly unreal. The winged fairies of Grimm and Andersen have brought more happiness to childish hearts than all other human creations. Yet the old time fairy tale, having served for generations, may now be classed as "historical" in the children's library; for the time has come for a series of newer "wonder tales" in which the stereotyped genie, dwarf and fairy are eliminated, together with all the horrible and blood-curdling incidents devised by their authors to point a fearsome moral to each tale. Modern education includes morality; therefore the modern child seeks only entertainment in its wonder tales and gladly dispenses with all disagreeable incident. Having this thought in mind, the story of "The Wonderful Wizard of Oz" was written solely to please children of today. It aspires to being a modernized fairy tale, in which the wonderment and joy are retained and the heartaches and nightmares are left out.

    First into battle, then on great hunts, and finally for the pure sport of seeing who rode the fastest. Centuries of blood and fire carved their competition into a more modern spectacle: The Races.Over the course of a multi-day event, elite riders from clashing cultures vie to be crowned champion. But the modern version of the sport requires more than good riding. Competitors must be skilled at creating and controlling phoenix horses made of ash and alchemy, which are summoned back to life each sunrise with uniquely crafted powers to cover impossible distances and challenges before bursting into flames at sunset. But good alchemy only matters if a rider knows how to defend their phoenix horse at night. Murder is outlawed, but breaking bones and poisoning ashes? That's all legal and encouraged. In this year's Races, eleven riders will compete, but three of them have more to lose than the rest--a champion's daughter, a scholarship entrant, and a revolutionary's son. Who will attain their own dream of glory? Or will they all flame out in defeat?

    The mark of the one who would cause the downfall of Queen Bavmorda, and end her evil reign. If she survived...The ProphecyThe legend told the Queen that a child would be born who would destroy her. That prophecy was the Queen's greatest fear...and now it was about to come true. Unless she could stop it...The Power of MagicWillow Ufgood had always wanted to be a magician, to be wise and respected in the community. His dreams were about to come true...but in ways he could have never imagined.

    Orphaned, exiled and hunted, Cérulia, Princess of Weirandale, must master the magic that is her birthright, become a ruthless guerilla fighter, and transform into the queen she is destined to be.But to do it she must win the favor of the spirits who play in mortal affairs, assemble an unlikely group of rebels, and wrest the throne from a corrupt aristocracy whose rot has spread throughout her kingdom.

    In the kingdom of Mallon, all knowledge of the death god Arawn has been brutally quashed--but a teen named Dante has just found the dark god's holiest book.Within days, Dante's attacked in the streets. Not by the city guard. By Arawn's own servants, long-hidden. Two things save his life: a big-mouthed bodyguard named Blays, and his own growing skill with the nether, the shadowy power that fuels the world.But the attacks on Dante are just the first stirs of a larger threat. In the far north, Arawn's followers are rallied by a priestess named Samarand. Mallon is burning. To save their homeland, Dante and Blays will have to travel to a half-ruined city and assassinate the woman driving her people to war.

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends