Here he offers an unflinching account of the Arab-Israeli conflict, informed by his firsthand knowledge of the major characters and events.Clear-eyed and unsparing, Ben-Ami traces the twists and turns of the Middle East conflict and gives us behind-the-scenes accounts of the meetings in Oslo, Madrid, and Camp David. The author paints particularly trenchant portraits of key figures from Ben-Gurion to Bill Clinton. He is highly critical of both Ariel Sharon and the late Yasser Arafat, seeing Arafat's rejection of Clinton's peace plan as a crime against the Palestinian people. The author is also critical of President Bush's Middle East policy, which he calls a presumptuous grand strategy. Along the way, Ben-Ami highlights the many blunders on both sides, describing for instance how the great victory of the Six Day War launched many Israelis on a misbegotten messianic dream of controlling all the Biblical Jewish lands, which only served to make the Palestinian problem much worse. In contrast, it has only been when Israel has suffered setbacks that it has made moves towards peace. The best hope for the region, he concludes, is to create an international mandate in the Palestinian territories that would lead to the implementation of Clinton's two-state peace parameters.Scars of War, Wounds of Peace is a major work of history--with by far the most fair and balanced critique of Israel ever to come from one of its key officials. This paperback edition features a new Epilogue by the author featuring an analysis of the most recent events in the Israeli-Arab situation, from the disappearance of Ariel Sharon from public life to the emergence of Hamas and Israel's recent war against Hizballah. It is an absolute must-read for everyone who wants to understand the dynamics of the Arab-Israeli conflict.

    In this riveting book, Mark Steyn has compiled the thoughts of the world's scientists, in their own words, on hockey-stick creator Michael E Mann, his stick and their damage to science. From Canada to Finland, Scotland to China, Belgium to New Zealand, from venerable Nobel Laureates to energetic young researchers on all sides of the debate analyze the hockey stock and the wider climate wars it helped launch.

    Other conflicts are less bloody, but still dangerous - the nervous stand-off between India and Pakistan in Kashmir, for instance, or the continuing stalemate between North and South Korea. Whether explosive or simmering, the number of violent conflicts in the world is high enough to surprise, intrigue and sober any reader.In The World in Conflict, John Andrews tackles head-on the reasons why global conflict is ever-present in our lives. He analyses today's conflicts region by region, considering the causes, contexts, participants, impacts and likely outcomes. He looks at recently-ended wars that still spawn intermittent fighting. And, crucially, he considers where, why and how new conflicts might erupt.This is a must-read for our times, an essential guide for anyone who wants to know more about the world and its danger spots, and how and why war and terrorism persist - in short, how we might better understand our world in conflict.

    It is a healthy corrective to the overly aestheticised view of 20th century avant-gorde art that now prevails." City Limits." Much of the information is taken from obscure sources and the book is essential reading for anyone interested in the subject. It demystifies the political and artistic practices of opponents to the dominant culture and serves as a basic reference for a field largely undocumented in English. It is also engagingly honest, unpretentious, questioning and immediate in its impact" Artists Newsletter."Reflecting the uncategorisable aspect of art that hurls itself into visionary politics, the book will engage political scientists, performance artists and activists" Art and Text." Apocalyptic in the literal sense of the word: an uncovering, revelation, a vision" New Statesman." A concise introduction to a whole mess of troublemakers through the ages... well written, incisive and colourful" NME."Informative and provocative" Art Forum.

    This book is the true account of the small-town violence and terror which lies behind the headlines.

    He traveled to the mountains of Kurdistan to learn from Sufis, whose version of Islam exhorts nothing but tolerance and love. From the bustle of modern Tehran to the paradise gardens of Shiraz to the spectacular mosques and ancient palaces of Isfahan, Housden met Iranians who were warm, welcoming, generous, intellectually curious, and who would recite the poetry of Hafez or Rumi at the slightest opportunity. Saved By Beauty weaves a richly textured story of many threads. It is a deeply poetic and perceptive appreciation of a culture that has endured for over three thousand years, while it also portrays the creative and spiritual cultures within contemporary Iran that are rarely given any mention in the West. It is a suspense story that reflects on the philosophical and aesthetic questions of good and evil, truth and beauty. And finally, it is the story of a man in his sixties on a personal quest to discover if the Iran of his youthful imagination continued to exist, or whether it had been lost forever under a strict totalitarian regime. In Iran, Roger Housden was brought face to face with the reality that beauty and truth, deceit and violence, are inextricably mingled in the affairs of human life, and was forever changed.

     For several years, Andrew Marantz, a New Yorker staff writer, has been embedded in two worlds. The first is the world of social-media entrepreneurs, who, acting out of naïvete and reckless ambition, upended all traditional means of receiving and transmitting information. The second is the world of the people he calls "the gate crashers"—the conspiracists, white supremacists, and nihilist trolls who have become experts at using social media to advance their corrosive agenda. Antisocial ranges broadly—from the first mass-printed books to the trending hashtags of the present; from secret gatherings of neo-Fascists to the White House press briefing room—and traces how the unthinkable becomes thinkable, and then how it becomes reality. Combining the keen narrative detail of Bill Buford's Among the Thugs and the sweep of George Packer's The Unwinding, Antisocial reveals how the boundaries between technology, media, and politics have been erased, resulting in a deeply broken informational landscape—the landscape in which we all now live. Marantz shows how alienated young people are led down the rabbit hole of online radicalization, and how fringe ideas spread—from anonymous corners of social media to cable TV to the President's Twitter feed. Marantz also sits with the creators of social media as they start to reckon with the forces they've unleashed. Will they be able to solve the communication crisis they helped bring about, or are their interventions too little too late?

    It is also an attempt to predict how, under cover of shocks and crises, it could get a lot worse. And it’s a plan for how, if we keep our heads, we might just be able to flip the script and arrive at a radically better future.”–From the Introduction Donald Trump’s takeover of the White House is a dangerous escalation in a world of cascading crises. His reckless agenda—including a corporate coup in government, aggressive scapegoating and warmongering, and sweeping aside climate science to set off a fossil fuel frenzy—will generate waves of disasters and shocks to the economy, national security, and the environment. Acclaimed journalist, activist, and bestselling author Naomi Klein has spent two decades studying political shocks, climate change, and “brand bullies.” From this unique perspective, she argues that Trump is not an aberration but a logical extension of the worst, most dangerous trends of the past half-century—the very conditions that have unleashed a rising tide of white nationalism the world over. It is not enough, she tells us, to merely resist, to say “no.” Our historical moment demands more: a credible and inspiring “yes,” a roadmap to reclaiming the populist ground from those who would divide us—one that sets a bold course for winning the fair and caring world we want and need. This timely, urgent book from one of our most influential thinkers offers a bracing positive shock of its own, helping us understand just how we got here, and how we can, collectively, come together and heal.

    Some went on to create governments that were accountable to their constituents. We take these institutions for granted, but they are absent or are unable to perform in many of today’s developing countries—with often disastrous consequences for the rest of the world.Francis Fukuyama, author of the bestselling The End of History and the Last Man and one of our most important political thinkers, provides a sweeping account of how today’s basic political institutions developed. The first of a major two-volume work, The Origins of Political Order begins with politics among our primate ancestors and follows the story through the emergence of tribal societies, the growth of the first modern state in China, the beginning of the rule of law in India and the Middle East, and the development of political accountability in Europe up until the eve of the French Revolution.Drawing on a vast body of knowledge—history, evolutionary biology, archaeology, and economics—Fukuyama has produced a brilliant, provocative work that offers fresh insights on the origins of democratic societies and raises essential questions about the nature of politics and its discontents.

    Douglas Murray takes a step back and explores the deeper issues behind the continent's possible demise, from an atmosphere of mass terror attacks and a global refugee crisis to the steady erosion of our freedoms. He addresses the disappointing failure of multiculturalism, Angela Merkel’s U-turn on migration, and the Western fixation on guilt. Murray travels to Berlin, Paris, Scandinavia, and Greece to uncover the malaise at the very heart of the European culture, and to hear the stories of those who have arrived in Europe from far away.Declining birth rates, mass immigration, and cultivated self-distrust and self-hatred have come together to make Europeans unable to argue for themselves and incapable of resisting their own comprehensive alteration as a society and an eventual end. This sharp and incisive book ends up with two visions for a new Europe--one hopeful, one pessimistic--which paint a picture of Europe in crisis and offer a choice as to what, if anything, we can do next. But perhaps Spengler was right: "civilizations like humans are born, briefly flourish, decay, and die."

    Wade ruling, "abortion" is still a word that is said with outright hostility by many, despite the fact that one in three American women will have terminated at least one pregnancy by menopause. Even those who support a woman's right to an abortion often qualify their support by saying abortion is a "bad thing," an "agonizing decision," making the medical procedure so remote and radioactive that it takes it out of the world of the everyday, turning an act that is normal and necessary into something shameful and secretive. Meanwhile, with each passing day, the rights upheld by the Supreme Court are being systematically eroded by state laws designed to end abortion outright.In this urgent, controversial book, Katha Pollitt reframes abortion as a common part of a woman's reproductive life, one that should be accepted as a moral right with positive social implications. In Pro, Pollitt takes on the personhood argument, reaffirms the priority of a woman's life and health, and discusses why terminating a pregnancy can be a force for good for women, families, and society. It is time, Pollitt argues, that we reclaim the lives and the rights of women and mothers.

    Taken together, the essays speak in a voice of unique spirit, marked by compassion, clarity, and courage. Radical and superbly readable, they speak always in defense of the collective, of the individual and of the land, in the face of the destructive logic of financial, social, religious, military, and governmental elites.

    They deal with the artistic renaissance following the revolution, the contra war, and the writer's role in Latin America.

    In The Great Debate, Yuval Levin explores the origins of the left/right divide by examining the views of the men who best represented each side of that debate at its outset: Edmund Burke and Thomas Paine. In a groundbreaking exploration of the roots of our political order, Levin shows that American partisanship originated in the debates over the French Revolution, fueled by the fiery rhetoric of these ideological titans. Levin masterfully shows how Burke's and Paine’s differing views, a reforming conservatism and a restoring progressivism, continue to shape our current political discourse—on issues ranging from abortion to welfare, education, economics, and beyond. Essential reading for anyone seeking to understand Washington’s often acrimonious rifts, The Great Debate offers a profound examination of what conservatism, liberalism, and the debate between them truly amount to.

    1957) is widely known as an artist across media: sculpture, installation, photography, performance, and architecture. He is also one of the world's most important artist-activists and a powerful documentary filmmaker. His work and art call attention to attacks on democracy and free speech, abuses of human rights, and human displacement--often on an epic, international scale.This collection of quotations demonstrates the range of Ai Weiwei's thinking on humanity and mass migration, issues that have occupied him for decades. Selected from articles, interviews, and conversations, Ai Weiwei's words speak to the profound urgency of the global refugee crisis, the resilience and vulnerability of the human condition, and the role of art in providing a voice for the voiceless.Select quotations from the book:"This problem has such a long history, a human history. We are all refugees somehow, somewhere, and at some moment.""Allowing borders to determine your thinking is incompatible with the modern era.""Art is about aesthetics, about morals, about our beliefs in humanity. Without that there is simply no art.""I don't care what all people think. My work belongs to the people who have no voice."