But war is on its way . . . London, 1938. Hanna and Jack Foster had been sent to an orphanage when their parents were killed in a train crash, but were separated when a couple adopted Jack. Bullied and treated like a slave, it soon became clear it was a dreadful mistake. In desperation, Jack takes his future into his own hands and runs away to join the merchant navy, while Hanna takes a job looking after two children. For a time, life seems good, but war is looming and threatens to take away everything Hanna holds dear . . .

     Livy Prescott is a young wife dependent upon,beholden to, and manipulated by Celene, a slave. In 1860, Edward Prescott gallops into Livy Taylor’s life racing his carriage down the main street of her tiny Pennsylvania town, winning a bet and her heart. After they wed, Livy is swept away to Merrywood, Edward’s home in the hills of North Carolina. There Livy faces the daunting task of adjusting to her new life as Mistress of Merrywood and slave-owner. And there Livy encounters Celene, the beautiful slave cook of Merrywood, skilled in the healing arts and privy to the deepest secrets of the Prescotts. Gradually Livy learns the extent of Celene’s influence and the hold she maintains over her master, causing Livy to question who is the real mistress of Merrywood.

    Little does she know Rose has been stolen and given to a wealthy woman who, tricked into believing she's an orphan, adopts her and renames her Rosina. Worse still, it was all arranged by Daisy’s ruthlessly ambitious agent, Jack Fidler. Years later, when tragedy strikes, Rosina runs away to join a theatrical troupe and her natural talent for singing wins the hearts of the crowds. But this brings her into direct competition with one of the northern music halls’ established stars, Daisy Belle – and back into the path of Jack, who is determined to destroy her...

    Perfect for fans of Val McDermid, Karin Slaughter and Patricia Cornwell.'The Queen of Crime' - Woman & Home on Hard GirlsThe deadly DI Kate Burrows trilogy: the only time Martina's written from the Old Bill's perspective.Kate is the hard-but-fair copper whose investigations - and heart - become dangerously entwined with London's most infamous gangster, Patrick Kelly. But when there's a killer on the loose, Kate Burrows is the only woman for the job. THE LADYKILLER. BROKEN. HARD GIRLS.

    He's been her best friend since she was a child, and she can't imagine life without him. What shocks her, however, is the reaction of her mother and father. Annabel knows that her parents disapprove of her forthright opinions, but their displeasure is both unexpected and unaccountable. As they permit the engagement, however, she decides to put it out of her mind. But before she can be married, tragedy strikes, and only then does Annabel learn of the shocking secret that her parents have kept from her. Determined to learn more, she travels to Durham on a personal search that will change everything.

    The couple who survived the Great Hunger have had to watch more than half their family leave the parish. The responsibility to care for one another extends beyond blood or marriage ties for the McGrother family in New York, when a young Irishman goes missing in America. Back in Ireland, at a time when James and Mary least expect it, a family member returns - but not everyone is pleased with the reunion.

    

    She is put to work at the female factory of Parramatta; a place where the women’s only hope of food and lodgings is to offer their bodies to the settlement’s men. Nell is given shelter by Lieutenant Blackwell, a brooding soldier to whom she is inexplicably drawn. Despite warnings from the other women, Blackwell’s motives seem decent, and beneath the roof of a military officer, Nell sees a chance to become more than just a convict woman sent to the factory to be forgotten. But tensions are high in New South Wales, with the young colony teetering on the edge of a convict rebellion. And as Nell treads a dangerous line between obedience and power, she learns the role of a factory lass is to remain silent – or face a walk to the gallows.