Furious, he speeds away from the gates of his luxury home and life into the unknown. When he finds himself stranded on the side of the road in a remote village, his future looking bleak, his dreams wasted on a fairy tale that turned out to be a nightmare, he doesn’t expect the handsome but shaggy-looking bookshop owner, Nathan Marshall, to come to his rescue. A Divine Intervention if Charlie ever saw one.But the village is foreign land to glamour puss Charlie, who’s more at home in the bustling city, shopping for the latest trends. getting his hair coiffed and his nails buffed by his best friends, glamour girls Trinny, Kylie and Sasha than he is trekking through muddy hills in jeans and wellies. And Nathan’s never even seen the inside of a beauty salon, let alone considered having that tumbleweed on his chest waxed. How on earth can a queen even begin to craft himself into something fabulous in such dire circumstances?Hope seems lost until Charlie discovers that an amateur dramatics group are looking for budding stars to fill in two of their starring roles at the last minute. Could the village offer more than babbling streams, scenic moorland and the smell of horse manure? Could it offer a chance for Charlie to claim back the dreams he thought he’d lost? And, more importantly, could an unlikely romance be brewing on the horizon, even when the dark characters from this unlikely pairing’s pasts come back to make matters worse for them?A darkly comic look at love, death, dysfunctional family, emotional trauma and finding yourself, with a huge cast of characters. More than a romance. A story of self discovery. Gay romance. Gay romantic comedy.

    It’s given him a dim view of romance. When Parker’s ex escapes from a maximum security prison, LAPD Lieutenant Henry Stagge is tasked with making sure that Parker doesn’t end up a victim a second—and final—time. Most cops believe Parker got what he deserved, but over the course of a few very tense hours, Henry begins to wonder if there’s more to Parker than he thought. Second chances happen in the strangest places—and at the strangest times.

    His profession is buying, restoring and reselling small apartment buildings around Chicago. Gay and contentedly single at 38, he has, in addition to his globetrotting parents, a devoted sister, a police detective brother-in-law, two nieces and a nephew. Everything in his life is going along perfectly fine until he wakes in the hospital after being hit by a car aware of being watched by someone who isn't there. Despite being sure what happens next can be attributed to his injuries from the accident, Elliott is reluctantly, inexorably, drawn into the search to find a name for the unidentified murdered man who died next to him in the Emergency Room-and who killed him. His investigation takes him on a trail that leads from photographs to motor homes, a body hidden behind a wall for more than sixty years, old neighbors and old enemies, and a nun with a secret she does not know she holds. Along the way, Elliott also finds himself on the threshold of a new relationship with potential he never would have imagined. Elliott invites you to join him on his search in this first book of a new series by popular mystery author Dorien Grey, whose Dick Hardesty mystery series has included four finalists for a Lambda Literary Award.

    Through his eyes we encounter the composer Robert Christian Gustafson, an Iowa preacher's son whose good looks constitute both a mythic draw and a major limitation, and Angelina "Alabama" Byrnes, a failed deb, five feet tall but bristling with outsized talent.  These friends shelter each other, promote each other's work, and compete erotically.  When tragedy strikes, this circle grows up fast, somehow finding, at the worst of times, the truest sort of family.Funny and heartbreaking, as eventful as Dickens and as atmospheric as one of Fitzgerald's parties, Plays Well with Others combines a fable's high-noon energy with an elegy's evening grace.  Allan Gurganus's celebrated new novel is a lovesong to imperishable friendship, a hymn to a brilliant and now-vanished world.

    He lives in the exact center of center-less Los Angeles with his depressed father, Greg, and imaginative younger sister, Sandra. When Greg suddenly dies, more than everything changes and the relatively smooth orbits of family and friends are altered when Adam needs them most. In the middle of the drama, a man in uniform appears—and he is more than interested in Adam. This man, a policeman, is warm, witty and wise. He is 6 foot-something, dirty blond, and . . . well, he’s a California Boy trapped inside the body of a 38 year-old man. But how can Adam consider the possibility of a relationship when he is dealing with his father’s death, his friends’ (and his own) pre-pre-pre mid-life crises, his mother’s ambivalence, and his little sister’s need for him? Then again, how can he not?Half-Life is about being—or at least feeling—young and old at the same time. About loving, or wanting to love, but knowing that life and love are both as exuberant and seductive yet two-dimensional and illusory as a billboard along any of Los Angeles’s endless freeways.Aaron Krach has written for Time Out New York, Out magazine, InStyle, thePosition.com, CBSHealthwatch.com, The Independent Film and Video Monthly, TVTS, Oui, DOX: International Documentary Film, indieWIRE, A&U magazine Instinct, HX, The Villager, Downtown Express, and TWN (Florida). The former editor of Empire Magazine and arts editor of Gay City News, he is now the senior editor of Cargo magazine. He lives in New York City. Half-Life is his first novel.

    Due to obsessive-compulsive daily cleaning binges and a penchant for nightly online cruising for hookups, he finds his sales figures slipping despite a booming market. There's also his ongoing struggle to collect the rent from his passive-aggressive tenant and his worries about his best friend, Edward, whom he's certainly not in love with. Just as he decides to do something about his life, he meets Charlotte and Samuel, wealthy suburbanites looking for the perfect city apartment. "Happy couple," he writes in his notes. "Maybe I can learn something from them." What he ultimately discovers challenges his own assumptions about real estate, love, and desire—and what they learn from him might unravel a budding friendship, not to mention a very promising sale. Full of crackling dialogue delivered by a stellar ensemble of players, Alternatives to Sex is a smart, hilarious chronicle of life in post-traumatic, morally ambiguous America—where the desire to do good is constantly being tripped up by the need to feel good. Right now.

    In a brilliant reimagination of The Little Death, Lay Your Sleeping Head retains all the complexity and elegance of the plot of the original novel but deepens the themes of personal alienation and erotic obsession that both honored the traditions of the American crime novel and turned them on their head. Henry Rios, a gifted and humane lawyer driven to drink by professional failure and personal demons, meets a charming junky struggling to stay clean. He tells Rios an improbable tale of long-ago murders in his wealthy family. Rios is skeptical, but the erotic spark between them ignites an obsessive affair that ends only when the man’s body is discovered with a needle in his arm on the campus of a great California university. Rios refuses to believe his lover’s death was an accidental overdose. His hunt for the killer takes him down San Francisco’s mean streets and into Nob Hill mansions where he uncovers the secrets behind a legendary California fortune and the reason the man he loved had to die.

    Danny Black doesn’t exist. Danny Black is, in reality, anthropology professor Luke Littlefield. After moving to West Hollywood to teach, Luke realizes that no one takes pretty boys seriously. As Luke says, no one has ever asked him how many college degrees he has when he’s standing shirtless at a photo shoot. Luke puts on thick glasses and baggy clothing to appear more professional. Life seems routine and safe, that is until he meets British film star Ian Stoddard. Luke admits that he has no idea who Ian is, and Ian finds that fact appealing.When a decades old murder is uncovered at the college, Luke and his anthropology students take the opportunity to construct a case study. Can Luke maintain his two separate identities and solve a decades old murder, or will it all blow up in his face?

    He meets 31-year-old art professor Doriskos Klionarios, who was sold in infancy by his Greek prostitute mother to a British lord. Together they embark on an emotionally reckless courtship, made all the more difficult by social bigotry and human jealousy.

    A high school art history teacher, newly single and desperately lonely, he envies his queer students their freedom to live openly the youth he lost to fear and shame.   So when he runs into his childhood friend Oscar Burnham at a wedding in Washington, D.C., he can’t help but see it as a second chance. Now thirty-five, the men haven’t seen each other in a decade. But Oscar has no interest in their shared history. Instead, he’s outraged by what he sees as the death of gay culture: bars overrun with bachelorette parties; friends getting married, having babies. While Oscar and Sebastian struggle to find their place in a rapidly changing world, each is drawn into a cross-generational friendship that treads the line between envy and obsession: Sebastian with one of his students and Oscar with an older icon of the AIDS era. And as they collide again and again, both men must come reckon not just with one another, but with themselves. Rich with sharply drawn characters and contemporary detail, provocative, and emotionally profound, Let’s Get Back to the Party is sure to appeal to readers of Garth Greenwell, Alan Hollinghurst, Claire Messud, and Rebecca Makkai.

    It is a work of unmasking the cynical double moral standards of the Victorian era: The love of Camille and Teleny is shattered by social reprisals. The book was published in 1893 in 200 copies by Leonard Smithers who praised it as being "the most powerful and cleverly written erotic romance which has appeared in the English language" during that era, "a book that will certainly rank as the chief of its class."

    Internationally acclaimed, Lost and Delirious, is based on the bestselling novel, directed by Lea Pool and starring .It is 1963. Mary Bradford (a.k.a. Mouse) is thirteen when she is shipped off to Bath Ladies College. Mouse, motherless, a hunchback, enters the school feeling very much on its margins, determined never to fit in with the "normal" girls, never to succumb to the expectations of the elder role models: the spinster teachers, the elegant mothers of her schoolmates. She chooses her allies carefully: her hump, whom she calls Alice, and John F. Kennedy, to whom she writes long letters asking and giving advice.But the school itself is stranger than Mouse ever could have imagined. A secret underworld of tunnels beneath the buildings, stolen love letters, King Kong worship, and ghostlike apparitions - a world where young girls sometimes refuse to be simply "good little girls" - all lead Mouse into experiences, both terrifying and exciting, of an alternate reality for her sex. What begins as experimentation spins out of control, ending in a death that only Mouse can fully comprehend.Susan Swan has created in Mouse Bradford - wise, witty and vulnerable - an unforgettable heroine. The Wives of Bath is a novel that both moves the heart an astonishes the imagination.The internationally acclaimed film adaptation of the novel, Lost and Delirious, was released in 2001. Directed by Lea Pool, starring Piper Perabo, Jessica Paré, and Mischa Barton. Available on DVD and in movie stores.

    In three months, she will be declared legally dead and her fortune will go to Chicago's Catholic Archdiocese. Investigative journalist Mark Manning believes the missing heiress is still alive. To prove his case, he enters a world where religion and politics make uneasy bedfellows -- as he confronts the inescapable fact that he is gay.

    Seventeen-year-old Edward Zanni, a feckless Ferris Bueller–type, is Peter Panning his way through a carefree summer of magic and mischief. The fun comes to a halt, however, when Edward’s father remarries and refuses to pay for Edward to study acting at Juilliard.Edward’s truly in a bind. He’s ineligible for scholarships because his father earns too much. He’s unable to contact his mother because she’s somewhere in Peru trying to commune with Incan spirits. And, as a sure sign he’s destined for a life in the arts, Edward’s incapable of holding down a job. So he turns to his loyal (but immoral) misfit friends to help him steal the tuition money from his father, all the while practicing for his high school performance of Grease. Disguising themselves as nuns and priests, they merrily scheme their way through embezzlement, money laundering, identity theft, forgery, and blackmail. But, along the way, Edward also learns the value of friendship, hard work, and how you’re not really a man until you can beat up your father—metaphorically, that is.How I Paid for College is a farcical coming-of-age story that combines the first-person tone of David Sedaris with the byzantine plot twists of Armistead Maupin. It is a novel for anyone who has ever had a dream or a scheme, and it marks the introduction to an original and audacious talent.

    In the sleepy town of Athens, Georgia, a young man goes off to a college miseducation and is drawn into a world of rich vicarious living. The unspoken relationship between this adolescent and his luminous rock star boyfriend fast becomes the marking tale of world tours and plush continental hotel rooms. However, the relationship falters under celebrity's harsh, shape-shifting light. Real life fills in the outline of the boy's expectations.