Henry is a lawyer, an old-fashioned man, gay, successful, and lonely. Thalia, his stepdaughter from a misbegotten marriage, is now twenty-nine, an actress, hopeful and estranged from her newly widowed crackpot mother. Hoping it will lead to better things for her career, Thalia poses as the girlfriend of a former sitcom star and current horror-movie luminary who is down on his romantic luck. When Thalia and her complicated social life move into the basement of Henry's Upper West Side townhouse, she finds a champion in her long-lost father, and he finds new life--and maybe even new love--in the commotion.

    Soon he’s loitering around Wendell’s taxidermy shop, and the two come to understand their connection as love—a love that, in this time and place, can hold real danger. Cutting nearly all ties with the rest of the world, they make a home for themselves on the outskirts of town, a string of beloved dogs for company. Wendell cooks, Frank cares for the yard, and together they enjoy the vicarious drama of courtroom TV. But when Wendell finds Frank lying outside among their tomatoes at the age of eighty-three, he feels a new threat to their careful self-reliance. As Frank’s physical strength and his memory deteriorate, the two of them must fully confront the sacrifices they’ve made for each other—and the impending loss of the life they’ve built.Tender, gently funny, and gorgeously rendered, Hide is a love story of rare power.

    After twenty-seven years of marriage and three children, Annie has fallen in love with Viveca, the wealthy, cultured, confident Manhattan art dealer who orchestrated her professional success.Annie and Viveca plan to wed in the Oh family's hometown of Three Rivers, Connecticut, where gay marriage has recently been legalized. But the impending wedding provokes some very mixed reactions and opens a Pandora's box of toxic secrets—dark and painful truths that have festered below the surface of the Ohs' lives.We Are Water is an intricate and layered portrait of marriage, family, and the inexorable need for understanding and connection, told in the alternating voices of the Ohs—nonconformist Annie; her ex-husband, Orion, a psychologist; Ariane, the do-gooder daughter, and her twin, Andrew, the rebellious only son; and free-spirited Marissa, the youngest Oh. Set in New England and New York during the first years of the Obama presidency, it is also a portrait of modern America, exploring issues of class, changing social mores, the legacy of racial violence, and the nature of creativity and art.With humor and breathtaking compassion, Wally Lamb brilliantly captures the essence of human experience in vivid and unforgettable characters struggling to find hope and redemption in the aftermath of trauma and loss. We Are Water is vintage Wally Lamb—a compulsively readable, generous, and uplifting masterpiece that digs deep into the complexities of the human heart to explore the ways in which we search for love and meaning in our lives.

    A heavy snowstorm is blowing through Manhattan and the economy is on the brink of collapse, but none of that matters to a handful of guests at a posh holiday party. Five years after their college graduation, the fiercely devoted friends at the heart of this richly absorbing novel remain as inseparable as ever: editor and social butterfly Sara Sherman, her troubled astronomer boyfriend George Murphy, loudmouth poet Jacob Blaumann, classics major turned investment banker William Cho, and Irene Richmond, an enchanting artist with an inscrutable past.Amid cheerful revelry and free-flowing champagne, the friends toast themselves and the new year ahead—a year that holds many surprises in store. They must navigate ever-shifting relationships with the city and with one another, determined to push onward in pursuit of their precarious dreams. And when a devastating blow brings their momentum to a halt, the group is forced to reexamine their aspirations and chart new paths through unexpected losses.Kristopher Jansma’s award-winning debut novel, The Unchangeable Spots of Leopards, was praised for its  “wry humor” and “charmingly unreliable narrator” in The New Yorker and hailed as “F. Scott Fitzgerald meets Wes Anderson” by The Village Voice. In Why We Came to the City, Jansma offers an unforgettable exploration of friendships forged in the fires of ambition, passion, hope, and love. This glittering story of a generation coming of age is a sweeping, poignant triumph.

    At the center of the novel is Pooja Kapoor, a betrayed wife and mother who is forced to question her faith and marriage when she discovers that her banker husband Rahul has fallen in love with a young Muslim illegal immigrant man who happens to be their son’s age. Faced with the potential of losing faith in Rahul, divine intervention and family, she is forced to confront painful truths about the past and the duality in God and husband. The Two Krishnas draws inspiration from archetypal Hindu mythology and romantic Sufi poetry, evoking unforgettable characters to explore how, with a new world come new freedoms, and with them, the choices that could change everything we know about those we thought we knew – including ourselves.  “Shiraz immerses us in his gripping narrative as he delves into the nooks and crannies of human desire and explores both its splendor and the havoc it can wreak. A formidably intelligent and adept writer, he has stretched my understanding of a world I know very little about with this touching and masterfully written novel.”—Bapsi Sidhwa, author of Cracking India "The Two Krishnas is a powerful, sure footed novel of love, longing and loss that richly portrays life like no other work of fiction I've read. With his complex cast of characters and poetically drawn landscapes, Dhalla's talent shines and he shows us he's wise beyond his years.”—Mark Jude Poirier, author of Goats  ADVANCE PRAISE FOR THE TWO KRISHNAS “In The Two Krishnas, a novel filled with unexpected turns and beauty, Ghalib Shiraz Dhalla has examined with perceptive compassion the complex and heart-wrenching ties that bind families and the secret desires that pull them apart.”—Chitra Divakaruni, bestselling author of The Palace of Illusions “Shiraz immerses us in his gripping narrative as he delves into the nooks and crannies of human desire and explores both its splendor and the havoc it can wreak. A formidably intelligent and adept writer, he has stretched my understanding of a world I know very little about with this touching and masterfully written novel.”—Bapsi Sidhwa, author of New York Times Notable Novel Cracking India "Ghalib Shiraz Dhalla writes with a voice that is both agile and compassionate. He renders scenes of great emotion with equal parts passion and precision. At it's core, The Two Krishnas is a classic tale of tragic, forbidden love, but Dhalla infuses it with an astute discussion of Hindu culture that should appeal to a broad cross-section of readers.”—Christopher Rice, New York Times bestselling author of A Density of Souls and Blind Fall "The Two Krishnas is a powerful, sure footed novel of love, longing and loss that richly portrays life like no other work of fiction I've read. With his complex cast of characters and poetically drawn landscapes, Dhalla's talent shines and he shows us he's wise beyondhis years.”—Mark Jude Poirier, author of Goats and Modern Ranch Living

    He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep and disrupts his plans for personal redemption. With weeks to go until her due date, tough, ebullient Angel has fled her mother’s house, setting her life on a startling new path.Vivid, tender, funny, and beautifully rendered, The Five Wounds spans the baby’s first year as five generations of the Padilla family converge: Amadeo’s mother, Yolanda, reeling from a recent discovery; Angel’s mother, Marissa, whom Angel isn’t speaking to; and disapproving Tíve, Yolanda’s uncle and keeper of the family’s history. Each brings expectations that Amadeo, who often solves his problems with a beer in his hand, doesn’t think he can live up to.The Five Wounds is a miraculous debut novel from a writer whose stories have been hailed as “legitimate masterpieces” (New York Times). Kirstin Valdez Quade conjures characters that will linger long after the final page, bringing to life their struggles to parent children they may not be equipped to save.

    With shimmering prose and mesmerizing precision, David Chariandy takes us inside the lives of Michael and Francis. They are the sons of Trinidadian immigrants, their father has disappeared and their mother works double, sometimes triple shifts so her boys might fulfill the elusive promise of their adopted home. Coming of age in The Park, a cluster of town houses and leaning concrete towers in the disparaged outskirts of a sprawling city, Michael and Francis battle against the careless prejudices and low expectations that confront them as young men of black and brown ancestry -- teachers stream them into general classes; shopkeepers see them only as thieves; and strangers quicken their pace when the brothers are behind them. Always Michael and Francis escape into the cool air of the Rouge Valley, a scar of green wilderness that cuts through their neighbourhood, where they are free to imagine better lives for themselves. Propelled by the pulsing beats and styles of hip hop, Francis, the older of the two brothers, dreams of a future in music. Michael's dreams are of Aisha, the smartest girl in their high school whose own eyes are firmly set on a life elsewhere. But the bright hopes of all three are violently, irrevocably thwarted by a tragic shooting, and the police crackdown and suffocating suspicion that follow.With devastating emotional force David Chariandy, a unique and exciting voice in Canadian literature, crafts a heartbreaking and timely story about the profound love that exists between brothers and the senseless loss of lives cut short with the shot of a gun.

    Phil is the bright one, George the plodder. Phil is tall and angular; George is stocky and silent. Phil is a brilliant chess player, a voracious reader, an eloquent storyteller; George learns slowly, and devotes himself to the business.Phil is a vicious sadist, with a seething contempt for weakness to match his thirst for dominance; George has a gentle, loving soul. They sleep in the room they shared as boys, and so it has been for forty years. When George unexpectedly marries a young widow and brings her to live at the ranch, Phil begins a relentless campaign to destroy his brother's new wife. But he reckons without an unlikely protector.From its visceral first paragraph to its devastating twist of an ending, The Power of the Dog will hold you in its grip.WITH AN AFTERWORD BY ANNIE PROULX

    Now, like us, these three lost girls have grown up and are ready to guide us again, this time through the realms of our sexual awakening and fulfillment. Through their familiar fairy tales they share with us their most intimate revelations of desire in its many forms... revelations that shine out radiantly through the dark clouds of war gathering around a luxury Austrian hotel.Drawing on the rich heritage of erotica, Lost Girls is the rediscovery of the power of ecstatic writing and art in a sublime union that only the medium of comics can achieve. Exquisite, thoughtful, and human, Lost Girls is a work of breathtaking scope that challenges the very notion of art fettered by convention. This is erotic fiction at its finest.Similar to DC's Absolute editions of Watchmen and The League of Extraordinary Gentlemen, Lost Girls will be published as three, 112-page, super-deluxe, ovesized hardcover volumes, all sealed in a gorgeous slipcase. It will truly be an edition for the ages.

    Her story will both haunt and inspire him for the rest of his life. The Winter in Anna unfolds around a romance that almost was and a meditation on what constitutes a life well-lived. Set in a remote North Dakota community in the last days before the Internet, the story centers on this relationship. It is narrated by Eric as he looks back on their days together and struggles to reconcile his memories with what he has since learned about Anna.Opening with a suicide and ending at a wedding, The Winter in Anna is filled with moments of tenderness, even as it slowly reveals an unbearable tragedy at the heart of a quietly defiant life.