This collection of evocative and powerful poems from the pages of his phenomenal bestseller Dune echoes the richness found in Herbert's epic sagas of sandworms and mystical power struggles on the planet Arrakis.

    Along the way he's followed by Manitous, spirits of the forest who comment on his plight, cajoling, taunting, and ultimately offering him a type of comfort on his difficult journey back to the place he was so brutally removed from.Written by Scotiabank Giller Prize-winning author Joseph Boyden and beautifully illustrated by acclaimed artist Kent Monkman, Wenjack is a powerful and poignant look into the world of a residential school runaway trying to find his way home.

    In such poems as ‘Ode to My Sister’, ‘Ode of Broken Loyalty’, ‘Ode to My Whiteness’, ‘Blow Job Ode’, ‘Ode to the Last 38 Trees in New York City Visible from This Window’, Olds treats us to an intimate self-examination that, like all her work, is universal and by turns searing and charming in its honesty. From the early bodily joys and sorrows of her girlhood to the recent deaths of those dearest to her – the ‘Sheffield Mountain Ode’ for Galway Kinnell is one of the most stunning pieces here – Olds shapes her world in language that is startlingly fresh, profound in its conclusions, and life-giving for the reader.

    Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality the dangers experienced in skin and body and blood and a diagnosis of HIV positive. "Some of us are killed / in pieces," Smith writes, some of us all at once. Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America--"Dear White America"--where every day is too often a funeral and not often enough a miracle.

    Komal Kapoor uses her personal experience and astute social awareness as mechanisms to empower self-acceptance and promote cultural transparency.After prolific growth on social media, Komal Kapoor is utilizing her perceptive understanding of romance in the digital age to present her first collection of poems. Unfollowing You tells a chronological tale of a modern love through a series of poems, prose, texts, screen grabs, and unsent letters. Exploring digital phenomena like swipe culture and technological realities, Kapoor’s words affirm experiences and sentiment echoed across many media platforms. Unfollowing You is separated into two parts: “Following You” details how the two protagonists fall in love and “Unfollowing You” shares their heartbreak.  The realism of this collection will encourage readers to normalize growth and indulge in their feelings, even finding strength in them.

    He draws inspiration from censored histories, subsumed myths and invokes imagined voices from the exiled, demanding of the reader to witness the ubiquitous ideological fictions that surround us.This is one of the most dissonant and penetrating voices in Singapore poetry.A History of Amnesia is listed in the notable books list by the Kiriyama Pacific Rim Book Award (administered by University of San Francisco).

    It was a sample (and not even the correct file - it was an old rough draft that was saved under a new title), and Goodreads will not take it down. The Amazon link directs to the correct, and full, edition. "She is lost, but the world is too. It is a perfect circle.For life is, but a dream /// is not."- "Seeing Ghosts/A Perfect Circle" excerptA. H. SewellCopyright 2015

    Holding all accountable, this collection fully embraces the loss, grief, and abundant joy that come with charting one’s own path in identity, life, and love.In the HospitalMy mother was in the hospital & everyone wanted to be my friend.But I was busy making a list: good dog, bad citizen, shortskeleton, tall mocha. Typical Tuesday.My mother was in the hospital & no one wanted to be her friend.Everyone wanted to be soft cooing sympathies. Very reasonablepigeons. No one had the time & our solution to itwas to buy shinier watches. We were enamored withwhat our wrists could declare. My mother was in the hospital& I didn’t want to be her friend. Typical son. Tall latte, short tale,bad plot, great wifi in the atypical café. My mother was in the hospital& she didn’t want to be her friend. She wanted to be the familygrocery list. Low-fat yogurt, firm tofu. She didn’t trust my fatherto be it. You always forget something, she said, even whenI do the list for you. Even then.

    But when her great-grandson Jamie, the spitting image of her dear late husband, asks about his family tree, Winnifred can’t lie any longer, even if it means breaking a promise she made so long ago... 1936 Fifteen-year-old Winny has never known a real home. After running away from an abusive stepfather, she falls in with Mary, Jack, and their ragtag group of friends roaming the streets of Liverpool. When the children are caught stealing food, Winny and Mary are left in Dr. Barnardo’s Barkingside Home for Girls, a local home for orphans and forgotten children found in the city’s slums. At Barkingside, Winny learns she will soon join other boys and girls in a faraway place called Canada, where families and better lives await them. But Winny’s hopes are dashed when she is separated from her friends and sent to live with a family that has no use for another daughter. Instead, they have paid for an indentured servant to work on their farm. Faced with this harsh new reality, Winny clings to the belief that she will someday find her friends again. Inspired by true events, The Forgotten Home Child is a moving and heartbreaking novel about place, belonging, and family—the one we make for ourselves and its enduring power to draw us home.

    In lushly evocative language, Smart recounts her love affair with the poet George Barker with an operatic grandeur that takes in the tragedy of her passion; the suffering of Barker's wife;the children the lovers conceived. Accompanied in this edition by The Assumption of the Rogues and Rascals, a short novel that may be read as its sequel, By Grand Central Station I Sat Down and Wept has been hailed by critics worldwide as a work of sheer genius.

    divided into two parts, the anchor and the sail, "changing with the tides" touches on anxiety, insecurity, unhealthy relationships, loss, healing, positivity, and more. to the anchor:my head is still above water,though you wanted me to drown.even your weight around my anklescannot dragmedown.

    S. Merwin, Allen Ginsberg, and Lawrence Ferlinghetti. In work spanning 30 years (1955-1985), Parra, the pioneer of "antipoetry," remains fresh, bold, and inventive, deftly and humorously subverting convention. Editor David Unger brings together poems from Parra's groundbreaking collection Poemas y antipoemas, the witty aphorisms of Artefactos, and his original and uncompromising later work.

     Dark truths of his lustful past, revelations during his ongoing battle with heartbreak, and empowering words of wisdom leave readers with a renewed faith in a love they may have lost hope in finding. His signature way with words seasons all 178 pages of "I Still Want It" which will not only evoke a cocktail of emotions but leave the unforgettable and gratifying taste that Derrick is known for in his previous titles.

    A mother of twelve, Mary endured much tragedy and heartbreak?the pangs of racism, poverty, and the deaths of six children?but lived her life with extraordinary grace and courage. Years after her death, she continues to be a positive role model for Aboriginals across Canada. In 1997 she received the Order of Canada. This edition of "Stoney Creek Woman," one of Arsenal's all-time bestsellers, includes a new preface by author Bridget Moran, and new photographs. Shortlisted for the Roderick Haig-Brown Regional Prize Now in its 14th printing.

    As a writer, he produced The Importance of Being Earnest, one of the finest comedies in English, and other classic plays. His one novel, The Picture of Dorian Gray, is still widely read, as is "The Ballad of Reading Gaol," a powerful poetic indictment of the degradation and inhumanity of prison life.This carefully edited volume focuses on Wilde's poetic legacy. In addition to the title poem, readers will find twenty-three other important works: "The Sphinx," "The Grave of Keats," "Requiescat," "Impression du Matin," "Panthea," "Silentium Amoris," "The Harlot's House," "To L. L." and others. While Wilde's fame rests mainly on his achievements as a dramatist and critic, these poems offer important clues to the themes and subjects that preoccupied him in his other works.