Among her characters are some of the most remarkable portraits in English literature: Dorothea Brooke, the heroine, idealistic but naive; Rosamond Vincy, beautiful and egoistic: Edward Casaubon, the dry-as-dust scholar: Tertius Lydgate, the brilliant but morally-flawed physician: the passionate artist Will Ladislaw: and Fred Vincey and Mary Garth, childhood sweethearts whose charming courtship is one of the many humorous elements in the novel's rich comic vein.

    His novel is at once a major social document and a story that draws us irresistibly into the twilit world of Edwin Reardon, a struggling novelist, and his friends and acquaintances in Grub Street including Jasper Milvain, an ambitious journalist, and Alfred Yule, an embittered critic. Here Gissing brings to life the bitter battles (fought out in obscure garrets or in the Reading Room of the British Museum) between integrity and the dictates of the market place, the miseries of genteel poverty and the damage that failure and hardship do to human personality and relationships.

    They share their secrets and dreams, and help each other be strong when beloved Mother must leave to nurse Father, who is wounded in the Civil War. The passing years bring more adventures and romance—the first wedding, a broken heart, a trip to Europe—and the girls are young women. This book shows vividly the joys of growing up in a loving family.Cover illustration by Al Leiner.-from the back cover

    Lonely, bored, and disappointed in Cornelia’s lack of affection, Carl decides to answer an advertisement from the Serial-Letter Company, which promises real letters, delivering comfort and entertainment, from imaginary persons. Carl signs up for their love letter program, thinking he might have a bit of fun, and teach his fiancée a lesson in the process.But he never expects to be so utterly charmed and entertained as he is by his letter writer, “Molly Make-Believe.” As the winter drags on and Cornelia’s letters grow sparse and impersonal, Carl and Molly strike up a lively correspondence, and he finds himself falling in love with her. Carl becomes determined to uncover Molly’s true identity. But will she be everything he imagines her to be? Does she feel what he feels, or is she just playing a part? And what will Cornelia have to say about this when she comes home?Originally written in 1910 by one of the early twentieth century’s most prolific romantic authors, Molly Make-Believe is a sweet, old-fashioned romance delivered with Eleanor Hallowell Abbott’s sparkling wit and style, and sure to delight fans of classic romance.Bonus Content: Introduction, Image GalleryLegacy Vintage Collection Enhanced eBooks have been professionally edited for readability and professionally formatted for your favorite e-reader! View more on The Vintage Reader.

    What follows is a humorous and heartwarming tale of two lives.Splendidly written, Miss Widdemer's sentences dance and sparkle with the very rose-garden sunbeams—a fascinating and wholesome plot—this is a book to read and pass along to your friend who needs a reawakening, a good laugh, a day full of glad thoughts and surprises. Made into the 1917 film "A Wife on Trial".

    Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.One day, the most beloved thief of all arrives—Gentleman, an elegant con man, who carries with him an enticing proposition for Sue: If she wins a position as the maid to Maud Lilly, a naïve gentlewoman, and aids Gentleman in her seduction, then they will all share in Maud’s vast inheritance. Once the inheritance is secured, Maud will be disposed of—passed off as mad, and made to live out the rest of her days in a lunatic asylum.With dreams of paying back the kindness of her adopted family, Sue agrees to the plan. Once in, however, Sue begins to pity her helpless mark and care for Maud Lilly in unexpected ways...But no one and nothing is as it seems in this Dickensian novel of thrills and reversals.

    This incredible portrait of Erik--the Phantom--recreates his entire life, from his survival as a child in a carnival freak show to his creative genius behind the Paris Opera House--and its labyrinthine world below--to his discovery of love.

    Southworth was one of the most popular and prolific writers of the nineteenth century and her Capitola Black, or Black Cap - a cross-dressing, adventure-seeking girl-woman - was so well-loved that the book was serialized three times between 1859 and 1888 and was dramatized in forty different versions. When we first meet sharp and witty Capitola she is living among beggars and street urchins, and dressed as a boy because a boy can get work and be safe, whereas a girl is left to starve for want of "proper" employment. Unknown to her, Capitola has a very rich elderly guardian who finds her at a providential moment and takes her back to his palatial mansion where she finds herself "decomposing above ground for want of having my blood stirred." But not to fear. There are bandits, true-loves, evil men, long-lost mothers, and sweet women friends in Capitola's future - not to mention thunder storms, kidnap attempts, and duels. The pace is fast, the action wonderfully unbelievable. This is escape literature at its nineteenth-century best, with a woman at its center who makes you feel strong, daring, and reckless.

    A classic gothic romance, the story features an 18-year-old Miranda Wells who falls under the spell of a mysterious old mansion and its equally fascinating master. Tired of churning butter, weeding the garden patch, and receiving the dull young farmers who seek her hand in marriage, Miranda is excited by an invitation from the upstate New York estate of her distant relative, the intriguing Nicholas Van Ryn. Her passion is kindled by the icy fire of Nicholas, the last of the Van Ryns, and the luxury of Dragonwyck, and a way of life of which she has only dreamed. Dressed in satin and lace, she becomes part of Dragonwyck, with its Gothic towers, flowering gardens, acres of tenant farms, and dark, terrible secrets. This compelling novel paints a marvelous portrait of a country torn between freedom and feudal traditions; a country divided between the very wealthy and the very poor. Poor tenant farmers at Dragonwyck, the European royalty who visit, and American icons such as Edgar Allan Poe, Herman Melville, and the Astors are vividly brought to life. This is a heart-stopping story of a remarkable woman, her breathtaking passions, and the mystery and terror that await her in the magnificent hallways of Dragonwyck.

    Befriended by Donatello, a young Italian with the classical grace of the "Marble Faun," Miriam, Hilda, and Kenyon find their pursuit of art taking a sinister turn as Miriam's unhappy past precipitates the present into tragedy. Hawthorne's 'International Novel' dramatizes the confrontation of the Old World and the New and the uncertain relationship between the 'authentic' and the 'fake' in life as in art. The author's evocative descriptions of classic sites made The Marble Faun a favorite guidebook to Rome for Victorian tourists, but this richly ambiguous symbolic romance is also the story of a murder, and a parable of the Fall of Man. As the characters find their civilized existence disrupted by the awful consequences of impulse, Hawthorne leads his readers to question the value of Art and Culture and addresses the great evolutionary debate which was beginning to shake Victorian society.

    What happens next in this brilliantly crafted novel of literary suspense will change Emma Smith’s life forever—and ignite a dark, erotic drama of suspicion, loss, and awakening.In the year 1898, Emma makes a New Year’s resolution: to become a better person. So, under the tutelage of her novelist husband, she begins an innocent correspondence with Chance Wood, a man serving his sentence for the murder of his wife. But from the beginning, in words that shock and intrigue her, Chance dares Emma to unveil her unspoken thoughts and desires. And when Chance receives a pardon, Emma is set dangerously free. She will use her freedom—and Chance’s—to pursue the fantasies that have been swirling dizzily around her. Slowly, recklessly, Emma exchanges all that was familiar and safe for her new, dangerous double life. As the risks mount and a friend turns blackmailer, Emma cannot stop her fall. For once she has given in to her truest, basest desires, she cannot avoid the ones that come next.…

    It is the tale of a pair of young scholars researching the lives of two Victorian poets. As they uncover their letters, journals, and poems, and track their movements from London to Yorkshire—from spiritualist séances to the fairy-haunted far west of Brittany—what emerges is an extraordinary counterpoint of passions and ideas.Man Booker Prize Winner (1990)

    Jekyll and Mr. Hyde" Stevenson's famous exploration of humanity's basest capacity for evil, has become synonymous with the idea of a split personality. More than a moral tale, this dark psychological fantasy is also a product of its time, drawing on contemporary theories of class, evolution, criminality, and secret lives. Also in this volume are "The Body Snatcher," which charts the murky underside of Victorian medical practice, and "Olalla," a tale of vampirism and "The Beast Within" which features a beautiful woman at its center.This new edition features a critical introduction, chronology, suggestions for further reading, explanatory notes, and appendixes, including an abridged extract from "A Chapter on Dreams" and an essay on the scientific context of Jekyll and Hyde.

     London, 1853. Annie Stride is a beautiful, flame-haired young woman from the East End of London. She is also a whore. On a bleak January night Annie stands on Waterloo Bridge, watching the icy waters of the Thames writhe beneath her as she contemplates throwing herself in. At the last minute she's rescued by a handsome young man. Her saviour, Francis Maybrick Gill, is a talented artist. He takes Annie as his muse, painting her again and again and transforming her from a fallen woman into society's darling, taking her far away from her old life. But there is darkness underpinning Annie's lavish new lifestyle. In London and in Florence, prostitutes are being murdered. There's someone out there who knows who Annie really is - and they won't let her forget where she came from...

    And this child - her child and Angus's, would be a deformity on the face of the earth, a shame to its parents, a dishonour to its race.'First published in 1850, Olive traces its eponymous heroine's progress from her ill-starred birth to maturity as a painter and wife. The crippled child of parents who are disgusted by her physical 'imperfection', a curvature of the spine, Olive struggles to take her place in the world as artist and woman. Published three years after Jane Eyre, Olive's swift fictional response to Charlotte Bronte's novel raises questions of family, race and nation. This edition also includes 'The Half-Caste', a story that confronts questions of miscegenation and racial prejudice in Victorian Britain.