Once Mexicans had a sizable presence in a few select states like California, Texas, Arizona and New York; today the fastest growing populations are in places like North Carolina, Arkansas, Georgia and Tennessee.. What motivates people to risk their very lives, and why don't Mexicans just "play by the rules" and enter legally? How do they cope, living in a strange country among people that speak a language they can't understand? And after everything they have gone through, do they see immigration as a blessing, a curse, or something in between? There's No Jose Here allows Mexicans in the U.S. to speak in their own words. The central narrative follows Enrique, a 34-year-old livery cab driver who came to the US illegally at the age of 16 and has since seen his daughter lead poisoned, his mother abandoned in Mexico by his father, his cousin murdered on the streets of Brooklyn, and his best friend deployed to Iraq. This book gives readers a look into these stories as people struggle to survive in a new and often hostile land.

    The book is an analysis of physical suffering and its relation to the numerous vocabularies and cultural forces--literary, political, philosophical, medical, religious--that confront it. Elaine Scarry bases her study on a wide range of sources: literature and art, medical case histories, documents on torture compiled by Amnesty International, legal transcripts of personal injury trials, and military and strategic writings by such figures as Clausewitz, Churchill, Liddell Hart, and Kissinger, She weaves these into her discussion with an eloquence, humanity, and insight that recall the writings of Hannah Arendt and Jean-Paul Sartre. Scarry begins with the fact of pain's inexpressibility. Not only is physical pain enormously difficult to describe in words--confronted with it, Virginia Woolf once noted, "language runs dry"--it also actively destroys language, reducing sufferers in the most extreme instances to an inarticulate state of cries and moans. Scarry analyzes the political ramifications of deliberately inflicted pain, specifically in the cases of torture and warfare, and shows how to be fictive. From these actions of "unmaking" Scarry turns finally to the actions of "making"--the examples of artistic and cultural creation that work against pain and the debased uses that are made of it. Challenging and inventive, The Body in Pain is landmark work that promises to spark widespread debate.