Yet very little of Picabia's poetry and prose has been translated into English, and his literary experiments have never been the subject of close critical study. I Am a Beautiful Monster is the first definitive edition in English of Picabia's writings, gathering a sizable array of Picabia's poetry and prose and, most importantly, providing a critical context for it with an extensive introduction and detailed notes by the translator. Picabia's poetry and prose is belligerent, abstract, polemical, radical, and sometimes simply baffling. For too long, Picabia's writings have been presented as raw events, rule-breaking manifestations of inspirational carpe diem. This book reveals them to be something entirely different: maddening in their resistance to meaning, full of outrageous posturing, and hiding a frail, confused, and fitful personality behind egoistic bravura. I Am a Beautiful Monster provides the texts of of Picabia's significant publications, all presented complete, many of them accompanied by their original illustrations.

    It is a kaleidoscopic collage that whirls about an indelible array of images and characters: perverted Winky, who opted for the army to stay off of welfare; eccentric Payne, who’s obsessed with the film he’s making of the war; bucolic Claypool, who’s irrevocably doomed to a fate worse than death. Just to mention a few. And floating at the center of this psychedelic spin is Spec. 4 James Griffin. In country, Griffin studies the jungle of carpet bomb photos as he fights desperately to keep his grip on reality. And battling addiction stateside after his tour, he studies the green of household plants as he struggles mightily to get his sanity back. With mesmerizing action and Joycean interior monologues, Stephen Wright has created a book that is as much an homage to the darkness of war as it is a testament to the transcendence of art.

    The Weary Blues announced the arrival of a rare voice in American poetry. A literary descendant of Walt Whitman ("I, too, sing America," Hughes wrote), he chanted the joys and sorrows of black America in unprecedented language. A gifted lyricist, he offered rhythms and cadences that epitomized the particularities of African American creativity, especially jazz and the blues. His second volume, steeped in the blues and controversial because of its frankness, confirmed Hughes as a poet of uncompromising integrity. Then in the 1930s came Dear Lovely Death (1931) and the radical A New Song (1938). Poems such as "Good Morning Revolution" and "Let America Be America Again" made his pen one of the most forceful in America during the Great Depression.

    This latest edition includes new notes and exercises, and has a freshly designed, learning-friendly format that makes it more relevant and accessible to students of poetry in Southern Africa.

    Howard, and Shakespearean Romance by Walter Cohen. Like its parent volume, this concise edition gives students the vibrant introductions, readable single-column format, helpful glosses and notes, and extensive reference materials maps, a timeline, annotated bibliographies and film lists, documents that have made The Norton Shakespeare, Second Edition the best-selling classroom edition worldwide."

    In Tharoorosaurus, he shares fifty-three examples from his vocabulary: unusual words from every letter of the alphabet. You don't have to be a linguaphile to enjoy the fun facts and interesting anecdotes behind the words! Be ready to impress-and say goodbye to your hippopotomonstrosesquipedaliophobia!

    Amazing in its thematic range and stylistic breadth, his poetry "leaps continents and covers war and peace, intolerance and human striving . . . a passionate and essential edition of his collected poems" ( The New York Times).

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    The complete songbook from the greatest singer/songwriter of all time! Now with every song together in one giant volume, the ultimate Dylan songbook features over 329 tunes including all of his greatest hits as well as his lesser-known work. With melody line, chord symbols and full lyrics. Songs include: Blowin' in the Wind * Forever Young * Just Like a Woman * Mr. Tambourine Man * She Belongs to Me * Tangled Up in Blue * The Times They Are Changin' * Visions of Johanna * and hundreds more.

    It may also change the way you think about writing. Drawing on a mix of disciplines, including psychology, art, linguistics, and advertising, each chapter offers you a writing-related discussion, followed by a five-minute exercise. Whether you are a beginner writer, an experienced writer looking for new ideas, or you simply want to use writing to gain self-awareness, the book will help you to: * Access your inner self, the personal memories that reflect universal patterns of the total human narrative. * Gain fresh insight into the nature of stories and storytelling. * Recognise your own life as an inexhaustible source of story ideas. * Stimulate creative thought, including right-brain techniques for 'stepping outside the box'. * Escape writing blocks. * Establish an enjoyable writing routine. Just pick a page and begin your writer's journey.

    Every woman should know the feelings of being loved and radiating those feelings back to her mate. This is a beautiful expression of heartfelt emotion using short, gratifying sentiments. If there is a lover in you, you will not get enough of "Her."

    The form of the novel, reflecting the schizophrenia of the characters, is split into two sections--a narrative, and a diary annotated with those thoughts that provoked the entries.

    A town of spilled peaches fields its own game show. A mosquito fogger finds an unlikely friend. The stories in Mike Young's debut collection Look! Look! Feathers tap into the surreal and sad, the absurd and ragged dreams scratching at the edge of the American heart. Punks drive auctioned police cars, and necklaces of bluebird bones are sold from a roadside van. In these tales of the Pacific Northwest, Young finds magic burrowed under the moss of ordinary life.

    Illness set him free to write a series of philosophical fragments: some narratives, some single images, some parables. These “aphorisms” appeared, sometimes with a few words changed, in other writings–some of them as posthumous fragments published only after Kafka’s death in 1924. While working on K., his major book on Kafka, in the Bodleian Library, Roberto Calasso realized that the Zürau aphorisms, each written on a separate slip of very thin paper, numbered but unbound, represented something unique in Kafka’s opus–a work whose form he had created simultaneously with its content.The notebooks, freshly translated and laid out as Kafka had intended, are a distillation of Kafka at his most powerful and enigmatic. This lost jewel provides the reader with a fresh perspective on the collective work of a genius.

    Wily, witty and weird, often haunting, sometimes heartbreaking, [Frey's] poems…dive deep, for all their individual brevity.