In a New York of increasingly frequent superstorms and social unrest, he must reckon with his own mortality and the prospect of fatherhood in a city that might soon be underwater. A writer whose work Jonathan Franzen has called "hilarious . . . cracklingly intelligent . . . and original in every sentence," Lerner captures what it's like to be alive now, during the twilight of an empire, when the difficulty of imagining a future is changing our relationship to both the present and the past.

    On board are hundreds of refugees, some optimistic, many more desperate. Among them are a maid with a devastating secret, the bankrupt Lord Merridith, his wife and children, and a killer stalking the decks, hungry for the vengeance that will bring absolution. This journey will see many lives end, others begin anew. Passionate loves are tenderly recalled, shirked responsibilities regretted too late, and profound relationships shockingly revealed. In this spellbinding tale of tragedy and mercy, love and healing, the farther the ship sails toward the Promised Land, the more her passengers seem moored to a past that will never let them go. As urgently contemporary as it is historical, this exciting and compassionate novel builds with the pace of a thriller to a stunning conclusion.

    Ludo reads Homer in the original Greek at 4 before moving on to Hebrew, Japanese, Old Norse, and Inuit; studying advanced mathematical techniques (Fourier analysis and Laplace transformations); and, as the title hints, endlessly watching and analyzing Akira Kurosawa's masterpiece, The Seven Samurai. But the one question that eludes an answer is that of the name of his father: Sibylla believes the film obliquely provides the male role models that Ludo's genetic father cannot, and refuses to be drawn on the question of paternal identity. The child thinks differently, however, and eventually sets out on a search, one that leads him beyond the certainties of acquired knowledge into the complex and messy world of adults.The novel draws on themes topical and perennial--the hothousing of children, the familiar literary trope of the quest for the (absent) father--and as such, divides itself into two halves: the first describes Ludo's education, the second follows him in his search for his father and father figures. The first stresses a sacred, Apollonian pursuit of logic, precise (if wayward) erudition, and the erratic and endlessly fascinating architecture of languages, while the second moves this knowledge into the world of emotion, human ambitions, and their attendant frustrations and failures.The Last Samurai is about the pleasure of ideas, the rich varieties of human thought, the possibilities that life offers us, and, ultimately, the balance between the structures we make of the world and the chaos that it proffers in return. Stylistically, the novel mirrors this ambivalence: DeWitt's remarkable prose follows the shifts and breaks of human consciousness and memory, capturing the intrusions of unspoken thought that punctuate conversation while providing tantalizing disquisitions on, for example, Japanese grammar or the physics of aerodynamics. It is remarkable, profound, and often very funny. Arigato DeWitt-sensei. --Burhan Tufail

    There is, however, one conspicuous absence: Judd's wife, Jen, whose affair with his radio- shock-jock boss has recently become painfully public. Simultaneously mourning the demise of his father and his marriage, Judd joins his dysfunctional family as they reluctantly sit shiva and spend seven days and nights under the same roof. The week quickly spins out of control as longstanding grudges resurface, secrets are revealed and old passions are reawakened. Then Jen delivers the clincher: she's pregnant...“Often sidesplitting, mostly heartbreaking...[Tropper is] a more sincere, insightful version of Nick Hornby, that other master of male psyche.”—USA Today NOW A MAJOR MOTION PICTURE STARRING JASON BATEMAN, TINA FEY, JANE FONDA, AND ADAM DRIVER

    Traveling from Portsmouth to the south of France, Tarquin Winot, the book's snobbish narrator, instructs us in his philosophy on everything from the erotics of dislike to the psychology of the menu. Under the guise of completing a cookbook, Winot is in fact on a much more sinister mission that only gradually comes to light.

    As a young publisher, Hugh is sent to interview R., falls in love with Armande on the way, wrests her, after multiple humiliations, from a grinning Scandinavian and returns to NY with his bride... Eight years later - following a murder, a period of madness and a brief imprisonment - Hugh makes a lone sentimental journey to wheedle out his past... The several strands of dream, memory, and time [are] set off against the literary theorizing of R. and, more centrally, against the world of observable objects." Martin Amis

    Usually on a Greyhound bus, right before his life falls apart again. Just like he planned. But this time it's complicated: there's a sadistic corporate climber who thinks she's his girlfriend, a rent-subsidized affair with his landlord's wife, and the bizarrely appealing deaf assistant to Shane's cosmically unstable dentist. When one of the women is murdered, and Shane is the only suspect who doesn't care enough to act like he didn't do it, the question becomes just how he'll clear the good name he never had and doesn't particularly want: his own.

    The five weird and wonderful tales collected here each unlock the many-tongued language of desire, whether it takes the form of hunger, lust, sudden infatuation or the secret longings of the heart.Selected from Haruki’s Murakami’s short story collections The Elephant Vanishes, Blind Willow Sleeping Woman and Men Without Women.

    Music. DEATH TO THE BULLSHIT ARTISTS OF SOUTH TEXAS is a psychedelic romp through the Rio Grande Valley music scene. This collection of 10 punk rock fairy-tales offers a prismatic view of a subculture so rich that if it knew its own worth, it just might revolt against itself. This is the book you wish you had as a teenager, headphones on, waiting at a bus stop for a ride to the record store.

    A one-time teen detective in Brooklyn, she is a follower of the esoteric French detective Jacques Silette, whose mysterious handbook Détection inspired Claire’s unusual practices. Claire also has deep roots in New Orleans, where she was mentored by Silette’s student the brilliant Constance Darling—until Darling was murdered. When a respected DA goes missing she returns to the hurricane-ravaged city to find out why.

    St John Fox, celebrated novelist, hasn’t seen her in six years. He’s unprepared for her afternoon visit, not least because she doesn’t exist. He’s infatuated with her. But he also made her up.“You’re a villain,” she tells him. ‘A serial killer . . . can you grasp that?”Will Mr Fox meet his muse’s challenge, to stop murdering his heroines and explore something of love? What will his wife Daphne think of this sudden change in her husband? Can there be a happy ending – this time?

    For Gideon Mack, faithless minister, unfaithful husband and troubled soul, the existence of God, let alone the Devil, is no more credible than that of ghosts or fairies. Until the day he falls into a gorge and is rescued by someone who might just be Satan himself.Mack's testament - a compelling blend of memoir, legend, history, and, quite probably, madness - recounts one man's emotional crisis, disappearance, resurrection and death. It also transports you into an utterly mesmerising exploration of the very nature of belief.

    A highly regarded expert on housing for the elderly who is herself getting on in age, she drives “restlessly round England,” which is “her last love . . . She wants to see it all before she dies.” Amid the professional conferences she attends, she fits in visits to old friends, brings home-cooked dinners to her ex-husband, texts her son, who is grieving over the sudden death of his girlfriend, and drops in on her daughter, a quirky young woman who lives in a floodplain in the West Country. The space between vitality and mortality suddenly seems narrow, but Fran “is not ready to settle yet, with a cat upon her knee.” She still prizes her “frisson of autonomy,” her belief in herself as a dynamic individual doing meaningful work in the world.This dark and glittering novel moves back and forth between an interconnected group of family and friends in England, and a seemingly idyllic expat community in the Canary Islands. It is set against a backdrop of rising flood tides in Britain and the seismic fragility of the Canaries, where we also observe the flow of immigrants from an increasingly war-torn Middle East. With Margaret Drabble’s characteristic wit and deceptively simple prose, The Dark Flood Rises enthralls, entertains, and asks existential questions in equal measure. Of course, there is undeniable truth in Francesca’s insight: “Old age, it’s a fucking disaster!”

    It was to take place the following Sunday. But those who came to the rectory on Father Pennant's second day were the ones who could not resist seeing him sooner. Here was the man to whom they would confess the darkest things. It was important to feel him out. Mrs Young, for instance, after she had seen him eat a piece of her macaroni pie, quietly asked what he thought of adultery.André Alexis brings a modern sensibility and a new liveliness to an age-old genre, the pastoral.For his very first parish, Father Christopher Pennant is sent to the sleepy town of Barrow. With more sheep than people, it's very bucolic—too much Barrow Brew on Barrow Day is the rowdiest it gets. But things aren't so idyllic for Liz Denny, whose fiancé doesn't want to decide between Liz and his more worldly mistress Jane, and for Father Pennant himself, who greets some miracles of nature—mayors walking on water, talking sheep—with a profound crisis of faith.