So when she began her gender transition in 2016, she decided to use her popular webcomic, Up and Out, to process her journey and help others with similar struggles realize they weren’t alone. Julia’s poignant, relatable comics honestly depict her personal ups and downs while dealing with the various issues involved in transitioning—from struggling with self-acceptance and challenging societal expectations, to moments of self-love and joy. Super Late Bloomer both educates and inspires, as Julia faces her difficulties head-on and commits to being wholly, authentically who she was always meant to be

    Rip-off Red reads as a kind of Raymond Chandler for bad girls, as Acker's typical literary playfulness transforms the genre conventions of detective fiction into a book that is simultaneously a mystery and a personal, raunchy, and politically astute account of life in New York City. The Burning Bombing of America is a dystopian vision of the destruction of America, combining crypto-Socialist class critique with the visceral surreality of the Book of Revelation.

    VAUGHAN. Collecting 18 of the most shocking and impactful issues from the epic tale of Hazel and her star-crossed parents, this deluxe edition features a striking, all-new original cover from FIONA STAPLES, as well as exclusive, never-before-seen extras.Collects: Saga #37-54.

    They were also Whitman’s most adventurous explorations of the theme of same-sex love, composed decades before the word “homosexual” came into use. This revolutionary, extraordinarily beautiful and passionate cluster of poems was never published by Whitman and has remained unknown to the general public—until now. New York Times bestselling and Caldecott Award–winning illustrator Brian Selznick offers a provocative visual narrative of “Live Oak, With Moss,” and Whitman scholar Karen Karbiener reconstructs the story of the poetic cluster’s creation and destruction. Walt Whitman’s reassembled, reinterpreted Live Oak, With Moss serves as a source of inspiration and a cause for celebration.

    Immediately, Trystan and Biff took in one-year-old Hailey and three-year-old Lucas, becoming caregivers overnight to two tiny survivors of abuse and neglect.   From this unexpected start, the young couple built a loving marriage and happy home—learning to parent on the job. They adopted Hailey and Lucas, tied the knot, and soon decided to try for a baby that Trystan, who is transgender, would carry. Trystan’s groundbreaking pregnancy attracted media fanfare, and the family welcomed baby Leo in 2017.   In this inspiring memoir, Trystan shares his unique story alongside universal lessons that will help all parents through the trials of raising children. How We Do Family is a refreshing new take on family life for the LGBTQ community and beyond. Through every tough moment and touching memory, Trystan shows that more important than getting things right is doing them with love.

    Deeply researched and fully illustrated, this book demystifies an intensely personal—yet universal—facet of humanity. Illustrating a different concept on each spread, queer author and artist Iris Gottlieb touches on history, science, sociology, and her own experience. This book is an essential tool for understanding and contributing to a necessary cultural conversation, bringing clarity and reassurance to the sometimes confusing process of navigating ones' identity. Whether LGBTQ+, cisgender, or nonbinary, Seeing Gender is a must-read for intelligent, curious, want-to-be woke people who care about how we see and talk about gender and sexuality in the 21st century.

    Long Island, New York. Bored, restless, and lonely, Ali never expected her life would change as dramatically as it did the day she walked into the local Stop & Shop. But she’s never met anyone like Justine, the store’s cashier. Justine is so tall and thin she looks almost two-dimensional, and there’s a dazzling mischief in her wide smile. “Her smile lit me up and exposed me all at once,” Ali admits. “Justine was the light shining on me and the dark shadow it cast, and I wanted to stand there forever in the relief of that contrast.”Ali applies for a job on the spot, securing a place for herself in Justine’s glittering vicinity. As Justine takes Ali under her wing, Ali learns how best to bag groceries, what foods to eat (and not to eat), how to shoplift, who to admire, and who she can become outside of her cold home, where her inattentive grandmother hardly notices the changes in her. Ali becomes more and more fixated on Justine, reshaping herself in her new idol’s image, leading to a series of events that spiral from superficial to seismic.Justine, Forsyth Harmon’s illustrated debut, is an intimate and unflinching portrait of American girlhood at the edge of adulthood—one in which obsession hastens heartbreak.

    Featuring work by Margaret Atwood (The Heart Goes Last), Mariko Tamaki (This One Summer), Trina Robbins (Wonder Woman), Marguerite Bennett (Marvel's A-Force), Noelle Stevenson (Nimona), Marjorie Liu (Monstress), Carla Speed McNeil (Finder), and over fifty more creators. It's a compilation of tales told from both sides of the tables: from the fans who love video games, comics, and sci-fi to those that work behind the scenes: creators and industry insiders.

    Whether it’s hearing the wrong name called at her art school graduation ceremony or becoming a National Book Award finalist for her debut graphic novel, Nimona, Noelle captures the little and big moments that make up a real life, with a wit, wisdom, and vulnerability that are all her own.

    The play is a complex, often metaphorical, and at times symbolic examination of AIDS and homosexuality in America in the 1980s. Certain major and minor characters are supernatural beings (angels) or deceased persons (ghosts). The play contains multiple roles for several of the actors. Initially and primarily focusing on a gay couple in Manhattan, the play also has several other storylines, some of which occasionally intersect.

    After surviving a shipwreck, he finds work in a London theatre. There, his family flourishes for generations as brilliant actors until 1900, when young Leontes Marvel is banished from the stage.Nearly a century later, runaway Joseph Jervis seeks refuge with an uncle in London. Albert Nightingale's strange, beautiful house, with its mysterious portraits and ghostly presences, captivates Joseph and leads him on a search for clues about the house, his family, and the past.

    It follows a troubled teenage boy through the transformative years of high school as he redefines his friends, his interests, and his life path. When the boy's uncle, a police officer, gets kicked out of the family's basement apartment and transferred to the countryside, April moves in. She's a college student, mysterious and cool, and she quickly takes a shine to the boy. The boy's own interests quickly fade away: he stops engaging in casual sex, taking drugs, and testing the limits of socially acceptable (and legal) behavior. Instead, he hangs out with April and her friends, a bunch of highly evolved big kids who spend their days at the campus swimming pool. And slowly, the boy begins to change, too.Eerie and perfectly paced, DeForge's Big Kids muses on the complicated, and often contradictory, feelings people struggle with during adolescence, the choices we make to fit in, and the ways we survive times of change. Like Ant Colony and First Year Healthy, Big Kids is a testimony to the harshness and beauty of being alive.

    These dream babes, these ideal girls, these exquisite creatures are yours today. They surrender without discretion, with their immodesty and their mischievous pouts.

     This complete series box set includes The Chase, Volumes 1 through 4. The Chase, Volume 1 735 to 1. 735 = number of notches on his belt. 1 = the notch he couldn’t get. Who is he? Dean Chase. He loves the thrill. He loves the women. And above all, he loves the chase. But the one thing he doesn’t love is being tied down by a woman. To him, once the chase is over, it’s time to pull up his boxers and move on to the next target. That is until he meets Blair Parker. Blair is unlike any of the women under Dean’s belt. She’s confident, mysterious, and sassy. In Dean’s world, she’s the wicked curved ball he couldn’t figure out. She’s the first woman who always seems to be out of reach no matter how hard he chases. So when it comes to Blair, Dean couldn’t move on. Dean will need to change his ways in order to chase Blair down to make her the 736th notch on his belt. But will chasing after Blair become Dean’s undoing and end his love of the chase once and for all? The Chase, Volume 2 736 = the number of notches on my belt. 736 = the notch I can't get out of my head. 736 = the notch who leaves me wanting more than I’m prepared to give back. Who is 736? Blair Parker. She is unlike any women I have met before. She's powerful. She's feisty. She's headstrong. And above all, she’s the one I had to break my one and only rule to chase down. But there’s just one problem. She wants nothing to do with me before and after our night together. If that’s not enough, life then throws me another curve ball. I’m offered an opportunity of a lifetime. It’s an opportunity to achieve the success I’ve worked so hard for. It’s an opportunity anyone in my position would kill for. It’s an opportunity that I’d be crazy to say no to. But there is a catch. There is a price to pay. There is something I need to do in exchange for this opportunity. To be the youngest partner at the most prestigious international law firm, I need to make Blair the casualty of my success. The Chase, Volume 3 When the Blonde Bitch broke my heart ten years ago, I had vowed two things. One: I would never waste my time on loving someone again. Two: I would never have anything to do with the Blonde Bitch again. When I met my 736th notch, I broke that first vow. The minute I saw Blair, the second our eyes met, the microsecond I tasted her in my mouth, I knew that was the one vow I had to break. But the second vow, that I would keep. That vow I had control over. That vow I would take to my grave. But I couldn’t have been more wrong. Because Fate had other plans in mind. Fate was in on a cruel joke, and I was its target. The Chase, Volume 4 No one told me things would turn out this way. No one told me that to be honest with Blair, I had to break her heart.

    The majority of the photographs are from the 1970s when the sexual revolution first freed photographers to depict nude men.