Brezhnev sits like a stone in the Kremlin, Israel and Egypt are inching towards peace, and in the bustling, polyglot streets of Rome, strange new creatures have appeared: Soviet Jews who have escaped to freedom through a crack in the Iron Curtain. Among the thousands who have landed in Italy to secure visas for new lives in the West are the members of the Krasnansky family — three generations of Russian Jews. There is Samuil, an old Communist and Red Army veteran, who reluctantly leaves the country to which he has dedicated himself body and soul; Karl, his elder son, a man eager to embrace the opportunities emigration affords; Alec, his younger son, a carefree playboy for whom life has always been a game; and Polina, Alec's new wife, who has risked the most by breaking with her old family to join this new one. Together, they will spend six months in Rome — their way station and purgatory. They will immerse themselves in the carnival of emigration, in an Italy rife with love affairs and ruthless hustles, with dislocation and nostalgia, with the promise and peril of a new life. Through the unforgettable Krasnansky family, David Bezmozgis has created an intimate portrait of a tumultuous era. Written in precise, musical prose, The Free World is a stunning debut novel, a heartfelt multigenerational saga of great historical scope and even greater human debth. Enlarging on the themes of aspiration and exile that infused his critically acclaimed first collection, Natasha and Other Stories, The Free World establishes Bezmozgis as one of our most mature and accomplished storytellers.

    Carefully reassembled with calm, steady hands, these shards tell the story of an ordinary family that somehow managed to survive the myriad persecutions and repressions of the last century. The family’s pursuit of a quiet, civilized, ordinary life—during such atrocious times—is itself a strange odyssey.In dialogue with thinkers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various genres—essay, fiction, memoir, travelogue, and history—Stepanova assembles a vast panorama of ideas and personalities and offers a bold exploration of cultural and personal memory.

    The defining moment comes early, when Ned is city editor of his hometown paper. One of his beat reporters fields a tip: William Grant, the town haberdasher, married to the bank president’s daughter and father of two children, once served six years in Joliet. The story runs—Ned offers no resistance to his publisher's argument that the public has a right to know. The consequences, swift and shocking, haunt him throughout a long career, as he moves first to Chicago, where he engages in a spirited love affair that cannot, in the end, compete with the pull of the newsroom—“never lonely, especially when it was empty”—and the “subtle beauty” of the front page. Finally, as the editor of a major newspaper in post-Kennedy-era Washington, DC, Ned has reason to return to the question of privacy and its many violations—the gorgeously limned themes running through Ward Just’s elegiac and masterly new novel.

    Laugh out loud as they encounter ‘crocodiles’ on the wall, strange African customs and unintelligible Afrikaans accents. Cringe with them as their visiting in-laws embarrass them in front of their new SA friends.If you enjoyed Educating Rita and Shirley Valentine you will recognise Mavis Turner.Set in the 1970s, But Can You Drink The Water? uses subtle observational humour with an underlying pathos to portray the upsets, hurt and changing family dynamics that emigration brings. (The story is based on a 13-part sitcom) ReviewWith a droll, witty, utterly British voice, this manuscript tackles playfully and sincerely the age-old fish out of water tale. What sustains this book, however, is the narrative voice, the dry and self-deprecating humor, and the ability of this author to tell a story simply and well. Publisher’s Weekly reviewer for the ABNA semi-finals.

    We meet the Mishra family in Delhi in 1978, where eight-year-old Ajay and his older brother Birju play cricket in the streets, waiting for the day when their plane tickets will arrive and they and their mother can fly across the world and join their father in America. America to the Mishras is, indeed, everything they could have imagined and more: when automatic glass doors open before them, they feel that surely they must have been mistaken for somebody important. Pressing an elevator button and the elevator closing its doors and rising, they have a feeling of power at the fact that the elevator is obeying them. Life is extraordinary until tragedy strikes, leaving one brother severely brain-damaged and the other lost and virtually orphaned in a strange land. Ajay, the family's younger son, prays to a God he envisions as Superman, longing to find his place amid the ruins of his family's new life.Heart-wrenching and darkly funny, Family Life is a universal story of a boy torn between duty and his own survival."

    It's the eve of the sexual revolution, but in Juliet Montague's conservative Jewish community where only men can divorce women, she ­finds herself a living widow, invisible. Ever since her husband disappeared seven years ago, Juliet has been a hardworking single mother of two and unnaturally practical. But on her thirtieth birthday, that's all about to change. A wealthy young artist asks to paint her portrait, and Juliet, moved by the powerful desire to be seen, enters into the burgeoning art world of 1960s London, which will bring her fame, fortune, and a life-long love affair.