It’s a form of Severe Combined Immunodeficiency, but basically, I’m allergic to the world. I don’t leave my house, have not left my house in fifteen years. The only people I ever see are my mom and my nurse, Carla.But then one day, a moving truck arrives. New next door neighbors. I look out the window, and I see him. He’s tall, lean and wearing all black—black t-shirt, black jeans, black sneakers and a black knit cap that covers his hair completely. He catches me looking and stares at me. I stare right back. His name is Olly. I want to learn everything about him, and I do. I learn that he is funny and fierce. I learn that his eyes are Atlantic Ocean-blue and that his vice is stealing silverware. I learn that when I talk to him, my whole world opens up, and I feel myself starting to change—starting to want things. To want out of my bubble. To want everything, everything the world has to offer.Maybe we can’t predict the future, but we can predict some things. For example, I am certainly going to fall in love with Olly. It’s almost certainly going to be a disaster.

    So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls—and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost, and female in America—in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.

    It’s not until Travis runs into Harper, a girl he’s had a rocky relationship with since middle school, that life actually starts looking up. And as he and Harper see more of each other, he begins to pick his way through the minefield of family problems and post-traumatic stress to the possibility of a life that might resemble normal again. Travis’s dry sense of humor, and incredible sense of honor, make him an irresistible and eminently lovable hero.

    It's inevitable—each of her relationships starts with the perfect guy and ends with him falling in love . . . with someone else. But instead of feeling sorry for herself, Megan focuses on pursuing her next fling, directing theater, and fulfilling her dream college's acting requirement in the smallest role possible.So when she’s cast as Juliet (yes, that Juliet) in her high school’s production, it’s a complete nightmare. Megan’s not an actress, and she’s used to being upstaged—both in and out of the theater. In fact, with her mom off in Texas and her dad remarried and on to baby #2 with his new wife, Megan worries that, just like her exes, her family is moving on without her.Then she meets Owen Okita, an aspiring playwright inspired by Rosaline from Shakespeare's R+J. A character who, like Megan, knows a thing or two about short-lived relationships. Megan agrees to help Owen with his play in exchange for help catching the eye of a sexy stagehand/potential new boyfriend. Yet Megan finds herself growing closer to Owen, and wonders if he could be the Romeo she never expected.In their fresh and funny debut, Emily Wibberly and Austin Siegemund-Broka break down the high school drama to find there's always room for familial love, romantic love, and—most importantly—self-love.

    At the start of their senior year in high school, James (a girl with a boy’s name) and Kat are inseparable, but by graduation, they’re no longer friends. James prepares to head off to college as she reflects on the dissolution of her friendship with Kat while, in alternating chapters, Kat thinks about being newly in love with her first girlfriend and having a future that feels wide open. Over the course of senior year, Kat wants nothing more than James to continue to be her steady rock, as James worries that everything she believes about love and her future is a lie when her high-school sweetheart parents announce they’re getting a divorce. Funny, honest, and full of heart, We Used to Be Friends tells of the pains of growing up and growing apart.

    Books & Moore, the musty bookstore her family has owned for generations, is where she feels most herself. Nothing is going to stop her from coming back after college to take over the store from her beloved aunt.Nothing, that is—until a chain bookstore called Prologue opens across the street and threatens to shut them down.Madeline sets out to demolish the competition, but Jasper, the guy who works over at Prologue, seems intent on ruining her life. Not only is he taking her customers, he has the unbelievable audacity to be… extremely cute.But that doesn’t matter. Jasper is the enemy and he will be destroyed. After all—all’s fair in love and (book) wars.

    There are parties in abandoned houses. Canoe races down Main Street. The goal is to make the most of every minute they still have together.And for Keeley, that means taking one last shot at the boy she’s loved forever.There’s a weird sort of bravery that comes from knowing there’s nothing left to lose. You might do things you normally wouldn’t. Or say things you shouldn’t. The reward almost always outweighs the risk.Almost.It’s the end of Aberdeen, but the beginning of Keeley’s first love story. It just might not turn out the way she thought. Because it’s not always clear what’s worth fighting for and what you should let become a memory.

    But if she can just get through senior year, she'll be able to escape to college, too. What she doesn't count on is that her mother's obsession with weight has only grown deeper since her appearance on an extreme weight-loss show, and now Savvy's mom is pressuring her even harder to be constantly mindful of what she eats.Between her mom's diet-helicoptering, missing her sister, and worrying about her collegiate future, Savvy has enough to worry about. And then she meets George, the cute new kid at school who has insecurities of his own. As Savvy and George grow closer, they help each other discover how to live in the moment and enjoy the here and now before it disappears.

    Ruth has a secret that she can’t hide forever. Dora wonders if she can ever truly escape where she comes from, even when good luck strikes. Alyce is trying to reconcile her desire to dance, with the life she’s always known on her family’s fishing boat. Hank and his brothers decide it’s safer to run away than to stay home—until one of them ends up in terrible danger. Four very different lives are about to become entangled.

    Could there be a worse time to meet? Max's part-time job at a supermarket is about to transform into a hellish gauntlet. Jonah's preexisting anxiety is about to become an epic daily struggle. As Max, Jonah, and their friends live together but apart through hijinks, humanity, and heartbreak, Hello (From Here) cuts across urgent matters much bigger than a teenage crush. Differences of class, privilege, mental health, and sacrifice are thrown into stark relief by the profound and personal stresses of the COVID-19 pandemic. As thoughtful, probing, and informed as it is buoyant, romantic, and funny, Hello (From Here) looks at the first two months of the quarantine and adds falling hopelessly in love to the mess.

    With a mother who makes her feel unremarkable and a half-Japanese heritage she doesn’t quite understand, Kiko prefers to keep her head down, certain that once she makes it into her dream art school, Prism, her real life will begin. But then Kiko doesn’t get into Prism, at the same time her abusive uncle moves back in with her family. So when she receives an invitation from her childhood friend to leave her small town and tour art schools on the west coast, Kiko jumps at the opportunity in spite of the anxieties and fears that attempt to hold her back. And now that she is finally free to be her own person outside the constricting walls of her home life, Kiko learns life-changing truths about herself, her past, and how to be brave.From debut author Akemi Dawn Bowman comes a luminous, heartbreaking story of identity, family, and the beauty that emerges when we embrace our true selves.A William C. Morris Award Finalist; A New York Public Library Best Book for Teens of 2017; A Junior Library Guild Selection

    So when she's rejected not only by the Ivies, but her loathsome safety school, she is shocked and devastated. All the sacrifices her mother made to send her to prep school, the late nights cramming for tests, the blatantly resume-padding extracurriculars (read: Students for Sober Driving) ... all that for nothing.As Mischa grapples with the prospect of an increasingly uncertain future, she questions how this could have happened in the first place. Is it possible that her transcript was hacked? With the help of her best friend and sometimes crush, Nate, and a group of eccentric techies known as "The Ophelia Syndicate," Mischa launches an investigation that will shake the quiet community of Blanchard Prep to its stately brick foundations.

    Instead, it’s a complete disaster.The members of Nina's haphazardly formed radio team have approximately nothing in common. And to maximize the awkwardness her group includes Jamie, a childhood friend she'd hoped to basically avoid for the rest of her life.The show is a mess, internet rumors threaten to bring the wrath of two fandoms down on their heads, and to top it all off Nina's family is on the brink of some major upheaval.Everything feels like it's spiraling out of control―but maybe control is overrated?With the warmth, wit, intimate friendships, and heart-melting romance she brings to all her books, Emma Mills crafts a story about believing in yourself, owning your mistakes, and trusting in human connection in Lucky Caller.

    At the end of last summer, Quinn confessed her crush on him in the form of a rambling email—and then he left for college without a response.Quinn has been dreading seeing him again almost as much as she dreads another summer playing the harp for her parents’ weddings. When he shows up at the first wedding of the summer, looking cuter than ever after a year apart, they clash immediately. Tarek’s always loved the grand gestures in weddings—the flashier, the better—while Quinn can’t see them as anything but fake. Even as they can’t seem to have one civil conversation, Quinn’s thrown together with Tarek wedding after wedding, from performing a daring cake rescue to filling in for a missing bridesmaid and groomsman.Quinn can’t deny her feelings for him are still there, especially after she learns the truth about his silence, opens up about her own fears, and begins learning the art of harp-making from an enigmatic teacher.Maybe love isn’t the enemy after all—and maybe allowing herself to fall is the most honest thing Quinn’s ever done.

    But she doesn't feel like one. She feels angry. And lost. And alone. Eleven months after the school shooting that killed her twin brother, May still doesn't know why she was the only one to walk out of the band room that day. No one gets what she went through--no one saw and heard what she did. No one can possibly understand how it feels to be her. Zach lost his old life when his mother decided to defend the shooter. His girlfriend dumped him, his friends bailed, and now he spends his time hanging out with his little sister...and the one faithful friend who stuck around. His best friend is needy and demanding, but he won't let Zach disappear into himself. Which is how Zach ends up at band practice that night. The same night May goes with her best friend to audition for a new band. Which is how May meets Zach. And how Zach meets May. And how both might figure out that surviving could be an option after all.