Having lost faith in the most magical part of the year, her father, Jim, desperately tries to bring back the magic she has lost. When an unforeseen change of events takes over their little family on the morning of Christmas Eve, Jim's faith and spirits are really put to the test. Will the magic of Christmas be enough to bring back the joy to their family once more? Or will they really depend on a Christmas miracle?

    This collection will whisk you from Christmas season in steampunk London to Yule celebrations with the coven to Hanukkah celebrations with a supernatural twist. Battle Krampus, ghosts, vampires, demons, and a hell of an eggnog hangover in this special collection of paranormal, horror, urban fantasy, and steampunk holiday tales.PEPPERMINT AND PENTACLES: A Steampunk Christmas Fairy Tale by Melanie KarsakHELL'S SILVER BELLS by Margo Bond CollinsA HARKER CHRISTMAS by Erin HayesPOINSETTIAS and POLTERGEISTS: A Southern Stones Short by Blaire EdensHEARTLESS IN NEW ORLEANS by Pauline CreedenALL IS BRIGHT by Jayne FuryMISTLETOE AND MONSTERS by Katie HayozTHAT OLD FAMILIAR FEELING by S. K. Gregory'TWAS THE NIGHT by Evan WintersHOLIDAY MAGIC by Carrie L. WellsFESTIVAL OF GASLIGHTS by Bokerah BrumleyTHE GHOST OF CHRISTMAS PAST by Anna AlbergucciDAWN by T.K. BradleyTHE TOWN IN THE MOUNTAIN by Angelique Archer & J. MillsEGGNOG & EXORCISM by Deb Christie & Margo Bond CollinsHIGH TIDE HOLIDAY by Ella Malone

    He's landed at the bottom of his school's popularity ladder, and bully Randy Stanford seems to be waiting around every corner.The troubled teen thinks he's found a way to escape his real-world problems when he stumbles upon strange doorways in Astoria's local library that seem to lead into the extraordinary worlds from all his favorite books. Oz, Neverland, Wonderland -- they're all a reality with Wesley's new discovery. Wesley teams with best friend Taylor Williams to embark on a great adventure, both ready to leave the drama of middle school behind.But the two kids quickly find themselves embroiled in a centuries-old battle for the library and the magic hiding within. Now, fighting alongside the eccentric old man who's vowed to protect the building's power, the pair must help ward off an attack by a shadowy group with a strange tie to Wesley's nemesis, forcing Wesley to face the fears he's been dodging... and one of the most terrifying bullies of all time!

     *** Her gift is her curse. Her world is her prison. Her fate is bigger than she knows... In the hot and harsh farming world of Agricola, Cyra Drayton prepares to be tested. Along with all 16 year olds, she’s about to discover what duty she’ll hold for life. For most, their paths are set – they’ll follow in their parents’ footsteps. For Cyra, however, the little world she knows is about to become a whole lot different. Because Cyra isn’t just a normal girl. She’s got a special gift, a powerful ability, locked deep down inside. She doesn’t know it yet, but she’s to be sent to Eden, the most powerful of the sea cities. There, her true purpose will be discovered, a purpose that will change her world forever. And in time, she might just change the world for everyone else as well… *** Sign up to the author’s email list, and you’ll also get a free novella, told from the perspective of Jackson, one of the main characters. This novella is a perfect accompaniment for the series, and isn’t available anywhere else!

    Sublime and ridiculous, sentimental and searing, Christmas at The New Yorker is a gift of great writing and drawing by literary legends and laugh-out-loud cartoonists.Here are seasonal stories, poems, memoirs, and more, including such classics as John Cheever’s 1949 story “Christmas Is a Sad Season for the Poor,” about an elevator operator in a Park Avenue apartment building who experiences the fickle power of charity; John Updike’s “The Carol Sing,” in which a group of small-town carolers remember an exceptionally enthusiastic fellow singer (“How he would jubilate, how he would God-rest those merry gentlemen, how he would boom out when the male voices became King Wenceslas”); and Richard Ford’s acerbic and elegiac 1998 story “Crèche,” in which an unmarried Hollywood lawyer spends an unsettling holiday with her sister’s estranged husband and kids.Here, too, are S. J. Perelman’s 1936 “Waiting for Santy,” a playlet in the style of Clifford Odets labor drama (the setting: “The sweatshop of Santa Claus, North Pole”), and Vladimir Nabokov’s heartbreaking 1975 story “Christ-mas,” in which a father grieving for his lost son in a world “ghastly with sadness” sees a tiny miracle on Christmas Eve.And it wouldn’t be Christmas—or The New Yorker—without dozens of covers and cartoons by Addams, Arno, Chast, and others, or the mischievous verse of Roger Angell, Calvin Trillin, and Ogden Nash (“Do you know Mrs. Millard Fillmore Revere?/On her calendar, Christmas comes three hundred and sixty-five times a year”).From Jazz Age to New Age, E. B. White to Garrison Keillor, these works represent eighty years of wonderful keepsakes for Christmas, from The New Yorker to you.From the Hardcover edition.

    The tale was first published 21 December 1844 with "The Snow Queen" in Copenhagen, Denmark by C.A. Reitzel. One scholar indicates that "The Fir-Tree" was the first of Andersen's fairy tales to express a deep pessimism.

    I'm a witch working for a division of the government you've never heard about. The world's not what everyone thinks it is--unless you think that our world's a pawn in a game of chess between Heaven and Hell, and riddled with as much magic and wonder as it is with evil. In that case, the world is exactly what you think. My place of employment--the Office of Preternatural Affairs--takes a modern approach to an ages-old problem. It used to be that inquisitors would burn demons and the people in league with them. Now we get warrants, perform arrests, put the suspects on trial, and send guilty parties back to the Hell from whence they came with the travel forms filled out in triplicate.  This stuff I do with the OPA, it saves lives on most days.  Most days, I said. ABOUT WITCH HUNTThere are scratches on Cèsar Hawke's arms, a discharged Glock on his coffee table, and a dead woman in his bathtub. Yeah, maybe he brought the waitress home for some fun--he was too drunk to remember it--but he knows for a fact that he didn't kill her. He's an agent with the Office of Preternatural Affairs. He doesn't hurt people. He saves them.  The cops disagree. Now Cèsar is running. Isobel Stonecrow speaks with the dead. She brings closure to the bereaved and heals broken hearts. But when she talks to the wrong spirit, the OPA puts a bounty on her head. Tracking down Isobel is the last case assigned to Cèsar before he bolts. If he finds her, he can prove that he didn't kill that waitress. He can clear his name, get his job back, and bring justice to all those wronged families. She's just one witch. He's bagged a dozen witches before. How hard can one more be? ABOUT SILVER BULLETFormer private investigator Cèsar Hawke has one rule: He doesn't deal with dead bodies. That's why he enlisted with the Magical Violations Department in the Office of Preternatural Affairs. He's happy tracking down witches that commit petty crimes, but he leaves the homicides to other agents.  Except that he's been assigned to a new team--a team that handles special investigations--and the job has suddenly changed. Now Cèsar has to deal with dead bodies. He also has to deal with necromancers, murderous cults, and demons that can stop a man's heart with fear.  This isn't the job he signed up for, but it's the job he needs to do.  If he survives the first week.  ABOUT HOTTER THAN HELLTOWNA killer is mutilating bodies in Los Angeles. Agent Cèsar Hawke is on the case, but the murderer is ahead of him--way ahead of him.  Wiping the memories of the dead so that the team's necrocognitive can't talk to them? Done. Preventing magical reconstruction of the crime scenes? Oh yeah. And the murders keep getting more brutal while Cèsar struggles to catch up. The best way to heat up a cold case is to go to Helltown, where Los Angeles's most powerful evil hides out, but even those demons are afraid of the murderer. Their fear adds one more question to the growing pile of unknowns:  What kind of bad guy is too hot for Helltown?

    Howard's stories about Conan the Barbarian, published in Weird Tales magazine between 1933-1936 and features an interactive table of contents. Included are the stories: The Tower of the Elephant Rogues in the House Gods of the North Queen of the Black Coast Black Colossus Shadows in the Moonlight A Witch Shall Be Born Shadows in Zamboula The Devil in Iron The People of the Black Circle The Slithering Shadow The Pool of the Black One Red Nails Jewels of Gwahlur Beyond the Black River The Phoenix on the Sword The Scarlet Citadel The Hour of the Dragon Also you get: Cimmeria - a poem The Hyborian Age - Howard's essay on the world of Conan

    Martin and Gardner Dozois, with the full cooperation of Jack Vance, his family, and his agents, suggest a Jack Vance tribute anthology called Songs of the Dying Earth, to encourage the best of today's fantasy writers to return to the unique and evocative milieu of The Dying Earth, from which they and so many others have drawn so much inspiration, to create their own brand-new adventures in the world of Jack Vance s greatest novel.Half a century ago, Jack Vance created the world of the Dying Earth, and fantasy has never been the same. Now, for the first time ever, Jack has agreed to open this bizarre and darkly beautiful world to other fantasists, to play in as their very own. To say that other fantasy writers are excited by this prospect is a gross understatement; one has told us that he'd crawl through broken glass for the chance to write for the anthology, another that he'd gladly give up his right arm for the privilege that's the kind of regard in which Jack Vance and The Dying Earth are held by generations of his peers.

    12"* "For Want of a Nail"* "The Shocking Affair of the Dutch steamship Friesland"* "Salt of the Earth"* "American Changeling"* "The White Phoenix Feather"* "We Interrupt This Broadcast"* "Rockets Red" (A brand new story in the Lady Astronaut universe)* "The Lady Astronaut of Mars"

    (Child Ballad, no. 113)So begins a stunning tale of love, loss and revenge, against a powerful backdrop of adventure on the high seas, and drama on the land. The Blue Salt Road balances passion and loss, love and violence and draws on nature and folklore to weave a stunning modern mythology around a nameless, wild young man.Passion drew him to a new world, and trickery has kept him there - without his memories, separated from his own people. But as he finds his way in this dangerous new way of life, so he learns that his notions of home, and your people, might not be as fixed as he believed.Beautifully illustrated by Bonnie Helen Hawkins, this is a stunning and original modern fairytale.

    Feist. This bundle includes the complete Darkwar Trilogy.The bundle includes: Flight of the Night Hawks (1), Into a Dark Realm (2), Wrath of a Mad God (3).A new evil threatens Midkemia, its web stretching from the deepest criminal underworld all the way up to the highest seats of power in ancient Kesh.In the middle of the night on Sorcerer’s Isle, the powerful sorcerer Pug is awakened from a nightmare that portends destruction for all of Midkemia. A vast army of alien invaders is heading to Midkemia, an army so formidable that even the might of the Tsurani Empire might fall before its fury.

    Duperre, author of The Fall: The Rift Book I. Also contributing to this collection are the talented Mercedes M. Yardley, David Dalglish, David McAfee, and Daniel Pyle.

    By sending us to alternate universes and chronicling ordinary magic, introducing us to mythical beasts and talking animals, and engaging with a wide spectrum of emotion from tenderness to fear, each of these stories challenge the way we see our place in the cosmos. The Best American Science Fiction and Fantasy 2019 represents a wide range of the most accomplished voices working in science fiction and fantasy, in fiction, today—each story dazzles with ambition, striking prose, and the promise of the other and the unencountered.