This artfully assembled anthology of original fiction, nonfiction, and art can serve as an introduction to the Steampunk culture or provide dedicated fans with more fuel. Stories of outlandishly imaginative technologies, clockwork contraptions, eccentric heroines, and mad scientists are complemented by canon-defining nonfiction and an array of original illustrations. This collection showcases the most sensational Steampunk talents of the last decade, including Daniel Abraham, John Coulthart, William Gibson, and Margo Lanagan, and demonstrates exactly why the future of the past is so excitingly new.ContentsIntroduction: “What Is Steampunk?” by Jeff and Ann VanderMeer“The Cast Iron Kid” by Andrew Knighton“The Steam Dancer (1896)” by Caitlín R. Kiernan“The Anachronist’s Cookbook” by Catherynne M. Valente“Tanglefoot” by Cherie Priest“O One” by Chris Roberson“Balfour and Meriwether in the Adventure of the Emperor’s Vengeance” by Daniel Abraham“The Bold Explorer in the Place Beyond” by David Erik Nelson“The Strange Case of Mr. Salad Monday” by Geoffery D. Falksen“At the Intersection of Technology and Romance” by Jake von Slatt“The Future of Steampunk: A Roundtable Interview” by Jeff and Ann VanderMeer“Dr. Lash Remembers” by Jeffrey Ford“Lost Pages From The Encyclopdia of Victoriana” by Jess Nevins“As Recorded on Brass Cylinders: Adagio for Two Dancers” by Lisa Mantchev“A Serpent in the Gears” by Margaret Ronald“Machine Maid” by Margo Lanagan“Which Is Mightier, the Pen or the Parasol?” by Gail Carriger“The Unbecoming of Virgil Smythe” by Ramsey Shehadeh“Wild Copper” by Samantha Henderson“The Mechanical Aviary of Emperor Jalal-ud-din Muhammad Akbar” by Shweta Narayan“The Unblinking Eye” by Stephen Baxter“Lovelace & Babbage” by Sydney Padua“The Persecution Machine” by Tanith Lee“Flying Fish (Prometheus)” by Vilhelm Bergsøe“The Gernsback Continuum” by William Gibson

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    These stories feature cats, bees, wolves, dogs, and even that most capricious of animals, humans, and have been reprinted in The Year's Best Fantasy & Horror, Best Science Fiction and Fantasy of the Year, and The Secret History of Fantasy. Kij Johnson's stories have won the Sturgeon and World Fantasy awards. She has taught writing; worked at Tor, Dark Horse, and Microsoft; worked as a radio announcer; run bookstores; and waitressed in a strip bar.Contents:The Man Who Bridged the Mist (2011)Wolf Trapping (1989)The Empress Jingu Fishes (2004)The Bitey Cat (2012)Chenting, in the Land of the Dead (1999)My Wife Reincarnated as a Solitaire—Exposition on the Flaws in my Spouse's Character—The Nature of the Bird—The Possible Causes—Her Final Disposition (2007)Schrödinger's Cathouse (1993)Names for Water (2010)Fox Magic (1993)Spar (2009)The Horse Raiders (2000)26 Monkeys, Also the Abyss (2008)At the Mouth of the River of Bees (2003)The Evolution of Trickster Stories among the Dogs of North Park after the Change (2007)The Cat Who Walked a Thousand Miles (2009)Ponies (2010)

    The planet has been battered by war, its inhabitants plagued by disease and death. Few humans survived and remained unaffected. Most changed dramatically and evolved into something else entirely. Irrevocable alterations caused by chemical warfare have created a new species. North America is in ruins and has been overtaken. Humanity has fallen at the hands of mutants known as Urthmen. Seventeen year-old Avery is alive and unchanged. But she has not been immune to the harshness of the new world. She has lived on the run for much of her life, in terror. After losing her father, Avery is the sole guardian of her eight-year-old sister, June. Avery is now charged with June’s safety as well as her own, a nearly impossible task.Forced to hide deep in the forest and away from the cities overrun by Urthmen, Avery and her sister are constantly hunted. Danger awaits them at every turn. They fear they are the only human beings left, that they are the last of their kind. But are they truly alone?Find out in this raw and rousing first installment of the Planet Urth series.

    In “Mimsy Were the Borogoves”–the inspiration for New Line Cinema’s major motion picture The Last Mimzy–a boy finds a discarded box containing a treasure trove of curious objects. When he and his sister begin to play with these trinkets–including a crystal cube that magnifies the unimaginable and a strange doll with removable organs that don’t quite correspond to those of the human body–their parents grow concerned. And they should be. For the items are changing the way the children think and perceive the world around them–for better or worse. Ray Bradbury called Henry Kuttner “a man who shaped science fiction and fantasy in its most important years.” Marion Zimmer Bradley and Roger Zelazny said he was a major inspiration. Kuttner was a writer’s writer whose visionary works anticipated our own computer-controlled, machine-made world. At the time of his death at forty-two in 1958, he had created as many as 170 stories under more than a dozen pseudonyms–sometimes writing entire issues of science fiction magazines–in close collaboration with his wife, C. L. Moore. This definitive collection will be a revelation to those who wish to discover or rediscover Henry Kuttner, a true master of the universe.