Yet this formidable dominion never inspired the awe of its predecessor. Voltaire distilled the disdain of generations when he quipped it was neither holy, Roman, nor an empire. Yet as Peter Wilson shows, the Holy Roman Empire tells a millennial story of Europe better than the histories of individual nation-states. And its legacy can be seen today in debates over the nature of the European Union.Heart of Europe traces the Empire from its origins within Charlemagne’s kingdom in 800 to its demise in 1806. By the mid-tenth century its core rested in the German kingdom, and ultimately its territory stretched from France and Denmark to Italy and Poland. Yet the Empire remained stubbornly abstract, with no fixed capital and no common language or culture. The source of its continuity and legitimacy was the ideal of a unified Christian civilization, but this did not prevent emperors from clashing with the pope over supremacy―the nadir being the sack of Rome in 1527 that killed 147 Vatican soldiers.Though the title of Holy Roman Emperor retained prestige, rising states such as Austria and Prussia wielded power in a way the Empire could not. While it gradually lost the flexibility to cope with political, economic, and social changes, the Empire was far from being in crisis until the onslaught of the French revolutionary wars, when a crushing defeat by Napoleon at Austerlitz compelled Francis II to dissolve his realm.

    Richard, Duke of Gloucester, later to become King Richard III, takes possession of the castle upon his marriage to a wealthy heiress but this does nothing to diminish the love Christiana has for him. She bears the duke an illegitimate son and against all odds continues to live and work as a servant within the castle walls. Christiana’s devotion spans twenty four years and follows Richard’s fortunes from the north of England to the battlefields of the Wars of the Roses and his ultimate death. Christiana’s story does not end with the death of the king and she finds it within herself to carry on despite being a woman alone and destitute until she eventually finds the love and happiness that had always existed but never acknowledged. Based upon historical fact and recent new evidence that has come to light since the discovery of the mortal remains of Richard III this is a story that weaves a rich tapestry of life in Medieval England and portrays the much-maligned figure of King Richard in a more favourable light.

    In this landmark work he depicts the Italian city-states of Florence, Venice and Rome as providing the seeds of a new form of society, and traces the rise of the creative individual, from Dante to Michelangelo. A fascinating description of an era of cultural transition, this nineteenth-century masterpiece was to become the most influential interpretation of the Italian Renaissance, and anticipated ideas such as Nietzsche's concept of the 'Ubermensch' in its portrayal of an age of genius.

    The intellectual and spiritual worlds of women are also explored.Based on an abundance of research from the last twenty-five years, Medieval Women describes the diversity and vitality of English women's lives in the Middle Ages.

    Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself.Michelangelo is a virtual unknown when he returns to Florence and wins the commission to carve what will become one of the most famous sculptures of all time: David. Even though his impoverished family shuns him for being an artist, he is desperate to support them. Living at the foot of his misshapen block of marble, Michelangelo struggles until the stone finally begins to speak. Working against an impossible deadline, he begins his feverish carving.Meanwhile, Leonardo’s life is falling apart: he loses the hoped-for David commission; he can’t seem to finish any project; he is obsessed with his ungainly flying machine; he almost dies in war; his engineering designs disastrously fail; and he is haunted by a woman he has seen in the market—a merchant’s wife, whom he is finally commissioned to paint. Her name is Lisa, and she becomes his muse.Leonardo despises Michelangelo for his youth and lack of sophistication. Michelangelo both loathes and worships Leonardo’s genius.Oil and Marble is the story of their nearly forgotten rivalry. Storey brings early 16th-century Florence alive, and has entered with extraordinary empathy into the minds and souls of two Renaissance masters. The book is an art history thriller.

    This book gathers together all the crucial information needed for a study into the life of Lucrezia, including a detailed timeline, a biographical profile, an extensive description of her life in Rome, and a discussion of the Borgia family's legendary connection to poison. Optimized for navigation as an eBook, with a table of contents linked to every section, this book also features a broad collection of texts regarding Lucrezia and her notorious family. INCLUDED INSIDE: - Lucretia Borgia: According To Original Documents and Correspondence of Her Day by Ferdinand Gregorovius - The Borgias by Alexander Dumas (from 'Celebrated Crimes') - The Life of Cesare Borgia by Rafael Sabatini - Lucrezia Borgia, libretto by Felice Romani for the Opera by Gaetano Donizetti (in Italian) - Encyclopedia Britannica articles (11th edition) on Lucrezia Borgia and Cesare Borgia - Love Letter From Pietro Bembo to Lucrezia Borgia BONUS FEATURE: - An exclusive excerpt of M. G. Scarsbrook's novel POISON IN THE BLOOD: THE MEMOIRS OF LUCREZIA BORGIA, an historical thriller featuring Lucrezia Borgia fighting to save her husband from assassination by her powerful family.

    Traces the lives of the famous Italian family, discusses their influence in religion and politics, and looks at period in which they lived.

    In this compact book, David Herlihy makes bold yet subtle and subversive inquiries that challenge historical thinking about this disastrous period. As in a finely tuned detective story, he upturns intriguing bits of epidemiological evidence. And, looking beyond the view of the Black Death as unmitigated catastrophe, Herlihy sees in it the birth of technological advance as societies struggled to create labor-saving devices in the wake of population losses. New evidence for the plague's role in the establishment of universities, the spread of Christianity, the dissemination of vernacular cultures, and even the rise of nationalism demonstrates that this cataclysmic event marked a true turning point in history.

    Sixteen-year-old Silvano da Montacuto has wealth, good looks, and a new hawk-but none of these can save him when his bloody dagger is found near a dead body. For his own protection, he is sent to a Franciscan House, where he poses as a novice, or a young monk. There, he lays eyes on Chiara, a lovely novice at a nearby abbey who is also living in secret. When they fall in love, their secret identities make it impossible to reveal their feelings to one another.Murder seems to have followed Silvano, and soon several other dead bodies turn up. Who is committing the crimes? Will a young man accused of multiple murders be able to clear himself? And what about the girl he adores? Fans of Mary Hoffman's critically acclaimed Stravaganza series won't be disappointed in the romance, colorful web of intrigue, and rich, marvelous setting.

    The only unabridged prose translation of Ariosto's Orlando Furioso - a witty parody of the chivalric legends of Charlemagne and the Saracen invasion of France - this version faithfully recaptures the entire narrative and the subtle meanings behind it.

    But as the Black Death reaches its hand into his uncle’s workshop, young Tonino is faced with making a choice to survive. From the author of THE GONDOLA MAKER and MADE IN VENICE comes a short tale of pestilence, Venetian artisanship, and the will to live.

    F. C. Fuller, a pioneer of mechanized warfare in Great Britain, was one of this century's most renowned military strategists and historians. In this magisterial work he spans military history from the Greeks to the end of World War II, describing tactics, battle lines, the day-to-day struggles while always relating affairs on the field to the larger questions of social, political, and economic change in Western civilization. A masterpiece of scholarship and biting prose, these volumes are available for the first time in a handsome trade paperback edition. This first volume includes the rise of imperialism, the major battles, and the political and social changes from Greece, Rome, the Carolingian Empire, Byzantium, the siege and fall of Constantinople in 1453, to the rise of the Spanish and Ottoman Empires and the Battle of Lepanto in 1571.

    Although he bears one of the most notorious names in all of Italy, Giovanni doesn't know his parentage. Is Cesare Borgia his father or his brother? Or is he no relation at all? Is Lucrezia Borgia his mother or his sister -- or possibly both? Hella Haasse uses the ferment and intrigue of the Italian Wars -- during which French, Swiss, Spanish and German armies surged into Italy -- as a backdrop for Giovanni's agonizing quest for his identiy.Giovanni's search introduces us to some of the most intriguing people of the times: Machiavelli, Michelangelo, Vittoria Colonna and Lucrezia Borgia. Hella Haasse draws each with great depth and brilliant color.

    From grisly anecdotes about ghosts, to stories of witches and werewolves, the book uses case studies from the Middle Ages and the early modern period and provides fascinating insights into the world-view of a vanished age. It shows how such occurences fitted in quite naturally with the "common sense" of the time and offers explanations of these riveting and ultimately rational phenomena. What made reasonable, educated men and women behave in ways that seem utterly nonsensical to us today? This question and many more are answered in the fascinating book.

    The arrival of the charismatic Venetian ambassador, Bernardo Bembo, introduces Ginevra to a dazzling circle of patrons, artists, and philosophers. Bembo chooses Ginevra as his Platonic muse and commissions a portrait of her by a young Leonardo da Vinci. Posing for the brilliant painter inspires an intimate connection between them, one Ginevra only begins to understand. In a rich and vivid world of exquisite art with a dangerous underbelly of deadly political feuds, Ginevra faces many challenges to discover her voice and artistic companionship—and to find love.