This masterpiece of science fiction is the fascinating story of Griffin, a scientist who creates a serum to render himself invisible, and his descent into madness that follows.

     DO GHOSTS EXIST? PERHAPS, IF THEY HAVE A MURDEROUS SECRET TO TELL. Newly-widowed Effie James is asked by her old friend Duncan, a psychology professor, to help him with his latest book. Her task is to join the C-Fits, a paranormal investigation team, on their ghost-watching vigils and report back to Duncan. Corwin Fielding, the attractive and erudite leader of the paranormal researchers has no objections to an ‘impartial’ observer on his team, and the others in the group are a friendly and welcoming bunch. The C-Fits are called in by Isabel Atkins. She is worried that her recently deceased mother might be haunting her old family home. Effie quickly finds herself thrown in at the deep end. THE SCENT OF LAVENDER MYSTERIOUSLY COMES AND GOES IN THE OLD LADY'S BEDROOM. But Effie comes to suspect that the old lady might not have died of natural causes after all. And that her killer might not take very kindly to the idea of a group of strangers poking their noses in . . . IN A COSY OXFORDSHIRE VILLAGE SOMETHING IS VERY WRONG. FAITH MARTIN is the two-million-selling author of the DETECTIVE HILLARY GREENE and JENNY STARLING mysteries, which have topped the global best-seller charts. More FAITH MARTIN books coming soon. Join the Joffe Books mailing list to be the first to hear about the next in the series. MONICA NOBLE MYSTERIES Book 1: THE VICARAGE MURDER Book 2: THE FLOWER SHOW MURDER Book 3: THE MANOR HOUSE MURDER JENNY STARLING MYSTERIES Book 1: THE BIRTHDAY MYSTERY Book 2: THE WINTER MYSTERY Book 3: THE RIVERBOAT MYSTERY Book 4: THE CASTLE MYSTERY Book 5: THE OXFORD MYSTERY Book 6: THE TEATIME MYSTERY Book 7: THE COUNTRY INN MYSTERY

    The poem recounts Venus' attempts to woo Adonis, their passionate coupling, and Adonis' rejection of the goddess, to which she responds with jealousy, with tragic results.

    By the end of the Second World War, however, the reputation of both novels had grown and Faulkner's great fictional creation, Yoknapatawpha County, had become as much a part of America as any real area of the Mississippi landscape. This "Guide" explores the wealth of critical material generated by these two exceptional works of modernist fiction. From the initially mixed critical responses to the novels in the early 1930s, the "Guide" follows the enormous growth of interest in Faulkner's work across six decades. New writings shaped by a range of critical theories are discussed, offering the reader a clear view of the place now given to one of America's most innovative and influential novelists.

    This is the English village of Fairacre: a handful of thatch-roofed cottages, a church, the school, the promise of fair weather, friendly faces, and good cheer -- at least most of the time. Here everyone knows everyone else's business, and the villagers like each other anyway (even Miss Pringle, the irascible, gloomy cleaner of Fairacre School). With a wise heart and a discerning eye, Miss Read guides us through one crisp, glistening autumn in her village and introduces us to a cast of unforgettable characters and a world of drama, romance, and humor, all within a stone's throw of the school. By the time winter comes, you'll be nestled snugly into the warmth and wit of Fairacre and won't want to leave.

    She finds London a very lonely place, until a charming young artist literally drops in on her rooftop garden... Across two quietly powerful novels, Bel's story unfolds as she moves from London to a fishing hotel in the rugged Scottish highlands and then finally to a picturesque cottage in the Cotswolds in need of repair, all while attempting to navigate unexpected friendships and romances. Filled with all the warmth and charm which D. E. Stevenson readers have come to anticipate, The Bel Lamington Novels are beautifully written gentle romances, sure to satisfy steadfast Stevenson fans and newcomers alike.

    The story covers Maggie Clarke's upbringing in the tenements close to the docks, the River Mersey and the Leeds and Liverpool Canal: an area notorious for having the worst slums in Britain, yet the closest community as well.At the tender age of 11, Maggie Clarke finds herself the matriarch of the family when her Irish mother runs off with another man. Leaving school at 14 to work at a local factory putting sticks into lollies, she is determined to make a better life for herself and her family - before starting her own family with her childhood sweetheart, who she marries at 19 after 'falling in the family way'. She has one night of married life with her husband before he is sent to India with the Navy and is devastated when she never hears from him again, presuming him a casualty of the war that is raging at home and abroad. Another tragedy strikes when Maggie's brother Tommy is also claimed by the war, leaving her father inconsolable, but Maggie knows life has to go on and falls in love with Joseph, an Irish settler who she has 8 children with. But her happiness is short-lived as her first husband suddenly appears out of the blue demanding a divorce, and her new husband drinks away what little money they have, returning in fits of rage that leave Maggie and her children hungry and afraid. Many times she is only able to feed her brood by the kindness of neighbours putting a 'pan of scouse' on the range for her, or feeding her kids jam butties to help out. Maggie's story sweeps across the changing face of Liverpool, from its squalid dock streets, the tenement blocks and cobbled roads to the decline of the docklands, new council housing, the rise of the Mersey beat, the Beatles and the energy and passion of a city that is home to a cast of colourful characters with the resilience to withstand the heartbreak and hardships that only the poorest can know.

    Ronnie and Reggie Kray are school ground bullies brought up by a domineering mother and two devoted aunts. National Service and spells in prison expose the brutality that helps establish the twin brothers as the kings of 1960s gangland London.Philip Ridley's original, uncut screenplay, almost as notorious as its subject matter is a stylised meditation on maternal love, childhood, violence and homoeroticism and takes its place as one of the masterpieces of contemporary cinema.

    In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

    Stella Ainsworth has settled for suburban peace with a pedantic husband, a dissatisfied daughter and a clutch of beloved grandchildren - who all take her presence in their lives for granted.Then Cameron Keene, her boyfriend from her teenage years who'd left for America to become a rock icon of the Sixties, returns to England.Much to Stella's astonishment, Cameron announces in an interview that his most famous song, which became a legendary love anthem across the world, was written about Stella, and that he has come back to find her.What Became of You, My Love? explores the power of music to take us back to our youth, and asks if we can ever relive those giddy times when everything seemed possible

    "It catches one up and unfolds its amazing story through the recountings of its several narrators, all of them enticing and singular." Wilkie Collins’s spellbinding tale of romance, theft, and murder inspired a hugely popular genre–the detective mystery. Hinging on the theft of an enormous diamond originally stolen from an Indian shrine, this riveting novel features the innovative Sergeant Cuff, the hilarious house steward Gabriel Betteridge, a lovesick housemaid, and a mysterious band of Indian jugglers.This Modern Library Paperback Classic is set from the definitive 1871 edition.

    Between the staff of quirky co-workers, glamorous and unusual guests, and her growing friendship with the charming but mysterious Sidney Daniels, Maisie is living out adventures instead of just penning them in the pages of her would-be Gothic novel's growing number of chapters. And then there's the slight problem of keeping the balance between friendship and 'something more' with Sidney, who's helping introduce her to the village's version of a Cornish Halloween, and has recently taken an interest in Maisie's secret that may change things between them. But even Maisie’s imagination can't conjure the unusual event this Halloween brings to the Penmarrow. An eccentric earl has chosen this site to host his lavish birthday celebration that includes a pretty (and perceptive) young psychic whose predictions seem to have everyone on edge — and, to Maisie's delight, the elusive novelist Alistair Davies is rumored to be part of the guest list! But with the earl's bickering relatives and illustrious friends on hand— and more than one ghost of the past waiting to be revealed — it’s anyone’s guess what the festivities will bring before the party is over. Will the psychic foretell doom for the earl's gathering—and is her ‘gift’ as genuine as it seems? Will Maisie finally meet her favorite author face to face? And, more importantly, what about the romantic sparks that fly between Maisie and Sidney?

    Loved by most that she meets, Charlotte has a gift for friendship, and it is her work as a Sunday School teacher that gives her hope - and an escape from home. When Charlotte meets Miles Thornton, she is instantly drawn to him. He is new to the area and a widower, with three lovely young sons to look after but the one thing he has longed for is a daughter. As they grow to understand one another, it seems that Miles and Charlotte have more in common that meets the eye... Sweeping from the early 1920s through to the end of World War II, SONS AND DAUGHTERS is a compelling, traditional saga set against the Lincolnshire landscape that Margaret Dickinson portrays so well.

    Charles Goodwin, the garden committee president, would like the garden to stay just the way it is. Lord Vernon of Barnstable, the appalling life peer, has plans for the garden. Bryony Mullins, the gusset-mouthed harridan, doesn't give a flying knicker elastic what happens to the garden as long as it's not what Vernon wants. Angel Tenby, the sexually organic gardener, wants the garden to run free. Mrs Kotzen, the neighbour, wants the garden to be chic. The vicar wants the garden to be accessible and relevant. Lily Ng, the teenage daily, would probably think the garden silly if she thought about it at all; she wants to offer sex in lieu of ironing. Mona Corinth, the Hollywood legend, is dead and may be about to become part of the garden. Iona Wallace is the obligatory love interest. She would like to be a garden: laid, forked, plucked, seeded, mulched, vigorously pollarded, bedded and admired for her natural beauty. The garden wants absolutely nothing at all.Sap Rising may well be a story about dark dank nature both human and vegetable and our uneasy relationship with the mystic natural forces that move the earth. It may be a parable on the fragile consensus that maintains and tends green England. On the other hand, it might just be a farcical love story set in a garden about nothing of any consequence performed by comic grotesques with a lot of swearing and unnatural sex.

    Beautiful, spoilt, vain and irrepressibly witty, Emma organizes the lives of the inhabitants of her sleepy little village and plays matchmaker with devastating effect.