The small, rural Irish farm has been the pride of them all until Ned's wife, Martha, arrives and begins to undermine generations of hard work and happiness. She resents the deep history of the place and sets about making it her own, shutting out what is left of Ned's family. She is particularly jealous of Ned's sister, Kate, a local nurse and doting aunt to Martha's children.When Ned dies suddenly, Martha puts Mossgrove up for sale in hopes that it will be bought by the neighbouring Conways, who have long coveted the Phelan farm. What she does not realize are the lengths to which Kate and the hired hand Jack will go to keep the land in the family ...

    When her firm becomes embroiled in what could be an international scandal around a key client and Brad begins asking questions about her past, an overwhelmed Mimi begins to sink into emotional chaos. One glance at herself in an old mirror leads her to dig into her past and courageously relive the traumas of her childhood. Thus begins the heart of Uyen Nicole Duong’s Mimi and Her Mirror, a poetic, passionate, and sometimes chilling novel about Vietnam and a girl known as Mimi Suong Giang, whose youth was destroyed as she attempted to escape during the fall of Saigon. Readers share young Mimi's hopes, dreams and courage as she valiantly struggles to find her way into the light.

    This vivid portrayal of the universal search for love brings with it a darker tale, heartbreaking in its poignancy.

    Come home when you can.” He returns to discover a place both wholly familiar and barely recognizable and is cast into the center of an interracial land dispute with the exigencies of war.   Widely acclaimed when first published in the eighties, the timeless novel Red Earth, White Earth showcases Will Weaver’s rough ease with language and storytelling, frankly depicting life’s uneven terrain and crooked paths.

    It continues the story of Helen Hewitt, striving to be reinstated as prison governor in charge of a high security prison for men (she lost her job at the end of the first series).

     The tormented spirit of mysterious Alienor, a once beautiful young woman abandoned by her Crusader lover centuries ago, relentlessly follows him. In ways that he has never understood, Rafe is cursed by her powerful and obsessive love, which has endured across the ages, taunting him and visiting him in his dreams... Who is Alienor? What does she want? And what lengths will she go to seek her revenge? Yet Rafe is not the only one who is still suffering at the hands of Alienor’s wrath and when he agrees to take part in a séance whilst on holiday in Crete, he receives a message that changes his life forever. It leads him on a trail to the quiet Kent countryside and there, as if waiting for him, is Nell Gurney. Her resemblance to Alienor is uncanny and he is instinctively drawn to her. Initially oblivious to any growing danger, Nell and Rafe quickly become close, driven by a strange sensation that they already know each other. But someone else intrudes upon them in a horrifyingly intimate manner and tries to hint that identity is no longer a matter of personal choice... Beneath the cosy exterior of the cottage Nell shares with her father, there is a dark secret that has shaped the lives of the Gurney family for centuries. As the forgotten story of a scorned woman comes to life, Nell and Rafe are mirrors for a force that has the power to destroy them. When tragedy strikes, Rafe’s friend Stephen and a bewitching, chilling exploration into the practise of exorcism is their only hope... Praise for Elizabeth Harris ‘Enormously enjoyable … hard to put down. Elizabeth Harris writes with sensitivity and skill and a spine-chilling eye for the sinister’ - Barbara Erksine, author of Lady of Hay Elizabeth Harris was born in Cambridge and brought up in Kent, where she now lives. After graduation she hid a variety of jobs including driving a van, being a lifeguard and working in the Civil Service. She has travelled extensively in Europe and America, and lived for some years in the Far East. Elizabeth Harris was one of the finalists of the 1989 Ian St James Awards.

    An outsider in his own country—adrift between two worlds divided by class, race, and culture—he’s always been searching for home. Alongside a flock of other streetwise young men, each looking for direction and each easily susceptible, Tariq finds his cause in the Muslim revival.Idealistic, driven by faith, and empowered with purpose, he’s drawn to radical Islam—his last resort for achieving a sense of belonging, for embracing and being embraced. It’s only when he enlists in the war against Assad that Tariq’s eyes are truly opened. Dispirited with the violence, faced with the consequences of his choices, and increasingly distanced from the brutalities of jihad, Tariq’s spiritual struggle is now his alone. So are the stories he will tell to make sense of his life.In this daring and unprecedented work of literary fiction, Demian Vitanza explores the power of memory, the lure of rebellion, the search for meaning amid chaos—and the toll that such a journey can take before finally finding one’s way home.

    Descended from pioneers and the daughter of a rancher, Pamela lives according to her own script, and nothing seems to happen as expected. The world beats on—World War I, the influenza epidemic of 1917, the Great Depression—and local fortune rise and fall with the price of beef. For Pamela the fight that counts is defined by a sense of independence and pervasive loneliness, by the twists and turns of love and friendship.

    I felt it though. I let out an incredible whoop of joy and skipped into the air, laughing and laughing; there was so much joy inside me. For the first time in all my memory, I could not contain myself.As a boy in the early 1940s, young Boden Black finds his life changed for ever the day his neighbour Dudley drives him over the hills into the vast snow-covered plains of the Mackenzie country. Unexpectedly his world opens up and he discovers a love of landscape and a fascination with words that will guide him throughout his life, as he forges a career as a butcher and poet, spends a joyous summer building a hut on the slopes of Mount Cook and climbs to the summit in the company of Sir Edmund Hillary.A moving exploration of onw man's journey and the events which shape him, The Hut Builder is also an evocative celebration of the mountain world and the wonder of life.

    From her first stock show to the day she turns eighteen and flees for the comforts of the city, Dickie bucks the cattle-ranching lifestyle and yearns for manicured lawns, housebroken pets, and neighborhood playmates. Yet she reluctantly finds herself drawn to the vast, desolate landscape of the desert and the solitude it offers—a feeling she won't acknowledge even within herself.Now a grown woman, Dickie is a respected reporter in Salt Lake City, convinced that physical distance and a convenient but passionless relationship will erase the memory of her painful childhood. But when her brother dies in a tragic accident, Dickie finds herself back in the farmhouse she tried so desperately to abandon. Suddenly, she is faced with her family's past and a love she's never admitted to, bringing down the walls of her carefully contrived existence.Accustomed to the physical boundaries city life entails, Dickie feels emotionally exposed by the fenceless expanse of the ranch. As she navigates her past, piecing together relationships, romance, and the pull of the mountains themselves, she finally confronts the pivotal moment of her childhood—the horrifying discovery that made her flee the desert so many years ago.A novel that spans two generations and vast landscapes, The Last Cowgirl brings to mind the writing of Pam Houston and Barbara Kingsolver. Richman's provocative prose, pulled from personal experience, will strike a chord with anyone who has been faced with demons from their past and found solace in the space around them.

    For the Appleton sisters, life had unravelled many times before. This time it explodes.Eight-year-old Hariet, known to all as Ari, is dispatched to Cape Breton and her Aunt Mary, who is purported to eat little girls . . . With Ari on the journey is her steadfast companion, Jasper, an imaginary seahorse. But when they arrive in Pleasant Cove, they instead find refuge with Mary and her partner Nia.As the tumultuous ’60s ramp up in Toronto, Ari is torn from her aunts and forced back to her twisted mother and fractured sisters. Her new stepfather Len and his family offer hope, but as Ari grows to adore them, she’s severed violently from them too, when her mother moves in with the brutal Dick Irwin.Through the sexual revolution and drug culture of the 1960s, Ari struggles with her father’s legacy and her mother’s addictions — testing limits with substances that numb and men who show her kindness. She spins through a chaotic decade of loss and love, the devilish and divine, with wit, tenacity, and the astonishing balance unique to seahorses.The Clay Girl is a beautiful tour de force that traces the story of a child, sculpted by kindness, cruelty and the extraordinary power of imagination, and her families — the one she’s born in to and the one she creates.

    He’s seventeen, I'm thirty-three. I was his teacher. I’d have killed myself by now if I was brave enough. I don’t think it would hurt the baby. His little heart would stop with mine. He wouldn't feel himself leaving one world of darkness for another, his spirit untangling itself from me.’Melody Shee is alone and in trouble. Her husband doesn't take her news too well. She doesn't want to tell her father yet because he’s a good man and this could break him. She’s trying to stay in the moment, but the future is looming – larger by the day – while the past won’t let her go. What she did to Breedie Flynn all those years ago still haunts her.It’s a good thing that she meets Mary Crothery when she does. Mary is a young Traveller woman, and she knows more about Melody than she lets on. She might just save Melody’s life.Donal Ryan’s new novel is breathtaking, vivid, moving and redemptive.

    A world not unlike the one we live in. John, a hapless young student with a potentially brilliant academic career ahead of him, and Mariam, a shy, preternaturally perceptive woman from the north, meet and fall in love in college. Their early careers, their seemingly mismatched natures, and the alarming changes occurring in their country conspire to keep them apart for years. But a day comes when, across a great distance, both realize that they have always loved each other. During the intervening years, however, the troubles in their country have reached a critical impasse. Government crimes have been white washed, personal liberty is deeply compromised, a resistance movement has emerged from the underground to take the fight for freedom to the streets, and the government militia employs increasingly draconian measures in an attempt to maintain control. When Mariam is implicated in the latest spell of anti-government actions and arrested without appeal, the consequences of her and John’s love will prove potentially dire for both. The Pathless Sky is a haunting and moving novel for readers of Michael Ondaatje’s The English Patient, Jhumpa Lahiri’s The Lowland, and the novels of Amitav Ghosh. Sen’s lyrical language and fluid storytelling mirror the rhythms of political struggle itself. John and Mariam are unforgettable characters, troubled lovers who struggle to find a space for the finest human emotions in a place that is determined to abolish them.

    Money is scarce and pride doesn't pay the doctor or put food on the table. Alice gets work at Whernside Manor looking after Lord Frankland's fragile sister Miss Nancy. Meanwhile Will and his best-friend Jack begin working for the Lord of the Manor at the marble mill. But their purpose there is not an entirely honest one. For a while everything runs smoothly, but corruption, attempted murder and mis-placed love are just waiting in the wings. Nothing is as it seems and before they know it, Alice and Will's lives are entwined with that of the Frankland's and nothing will ever be the same again.

    These days it's Rory who has to look after the old man, and both of them dread being split up. But when he's told his grandad needs to go into a home and that he will be fostered, Rory is galvanised into setting out on the run with Granda. But where are they going, and where can they hide when their faces are plastered all over the newspapers and TV?