I am the one who came out on the other side of childhood; she is the one who searched for the door."In the tradition of The Glass Castle comes a debut memoir about a woman’s hopeful life despite the sad results of her mother’s choices. Moonlight on Linoleum is an affecting story of a girl who rose above her circumstances to become an early and faithful caretaker to her five siblings. It is about the power one finds in sisterhood to thrive in a difficult and ever-changing landscape as the girls bond in unconditional love despite constant upheaval and uncertainty. In these pages, Teresa Helwig crafts a moving portrait of a mother she loved completely even as she struggled to understand her. "Putting myself in Mama's shoes, which were most often white moccasins molded in the shape of her size seven-and-a-half foot, I see an eighteen-year-old girl with two children, one of them still a baby. . . . Her former husband is in Korea, drafted after their divorce; she has a sister who disappears from time to time, leaving yet another child in her care; she has no money, no high-school diploma, and a mother unhappy to have her home." Teresa and her sisters, who were added regularly throughout the 1950s and '60s, grew up with with their charismatic, troubled, and very young mother, Carola. Because of their stepfather’s roving job as in the oil fields, they moved frequently from town to town in the American West. The girls were often separated and left behind with relatives and never knew what their unstable mother would do next. Missing her mother became a habit for Teresa; one summer Carola dropped off her two daughters at her ex's family farm."If there were an idyllic summer of childhood, it was that summer on the Iowa farm. Yet, if I had to choose a time when I felt most forsaken by my mother, it was also that summer. Even back then, I was acutely aware of the paradox. On the outside, by day, I was like the morning glory vine twining around the back fence. Every day opened to a life I loved on the land. I reveled in and relished the absolute freedom and abandon of being turned loose in Eden.      "But then, each evening, after the sun set and the dinner dishes had been hand-washed and dried, I became like the moonflower vine climbing up the weathered boards on the side of the garage. The moonflower opens its large fragrant blooms at night; they shimmer like moonlight and sweeten the night air.     "I evolved a ritual at bedtime before crawling into my bed . . . I held Mama's Polaroid picture to my heart. I love you. Please come get us soon. I want to be with you more than I want to be anywhere else. These were my prayers, my blooms that opened to the night. Then I pursed my lips against the cool glass and kissed her smiling face goodnight."There were good times too: Carola made fudge for the girls during rainstorms, helped Teresa's cat deliver kittens, and taught her to play "You Are My Sunshine" on a toy piano. But when her husband was out working on the oil fields, Carola, who had married at fourteen, began to fill her time with men she met in the various towns her roving family moved to. She referred to her secret dating life as "going to Timbuktu," leaving Teresa in charge of her siblings. As Carola roamed and eventually developed crippling migraines, Teresa became a replacement mommy before her own childhood was fully in swing. Stress, guilt, and recurring nightmares marked her days and nights."In addition to the amphetamines [for weight loss], Mama was now taking barbiturates for her migraines. Her moods began to yo-yo. She became as hard to predict as the weather. When Daddy was out of town and Mama was in one of her fogs, I learned to fend for myself. And, being the oldest, I learned to fend for my sisters, too . . . It was around this time I came to realize a hard truth. Once your sisters begin looking up to you, as if you really could save them from being poisoned, as if you know a way out of a dark cave, there's no going back. You'll draw your last breath, trying to find that door to the Lost City of Enchantment, because you can't bear to let them down."Yet, even in the face of adversity, Teresa found beauty in the small moments: resting in the boughs of her favorite oak tree, savoring the freedom she found on her grandparents’ farm, and gleefully discovering the joys of dating and dancing. While Carola struggled for an exciting and satisfying life, Teresa faced adolescence and young adulthood, increasingly burdened by Carola's dysfunction. Finally, as the family splintered between colleges, homes, stepfathers, and their mother's disintegrating mental health, Teresa drove Carola to a mental hospital--where at last the mother of five found some peace and order.Upon leaving the hospital, sadly Carola continued in a downward spiral: more men, a drug addiction, a toddler son's death, and finally her own accidental overdose death in 1974. Though Carola's unhappy life meant Teresa's was marked by hardship and tragedy, Teresa found redemption in writing her mother's story and discovering empathy for the woman continually harmed by her own bad choices. The bonds of sisterhood helped sustain her, and today the girls are still close, still savoring the good in a childhood pocked with pain. Teresa, now a counselor and mother of a daughter, was able to conclude, after visiting her mom's grave and asking her blessing on the book, I believe joy and sorry rest together, the two sides of love. I have repeatedly uncovered places of joy inside my own heart tucked within the folds of sorrow.  With enormous skill and sensitivity, Teresa deftly explores the history she shared with Carola and the relentless love of a child for her mother.

    Parsell held up the local Photo Mat with a toy gun, he was sentenced to four and a half to fifteen years in prison. The first night of his term, four older inmates drugged Parsell and took turns raping him. When they were through, they flipped a coin to decide who would "own" him. Forced to remain silent about his rape by a convict code among inmates (one in which informers are murdered), Parsell's experience that first night haunted him throughout the rest of his sentence. In an effort to silence the guilt and pain of its victims, the issue of prisoner rape is a story that has not been told. For the first time Parsell, one of America's leading spokespeople for prison reform, shares the story of his coming of age behind bars. He gives voice to countless others who have been exposed to an incarceration system that turns a blind eye to the abuse of the prisoners in its charge. Since life behind bars is so often exploited by television and movie re-enactments, the real story has yet to be told. Fish is the first breakout story to do that.

    On a daily basis both Michael and his mother would fall under the man’s wrath, and one awful night Michael’s father began sexually abusing his son, a trend that would continue for years. Worse still, the abuse did not stop at home. Once he began school, Michael fell victim to terrible bullying and a teacher who violated him repeatedly. Despite the horror of these years, Michael was ultimately saved by his own will to live, which inspired him to seek a better life as a friar. This is the remarkable story of an individual who, against all the odds, managed to preserve his own dignity and finally escape the horrors of a stolen childhood.

    On the same day, a few miles apart, their estranged husbands slaughtered their children. The murders were not driven by rage, or committed in moments of madness. They were planned, and carried out with chilling precision, to inflict the worst pain imaginable.June and Giselle did not know each other. Tragedy is all that binds them; they were destined to come together as ‘sisters’, united by pain, grief and a sense of loss so immense that it would drive both to the brink of madness.June’s life with Rab Thomson had been a dark and turbulent existence, characterised by mental torture, physical violence and rape. Giselle’s relationship with Ashok Kalyanjee had been a strange and distant affair, of lives spent apart before, during and after marriage.But both relationships had produced two beautiful children, and the women believed that their misery was in the past. Both mothers believed it was important to allow the fathers’ access to their children. On that fateful Saturday in May 2008, neither could have conceived that the men they had once loved would do anything to harm their children. But they were wrong, so terribly wrong.Nothing can bring their children back. But June and Giselle have one solitary comfort: they are no longer alone. Their lives may have been torn apart, but they have each other. Together, they are stronger.This is the story of their parallel journeys: of the dreadful days before, during, and after the murders of their children. Told in their own words, with searing honesty of their pain, and guilt, it is a story of endurance, friendship, and survival against the odds. It is not a story for the faint hearted, but it is a story that must be told, for in the end, it is a testament to the human spirit.

    . . eloquent . . . a powerful portrayal of a young man's ability to emerge whole from an experience intended to break him."--Publishers WeeklyIn September 2010, at the beginning of the academic year at Sarah Lawrence College, a sophomore named Talia Ray asked her roommates if her father could stay with them for a while. No one objected. Her father, Larry Ray, was just released from prison, having spent three years behind bars after a conviction during a bitter custody dispute.Larry Ray arrived at the dorm, a communal house called Slonim Woods 9, and stayed for the whole year. Over the course of innumerable counseling sessions and "family meetings," the intense and forceful Ray convinced his daughter's friends that he alone could help them "achieve clarity." Eventually, Ray and the students moved into a small Manhattan apartment, beginning years of manipulation and abuse, as Ray tightened his control over his young charges through blackmail, extortion, and ritualized humiliation.Daniel Barban Levin was one of the original residents of Slonim Woods 9. Ray coached Daniel through a difficult break-up, slowly drawing him into his web. After two years of escalating psychological, physical, and sexual abuse, Daniel found the strength to escape from Ray's influence and take control of his own life.In April 2019, a New York magazine cover story, "The Stolen Kids of Sarah Lawrence," exposed Ray's crimes to the world. In February 2020, he was finally indicted on charges of extortion, sex trafficking, forced labor, and money laundering.Beginning the moment Daniel set foot on Sarah Lawrence's idyllic campus and spanning the two years he spent in the grip of a megalomaniac, this brave, lyrical, and redemptive memoir reveals how a group of friends were led from campus to a cult without the world even noticing.

    But you should be careful what you wish for…Mark is sorry the first time he hits Aisha. His tears make her all the more determined to be a better wife; not to let herself down again. But however hard Aisha tries, she can't live up to Mark's impossible expectations – or escape his terrifying, violent temper. Soon she is trapped in a cycle of horrific abuse and imprisonment. And with two young children to protect, Aisha must draw on what strength she has left to find an escape.What follows is something so devastating it plunges Aisha into her darkest days yet. Is the price she must pay for freedom too high?

    Now she tells her own gripping story-the unbelievable motive for the murder, the shocking identity of the accused, and her own nine-year battle to bring her son's killers to justice.

    "Now everyone is going to know." "I know," I said. "I’m sorry."Kelly Sundberg’s husband, Caleb, was a funny, warm, supportive man and a wonderful father to their little boy Reed. He was also vengeful and violent. But Sundberg did not know that when she fell in love, and for years told herself he would get better. It took a decade for her to ultimately accept that the partnership she desired could not work with such a broken man. In her remarkable book, she offers an intimate record of the joys and terrors that accompanied her long, difficult awakening, and presents a haunting, heartbreaking glimpse into why women remain too long in dangerous relationships.To understand herself and her violent marriage, Sundberg looks to her childhood in Salmon, a small, isolated mountain community known as the most redneck town in Idaho. Like her marriage, Salmon is a place of deep contradictions, where Mormon ranchers and hippie back-to-landers live side-by-side; a place of magical beauty riven by secret brutality; a place that takes pride in its individualism and rugged self-sufficiency, yet is beholden to church and communal standards at all costs.Mesmerizing and poetic, Goodbye, Sweet Girl is a harrowing, cautionary, and ultimately redemptive tale that brilliantly illuminates one woman’s transformation as she gradually rejects the painful reality of her violent life at the hands of the man who is supposed to cherish her, begins to accept responsibility for herself, and learns to believe that she deserves better.

    A brilliant portrait of an inscrutable family thrust under the spotlight of public suspicion and an affluent, tranquil city torn apart by a crime it couldn't handle, Perfect Murder, Perfect Town uncovers the mysteries that have bewildered the nation.Why were the Ramseys, the targets of the investigation, able to control the direction of the police inquiry?Can the key to the murder be found in the pen and writing pad used for the ransom note?Was it possible for an intruder to have killed JonBenét?

    Dozier School for Boys in Marianna, Florida—the largest reform school in the country—always seemed like a model for how to turn wayward teens back into productive members of society. But for decades, the century-old school’s alumni whispered about a nightmarish reality that lurked behind the gleaming façade—a legacy of beatings, sexual abuse, and even murder, the evidence buried in unmarked graves on the overgrown fringes of the property.In The Bones of Marianna, David Kushner tells the story of the unlikely crusaders who pushed Dozier’s dark past into the light. A one-time high school football star, haunted by the memory of a departed teammate, spends years quarterbacking the fight to expose the truth, while an anthropologist uses cutting-edge technology to dig up grim secrets. Informed by months of reporting, Kushner delivers a gripping tale of hard-won justice—and exclusive details on more secrets that may be waiting to be unearthed.

    Confidential comes My Dark Places, an investigative autobiography by James Ellroy. In 1958, Ellroy's mother, Jean, was raped, killed, and dumped off a road in El Monte, California, a rundown L.A. suburb. The killer was never found, and the case was closed. It was a sordid, back-page homicide that no one remembered. Except her son.James Ellroy was ten years old when his mother died. His bereavement was complex and ambiguous: "I cried. I cranked tears out all the way to L.A. I hated her. I hated El Monte. Some unknown killer just bought me a brand-new beautiful life." He grew up obsessed with murdered women and crime. He ran from his mother's ghost.Ellroy became a writer of radically provocative and bestselling crime novels. "I wear obsession well," he says. "I've turned it into something." He tried to reclaim his mother through fiction. It didn't work. He quit running and wrote this memoir.My Dark Places is Jean and James Ellroy's story—from 1958 to all points past and up to this moment. It is the story of a brilliant homicide detective named Bill Stoner and of the investigation he and Ellroy undertook. It is also an unflinching autobiography with vivid reportage. This is James Ellroy's journey through his most forbidding memories.

    Then, aged fourteen, she was groomed by the father of a schoolfriend, a local businessman who seemed to love her. She ran away from home to be with him. Pregnant at sixteen, and rejected by her parents, she ended up marrying him. For years, Dawn suffered psychological abuse from her husband, who belittled and threatened her. She was also forced to work all hours in the bars he owned and realized she was good at business - better than him. As her confidence grew, she found the strength to tell the police about her brother. Gradually, Dawn realized she was more than an abused wife - she was a survivor. When she fell in love with a genuinely good man, she hatched a dangerous plan to free herself from her husband and take the thing he cared about most - his money.

    Every story he wrote had one thing in common―they didn't have an ending. The killer was still out there.But after the sudden death of a friend, crime writer and author of I'll Be Gone in the Dark, Michelle McNamara, Billy became fed up. Following a dark night, he came up with a plan. A plan to investigate past the point when the cops had given up. A plan to solve the murders himself.You'll ride shotgun as Billy identifies the Halloween Mask Murderer, finds a missing girl in the California Redwoods, and investigates the only other murder in New York City on 9/11. You'll hear intimate details of the hunts for two of the most terrifying serial killers in history: his friend Michelle McNamara's pursuit of the Golden State Killer and his own quest to find the murderer of the Allenstown Four. And Billy gives you the tools―and the rules―to help solve murders yourself.Gripping, complex, unforgettable, Chase Darkness with Me is an examination of the evil forces that walk among us, illustrating a novel way to catch those killers, and a true-crime narrative unlike any you've read before.

    'Daddy's Little Earner' tells the shocking story of a young girl forced into prostitution by her own father, and her painful journey to escape her horrific childhood and build a new life for herself and her sons.

    “We were the best bloody band there was,” he says. “There was nobody to touch us.” Nobody except the original nowhere man, Mark David Chapman. Chapman once worshipped his idols from afar—but now harbors grudges against those, like Lennon, whom he feels betrayed him. He’s convinced Lennon has misled fans with his message of hope and peace. And Chapman’s not staying away any longer.  By the summer of 1980, Lennon is recording new music for the first time in years, energized and ready for it to be “(Just Like) Starting Over.” He can’t wait to show the world what he will do.  Neither can Chapman, who quits his security job and boards a flight to New York, a handgun and bullets stowed in his luggage.  The greatest true-crime story in music history, as only James Patterson can tell it. Enriched by exclusive interviews with Lennon’s friends and associates, including Paul McCartney, The Last Days of John Lennon is the thrilling true story of two men who changed history: One whose indelible songs enliven our world to this day—and the other who ended the beautiful music with five pulls of a trigger.